The astonishing pictures drawn by pencil paul caddenhyperrealismphotorealismrealistic
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Artist paul cadden hyper realism this is not a photo this is a drawing done in pencil amazing artwork
You are not alone by rajacenna
Sometimes i think im pretty good then i see things like this this guy must have so much patience
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Alone Girls Painting Pencil Paul Cadden.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it should work if is part of a color route with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame could all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

Always inning with glass, I would e`er entrap with glass, merely I would as well spend the additional money for the UV safety glass. However, I would never use non-glare glass or plexiglas.

Add a territorial dust cover, After attaching the art and framing materials to the definite frame, a dust cover can be used on the back to keep supplementary dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back approach of the molding all the wont around the perimeter. Then a piece of brown paper is laid down on the adhesive near as it is reached flat as you press it onto the adhesive come to pass . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its circumstances within the mats or frame, it can only be secured at the top and allowed to hang if an adhesive or tape is used. It can not be secured solemnly at all four corners or around its perimeter, because the humidity changes persistently and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop outbreaks if it is contained in any course of action rows in the paper become extremely apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as many of my drawings and illustrations using other media on paper, have been framed this track for a number of years.

The glass should be excellently clean and should be tested for finger prints, dust, hair, or other far-off material, before securing it permanently in the frame. You may have to do this more than once.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it must be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is compulsory and preferred in the industry for this buffer or barrier. The same reasoning must be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.

The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To notice if there are any petite fragments on your paper or drawing, you must look at the present itself trimly from a terrible angle, so that you can notice them contrasting from the paper`s arrive as they rise up. You should use a brush or compacted air to remove the fragments from the framing material.

It`s how your completed artwork is presented that makes all the difference. Although it`s tantalizing to simply area your drawing in a ready-made frame, there are numerous things that you should take in contemplation before framing your artwork to insure it is adequately shielded over the years.

Usage acid- costless materials, Any matting, record or adhesive, barriers, or financial backing that you utilization in the framework of your art or drawing can be completely acid free. Acidic materials, after long times of time may actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.

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‘Hyperrealism tends to create an emotional, social and cultural impact and differs from photorealism which is far more technical.

These might look like photographs, but it’s not all black and white when it comes to the work of this artist.

No, they’re not photographs! The astonishing pictures drawn by PENCILArtist’s drawings take between three and six weeks to create and sell for up to £5,000 eachThe hyperrealist art is taken from a photograph but is produced in a non-photographic medium

Hyperrealism was born from the idea of photorealism, which are paintings based on photographs but created in a non-photographic medium.

Altered reality: Hyperrealism was born from the idea of photorealism, which are paintings based on photographs but created in a non-photographic medium

Art in action: Paul Cadden is seen working on one of his pieces. The artist specialises in hyperrealism – a form of detailed drawing that it so lifelike it could be mistaken for a photograph

The 47-year-old, from Scotland, is able to recreate photos in amazing detail, often just using only a pencil.

Some of Cadden’s work is being exhibited at the Plus One Gallery, which specialises in hyperrealism art. For more information, please visit:

Cadden, from Glasgow, was last year shortlisted for Artist of the Year 2011 for his drawing, ‘Painted context’.

‘She appeared on reality TV show ‘America’s Next Top Model’ and is apparently a huge fan of my works.

‘This is the most attention I have received to date and I am excited about the potential to widen the range of my exposure.’

Not all black and white: From a distance Paul Cadden’s work looks like a picture. However, a gallery exhibiting his work said seeing the originals up close reveals the extent of the drawing detail

‘I have done one painting that measured 60 x 40 inches – but I’ll never do that again, it was a killer!

‘But when you see it in a gallery up close, you can tell it’s a drawing. The detail is incredible.’

He sadded: ‘I am also visiting Atlanta for a solo exhibition showcasing my portraits of model Naduah Rugley.

Hand-drawn: It takes the artist an average of three to six weeks to create each piece and they usually come in A1 or A0 size

‘I try to study the internal aspect of the image rather than focusing solely on the external part. I can fall in love with an image – if that doesn’t sound too hippy.’

Taking an average of between three and six weeks to produce, Cadden creates about seven pieces each year – which usually come in A1 or A0 sizes – and sell at galleries for up to £5,000 each.

Shades of grey: Cadden was shortlisted as Artist of the Year 2011 and can usually produce about seven works per year which sell at galleries for up to £5,000 each

From the wrinkles on a woman’s face, a puff of smoke from a cigarette or dripping water – Cadden’s drawings look unbelievably realistic.

Paul has several exhibitions scheduled in America this year and is also due to appear on the prime time Japanese TV show called Unbelievable, which focuses on extraordinary people and events.

‘As well I have been invited to the OK Harris Gallery in New York in November as they are interested in my unusual take on Scottish landscapes.

‘What makes me different from other hyperrealist artists is that I predominantly work in pencil, while many others tend to use an airbrush.

‘My inspiration comes from the phrase “to intensify the normal”. I take everyday objects and scenes of people and then create a drawing which carries an emotional impact – it can be quite beautiful.

Published: 11:50 BST, 15 March 2012 | Updated: 17:29 BST, 15 March 2012

‘Portraits are my favourite to do – I particularly like the one of a man with water running off his face, called ‘After’.’

He said: ‘I’ve been drawing since I was six years old and have wanted to be an artist for as long as I can remember.

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He added: ‘I like to know the stories behind the faces of people I photograph – they could be a veteran war hero, you just don’t know.

Despite looking like they have been captured on a camera, these are actually hand-drawn images created by hyperrealist artist Paul Cadden.

A spokesman for London’s Plus One Gallery, which is featuring Cadden’s work in its current hyperrealism exhibition, said: ‘When you look at a picture of his work, they do look like photographs.

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Smokescreen: Incredible detail has been captured by the hyperrealist artist Paul Cadden, but his work leaves you wondering whether your eyes have been tricked

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