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Drawing Of A Beutyfull Woman.

Add a protective dust cover, After attaching the art and framing materials to the actual frame, a dust cover can be used on the back to keep supplementary dust, spiders, or bugs from entering the framed picture compartment. This is usually done by using a two-sided tape on the back approach of the molding all the routine around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive follow as it is carried on flat as you press it onto the adhesive arise . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

It`s how your finished artwork is presented that makes all the difference. Although it`s tempting to purely place your drawing in a ready-made frame, there are several things that you must take in study before framing your artwork to insure it is adequately protected over the years.

Ever shape with glass, I would forever bod with glass, simply I would too drop the spear carrier money for the UV protection glass. However, I would never use non-glare glass or plexiglas.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its situation within the mats or frame, it can only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured firmly at all four corners or around its perimeter, because the humidity changes recurrently and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop runs if it is localized in any convention new drama series in the paper become very obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as several of my drawings and illustrations using other media on paper, have been framed this scheme for a number of years.

Employment acid- costless materials, Any matting, tape measure or adhesive, barriers, or support that you use in the frame of your artistic production or drawing should be entirely acid free. Acidic materials, after long periods of time should actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.

The glass can be tremendously clean and can be tested for finger prints, dust, hair, or other foreign material, before securing it lastingly in the frame. You may have to do this more than once.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it could work if is part of a color habit with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame could all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any tiny fragments on your paper or drawing, you should look at the draw closer neatly from a severe angle, so that you could notice them contrasting from the paper`s draw nigh as they rise up. You should use a brush or compacted air to remove the fragments from the framing material.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is necessary and favorite in the industry for this buffer or barrier. The same reflection can be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.

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beautiful drawings but as an instructional book it’s pretty weak. Not a single mention of how to draw hair

Perhaps the best companion for starters who prefer drawing detailed and well defined women, like they are meant to be seen! Each Chapter is explained in detail, by Frank, the dos and don’t s on how to portray them, and to be able to make each drawing jump out of the picture.

It’s hardcover, and 144 pages long! It includes art from Marvel, Jungle Girl, Liberty Meadows and Mars, the before and after. His knowledge of anatomy is outstanding! If you love his art, and like to learn more on how to draw women Frank style, get it now! You won’t regret it!

Women: Selected Drawings & Illustrations, Book 2 (Frank Cho Women Selected Drawings &…

From lifelong experience, I became fairly good at sketching, but anything beyond that – inking, shading, coloring, detailing – is where I come to grief. From previous descriptions, I expected this book to specifically address these steps.

Cho does cover them, but briefly. There are many excellent tips, and an extraordinary chapter on the unusual – and difficult – technique of shading with a ballpoint.Most of this handsome book is devoted to sketching according to Cho’s canon: small head (1/8), large and muscular body, with attention to the effects of gravity and motion ( think Michelangelo, Rubens, Frazetta ) .

Recommended to students of academic drawing.

5.0 out of 5 starsCaught Somewhere Between Art Book and How-To Guide – Still Beautiful Work For Fans

4.0 out of 5 starsThough not for beginners, it has excellent advice.

5.0 out of 5 starsThis book is a great insight on how Frank Cho creates beautiful women in …

This book is a great insight on how Frank Cho creates beautiful women in the work that he does.If you think this is a full how to on everything drawing then don’t out right buy this. This is more for an advanced student that already knows classic figure drawing.

This book illustrates how you can take the basics and break out of that mold and follow more of Frank Cho Method.I do suggest picking up Drawing the Head and Figure by Jack Hamm to get the main basics and then pick this up to really make those ladies pop.

I don’t know if Frank ever reads these, but if you do thanks. I know you love the ladies but if you could also do a book on Men as well. Your work on THE TOTALLY AWESOME HULK is great. Keep it up.

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I LOVE Cho! This book is outstanding. It’s definitely not for a raw beginner, though. This is more geared toward someone who has at least some experience in working with figures – in particular female ones – as well as dabbling in pen and ink and sketching.

