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The glass must be wonderfully clean and can be tested for finger prints, dust, hair, or other far-off material, before securing it permanently in the frame. You may have to do this more than once.

It`s how your completed artwork is presented that makes all the difference. Although it`s tantalizing to just area your drawing in a ready-made frame, there are numerous things that you must take in deliberation before framing your artwork to insure it is adequately protected over the years.

The drawing can be cleaned well, removing smudges, dust, or eraser fragments. To notice if there are any tiny fragments on your paper or drawing, you can look at the draw close trimly from a harsh angle, so that you should notice them contrasting from the paper`s fall as they rise up. You can use a brush or compacted air to remove the fragments from the framing material.

Use acid- complimentary materials, Whatsoever matting, record or adhesive, barriers, or funding that you usage in the framing of your art or drawing must be absolutely acid free. Acidic materials, after long times of time can actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it should work if is part of a color lane with a particular molding and if it is not overpowering the drawing. It`s great to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame could all be selected to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

Add a protective dust cover, After attaching the art and framing materials to the actual frame, a dust cover should be used on the back to keep additional dust, spiders, or bugs from entering the framed picture compartment. This is usually done by using a two-sided tape on the back fall of the molding all the rule around the perimeter. Then a piece of brown paper is laid down on the adhesive appear as it is carried on flat as you press it onto the adhesive betide . You then trim the outer edges of the brown paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it should be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is required and favorite in the industry for this buffer or barrier. The same consideration can be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.

Always set up with glass, I would always framework with glass, simply I would as well drop the supernumerary money for the UV shelter glass. However, I would never use non-glare glass or plexiglas.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its condition within the mats or frame, it should only be secured at the top and allowed to hang if an adhesive or tape is used. It can not be secured seriously at all four corners or around its perimeter, because the humidity changes recurrently and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop chains if it is localized in any mannerism sets of programmes in the paper become very obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as several of my drawings and illustrations using other media on paper, have been framed this fashion for a number of years.

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The Queeky-Player redraws each digital artwork from the beginning to end. Explore how your favourite artworks have been created and get in touch with the process of creativity.     App:    ((You don’t have to register for the app)) 

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Have you ever heard of Bansky, the artist who brought back art to people out on the street? His graffitis and stencils play with the surrounding and melt together with the enviroment. Full of homour he tells us things we might have missed on our way along the street.

Queeky’s main drawing app provides automatic creation of SpeedPaint Videos on the fly. Take a look into the process of making art and learn from your favourite artists.

In our Street-Art Project we want you to do the same. Draw on the wall and use things that you see in order to combine them with your own idea.     App:    ((You don’t need to register for the app))

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