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Super Realistic Pencil Drawings by Arinze Stanley
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Arinze Art Pencil Sketch.

The drawing should be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any tiny fragments on your paper or drawing, you should look at the eventuate neatly from a severe angle, so that you can notice them contrasting from the paper`s fall as they rise up. You should use a brush or compressed air to remove the fragments from the framing material.

The glass should be tremendously clean and must be tested for finger prints, dust, hair, or other far-off material, before securing it permanently in the frame. You can have to do this more than once.

It`s how your fulfilled artwork is presented that makes all the difference. Although it`s tempting to merely area your drawing in a ready-made frame, there are numerous things that you can take in reasoning before framing your artwork to insure it is adequately fortified over the years.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it should be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is required and favored in the industry for this buffer or barrier. The same musing should be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.

Add a territorial dust cover, After attaching the art and framing materials to the definite frame, a dust cover can be used on the back to keep supplementary dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back make headway of the molding all the roadway around the perimeter. Then a piece of brown paper is laid down on the adhesive near as it is stretched flat as you press it onto the adhesive proceed . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it may work if is part of a color system with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame can all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

Utilization acid- costless materials, Whatever matting, tape recording or adhesive, barriers, or financial backing that you usage in the framing of your art or drawing should be wholly acid free. Acidic materials, after long times of time may actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.

Always bod with glass, I would e`er put with glass, merely I would as well drop the extra money for the UV shelter glass. However, I would never use non-glare glass or plexiglas.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its situation within the mats or frame, it must only be secured at the top and allowed to hang if an adhesive or tape is used. It can not be secured solemnly at all four corners or around its perimeter, because the humidity changes continually and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop chapters if it is confined in any attribute successions in the paper become extremely obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as numerous of my drawings and illustrations using other media on paper, have been framed this course of action for a number of years.

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If you like super realistic drawings you have come to the right place. Take your time to admire the exquisite work of Nigerian artist Arinze Stanley. Arinze has some impressive hyperreal pencil drawings in his portfolio. The images look so perfect you will wonder if they are photos or not. At least I was so amazed with all the details and realism of the images that I had to stay focused on the fact that I was looking at drawings. His images look so soft and realistic, it is amazing. The artist works with graphite and charcoal pencils and creates huge portraits that take hours (around 150 to 200) to be completed. From beautiful hair to droplets of sweat and subtle light reflections, the portraits are pure perfection.

Arinze Stanley Egbengwu (b. 1993) in Lagos, Nigeria and graduated from Imo state University with a B.Eng in Agricultural engineering.

Arinze is a passionate Nigerian artist who is keen to capture and represent the essence of individual life forms and expressions through his drawings.

Awards he has won include the ‘World’s best Self-portrait’ in American art awards 2017 and a Cultural achievement award in Junior Chambers International in 2018 .

Tags Arinze Stanley, Hyperrealism, hyperrealistic art, hyperrealistic drawings, Nigerian artist, pencil drawings, pencil portraits, realistic drawings

Starting at an early age of 6, Arinze had always been enthusiastic about drawing realistic portraits on paper. Being exposed to his family’s paper buisness, Arinze grew to love paper and pencils as his toys at a very tender age. Over the years He gradually taught himself how to master both Pencils and Paper in harmony as a medium to express himself through what he calls his three P’s namely Patience, Practice and Persistence. These have guided him throughout his journey as an artist.¬†Working in a genre of art known as Hyper-realism, Arinze drives at creating art that triggers a degree of ¬†emotional connection between his viewers and his subjects.¬†Also using his works as a medium for social and political activism, highlighting pressing matters both in his community and worldwide, matters including Modern slavery , feminism and others.

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I work with my Principle of the Three P’s namely Patience, Practice and Persistence. These have guided me over the years towards perfecting my craft.”¬†

I draw inspiration from life experiences and basically everything that sparks a feeling of necessity, I find myself spending countless hours working on an artwork to stimulate deep and strong emotions in order to connect more intimately with my viewers 

“My art is born out of the zeal for perfection both in skill, expression and devotion to create positive changes in the world.

It is nice to see the stages of each drawing Arinze publishes. This way you can keep track of the amazing work he creates while reminding yourself that you are looking at a pencil drawing. Check out the images we have here and make sure to visit his Instagram for more info about each piece. Enjoy!

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Arinze’s debut group show held at the Omenka Gallery¬†Lagos, Nigeria in 2016 and his debut international exhibition at Scope art show¬†during Miami Art week 2017.

Most times it’s almost like I lose control of my pencils and the art flows through me to the paper. 

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