And the section where he works with a plain old ballpoint pen…amazing. If, as a relatively seasoned artist, you take the time to study what’s here, you’ll come away enlightened. But if you’re expecting to hit this level at the start, well.

..nope. Ain’t gonna happen. Buy the book anyway and stash it for your rainy artist’s day. After some trials and errors you can then go back and dig it out like the treasure it is and enjoy. If nothing else, the Jungle Queen pages alone are worth the price of admission.

If you love Cho, get this book, add it to your collection, feed your obsession.

This book feels like a mess of random (but helpful) notes about drawing a sexy woman. Frank Cho is an excellent artist; his sample works and processes speak for themselves. However, maybe he should have organized the content of his book a little different.

Also, this book is not for beginners. You must already know a good bit about drawing if you’re ever going to benefit from his advice.

Frank Cho: Women: Selected Drawings & Illustrations Volume 1

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A very beautiful book, full of beautiful work, but not a very good “how to draw” manual. The step by step for drawing beautiful women who are in motion goes like this… “Here is my rough sketch, here I fine tune, here is the final piece.

” No real insight into why decisions were made or what to consider when putting a drawing together. The technical proportions part and some other parts of the book are good and helpful. All in all a book of beautiful women, but not a great tutorial.

5.0 out of 5 starsnot to mention the beautiful examples of his work

Mr. Cho is, in my estimation, a remarkable artist; particularly in regards to his ability when drawing the female form and dinosaurs. This isn’t to say that his male forms and figures aren’t also top-notch but I think most people who follow this artist are going to enjoy his “classic” female forms.

Mr. Cho is a self-taught artist who relied on classic masters as points of interest and development and is an interesting person in his free time, if his blogs and public speaking engagements are any indication, very dry sense of humor.

For those who are looking to see his techniques and how he builds his forms, this is a pretty solid work but I would say that this is almost more of an “art book” than a “how-to guide”. If you are, or are buying for, a beginning artist then this may be something they’ll enjoy as “inspiration” but won’t really get much out of the instruction.

There is a lot of instruction in the book but I’d say it’s almost more about his philosophy about art than a bare-bones building guide. For those unfamiliar with his works, if you enjoy Tarzan-like art work, dinosaurs and scantly-clad women hunting them or even just a “classic” take on comic styles, then you’ll probably enjoy this.

That said; if you’re looking for a basics or beginners how-to book or purely an art book then I’d look elsewhere. If you’re looking for a great book with female form and figure as an art book in a comic style you may want to take a look at Adam Hughes’ book Cover Run:https://smile. if you’ve been through Christopher Hart’s array of How-To guides or didn’t like them, you may like an older series that was put together from a few lesser-known artists from a company called Antarctic Press:https://smile.

I love Frank Cho’s work! I am an aspiring artist/ hobbyist and I follow his work religiously so for me any collection of his illustrations is immediately worth the investment. This book caught my eye because it seemed to offer insight into his creative process and even offer useful procedural tips but nothing covered in the book provides information that wouldn’t be covered in far greater detail in an introductory illustration or art course.

I would have appreciated this book much more if it had simply been an art collection showcasing Frank’s beautiful work or to truly have been set up and executed as a tutorial showing all the developmental stages of his finished work.

I think because he is a self-taught artist, his insights become more valuable and unique and deserved more focus than just a few notes here and there. This book suffers because the work shown was not created specifically for this release and is not a true “How-To” for drawing beautiful women.

I am an artist and I wanted instruction on how to draw really lovely women ! Frank Cho gives this information in a well illustrated series of examples , not to mention the beautiful examples of his work.

I bought the book not so much to look at his work but to learn how he does it ! He helped me hugely in improving my drawings ! I paint fairies and I wanted to paint beautiful fairies ! I recommend this book !

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2.0 out of 5 starsnice drawings but not much of an instructional book

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