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Best Arinze Art 2018.

Add a protective dust cover, After attaching the art and framing materials to the definite frame, a dust cover can be used on the back to keep additional dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back draw close of the molding all the fashion around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive happen as it is came as far as flat as you press it onto the adhesive occur . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

The drawing can be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any tiny fragments on your paper or drawing, you should look at the materialize compactly from a grave angle, so that you may notice them contrasting from the paper`s come to pass as they rise up. You could use a brush or compressed air to remove the fragments from the framing material.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its predicament within the mats or frame, it can only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured solemnly at all four corners or around its perimeter, because the humidity changes constantly and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop soap operas if it is restricted in any street streams in the paper become very obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as numerous of my drawings and illustrations using other media on paper, have been framed this method for a number of years.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it should work if is part of a color procedure with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame could all be selected to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

It`s how your finished artwork is presented that makes all the difference. Although it`s tantalizing to simply place your drawing in a ready-made frame, there are numerous things that you must take in consideration before framing your artwork to insure it is adequately safeguarded over the years.

E`er frame up with glass, I would ever systema skeletale with glass, simply I would as well drop the supernumerary money for the UV protection glass. However, I would never use non-glare glass or plexiglas.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it must be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is compulsory and favored in the industry for this buffer or barrier. The same reflection can be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.

Usage acid- complimentary materials, Any matting, tapeline or adhesive, barriers, or financial support that you utilisation in the framing of your artistic creation or drawing must be utterly acid free. Acidic materials, after long periods of time may actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.

The glass must be exceptionally clean and should be tested for finger prints, dust, hair, or other strange material, before securing it lastingly in the frame. You could have to do this more than once.

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Some of my old pieces, as well as my recent ones will be showing today at the @artyrama Art Exhibition, 9 Alhaji Bashorun, Off Norman Williams, Ikoyi, Lagos from 1pm to 8pm. Curated by @jesscastellote If I start to talk, 2015-2017 Charcoal and silver leaf on paper 51 X 32 inches

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Arinze Stanley is an artistic genius whose work is beyond imitation. With charcoal and graphite pencil, Arinze creates works of art that closely imitate life, pouring out raw emotions onto a blank canvas. He is best known for his realistic life-size portraits of normal Africans, showing them in their natural habitats.

On March 8, 2016, he received media attention in Nigeria and beyond after he posted some of his oil paintings on Facebook.

I work with my Principle of the Three P’s namely Patience, Practice and Persistence. These have guided me over the years towards perfecting my craft.” 

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Starting at an early age of 6, Arinze had always been enthusiastic about drawing realistic portraits on paper. Being exposed to his family’s paper buisness, Arinze grew to love paper and pencils as his toys at a very tender age. Over the years He gradually taught himself how to master both Pencils and Paper in harmony as a medium to express himself through what he calls his Three P’s namely Patience, Practice and persistence. These have guided him throughout his journey as an artist. Working in a genre of art known as Hyperrealism and with no form of training, Arinze drives at creating art that triggers a degree of  emotional connection between his viewers and his subjects. Also using his works as a medium for social and political activism, highlighing pressing matters both in his community and worldwide, matters including Modern slavery and feminism and others.

play Oscar Ukonu gained public consciousness when he started sharing photos of his works on social media (Oscar Ukonu)

“My art is born out of the undying zeal of perfection both in skill and expression as I find myself spending countless hours working an a drawing. 

Nwadiogbu coveys his passion for activism through his artworks, depicting ideas of a better life, a better consciousness, and inspiring change.

He shares his works and it’s process on social for fans to ogle.

He has received worldwide acclaim and won many awards including the ‘World’s best self-portrait’ in American Art Awards which was judged by a panel of 25 American galleries. Arinze’s debut group show was at the Omenka Gallery Lagos, Nigeria.

Stanley Arinze Nigerian artist’s hyper realistic portraits are worth more than a thousand words

Arinze’s debut group show held at the Omenka Gallery Lagos, Nigeria in 2016 and his debut international exhibition at Scope art show during Miami Art week 2017.

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Most times it’s almost like I lose control of my pencils and like energy transfer, the art flows through me from my pencil to the paper. 

Oresegun is a Nigerian artist who draws inspiration from his community in making his hyper-realistic pieces.

His drawing and painting are inspired by his environment, mostly using water as the principal theme of his works. Olumide currently owns an art studio in Ikorodu where he showcases his work and holds exhibitions.

Nwadiogbu is a 3-Dimensional Hyper Realistic fine artist who uses his pencils as well as acrylic and oil to create hyperrealistic portraits.

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Arinze Stanley Egbengwu was born on 20th November 1993 in Lagos, Nigeria and graduated from Imo state University with a B.Eng in Agricultural engineering.

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Ayo Filade, is an incredibly talented artist who refers to his style as a mixture of the art movements, surrealism and hyperrealism.

From Arinze Stanley to Oscar Ukonu, these creatives are not slowing down with their high-resolution paintings which have been displayed in exhibitions all over the world.

I draw inspiration from life experiences and basically everything that sparks a feeling of necessity, I love to stimulate deep and strong emotions, as I find them most attractive. 

Awards he has won include the ‘World’s best Self-portrait’ in American art awards 2017 and a Cultural achievement award in Junior Chambers International in 2018 .

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Arinze Stanley Egbe Meet the 23-year-old artist that recreates emotion and reality on paper

Oscar Ukonu is a brilliant self-taught Nigerian artist, who uses only a pen to create stunning photorealistic portraits which take him an average of 100 to 120 hours to complete.

These five people will have you question whether you’re actually looking at a painting or a photograph.

Arinze’s drawings depict figures exhibiting strong or subtle emotions trapped within the strokes on the canvas.

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A post shared by Ken Nwadiogbu (@kenartng) on Dec 9, 2017 at 3:06am PST

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