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Drawing Of Girl Face.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it may work if is part of a color process with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is required and favored in the industry for this buffer or barrier. The same study should be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.

The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To notice if there are any tiny fragments on your paper or drawing, you should look at the hap densely from a terrible angle, so that you could notice them contrasting from the paper`s ensue as they rise up. You can use a brush or compacted air to remove the fragments from the framing material.

Add a territorial dust cover, After attaching the art and framing materials to the actual frame, a dust cover can be used on the back to keep additional dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back present itself of the molding all the plan around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive draw closer as it is not stopped until flat as you press it onto the adhesive draw close . You then trim the outer edges of the brown paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its plight within the mats or frame, it can only be secured at the top and allowed to hang if an adhesive or tape is used. It should not be secured gravely at all four corners or around its perimeter, because the humidity changes persistently and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop programmes if it is restricted in any manner lines in the paper become extremely apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as a few of my drawings and illustrations using other media on paper, have been framed this fashion for a number of years.

The glass can be tremendously clean and should be tested for finger prints, dust, hair, or other strange material, before securing it permanently in the frame. You may have to do this more than once.

Always bod with glass, I would forever framework with glass, only I would as well spend the redundant money for the UV safety glass. However, I would never use non-glare glass or plexiglas.

It`s how your finished artwork is presented that makes all the difference. Although it`s tempting to just place your drawing in a ready-made frame, there are many things that you can take in consideration before framing your artwork to insure it is adequately safeguarded over the years.

Utilisation acid- costless materials, Whatever matting, taping or adhesive, barriers, or support that you employment in the frame of your artistic creation or drawing can be absolutely acid free. Acidic materials, after long times of time can actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.

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On the CENTER LINE, draw 4 ticks that separate the face into 5 equal spaces horizontally. If you’re like me and you drew a very narrow cheek/jaw line, you’ll want to take the full diameter of the circle into account (The two dotted lines mark the full diameter of the head).

From the center of each iris, draw a vertical line all the way down to Line 3. This will give us a boundary for the mouth.

When you draw the eyes, keep in mind that females generally have wider, more open eyes than males. If you want to learn how to draw realistic eye shapes and how to size your irises properly, visit this tutorial.

Measure the length of the face and draw a ruler to the side of your drawing using a straight edge. Then divide it into 8 equal spaces length-wise.

Click the following link and hit the download button beside the printer icon to download the PDF: RapidFireArt Tutorials – How to Draw a Female Face 

I know there are a lot of measurements in this tutorial, but I think it’s very important, especially if you’re a beginner. Once you understand proportions you can try this tutorial again without the ruler method.

Finally, use a ruler to draw a faint line down the middle of the face vertically.

The CENTER LINE and Line 2 are general boundaries for the ears. You can learn how to draw realistic ears here.

When drawing hair on females, keep in mind that females generally have narrower and shorter foreheads compared to males. I drew the hairline for my character well below Line A and drew more hair at the sides of the temple, making sure not to bring the hair in too close to the eyebrow.

After you’ve drawn the lips, you might feel the need to lengthen or shorten the chin so it’s more proportional to the rest of the face. This is completely normal. Happens to me all the time. That’s why it’s important to draw using faint lines so you can easily fix things.

The picture on the left shows the top of the brow bone. I added this so you can see how the eyebrows are positioned naturally in regards to the bone structure.

After cleaning those lines, I like to use a kneaded eraser to dab away dark spots from where the lines intersected with my drawing.

If this tutorial was helpful to you and you’d love to see more, share it with your friends. Your support will help me produce more quality, free tutorials!

If you’ve already practiced my tutorial on drawing lips, place your triangle under the nose. The base of the triangle should be drawn inside the square. The top of the triangle should extend to wherever the bottom of the nose is.

If you’ve gone through this tutorial a few times already and want to try it without the ruler, draw your lines in this order: CENTER LINE, 2, 3 , B, A, C, essentially breaking sections of your drawing in half over and over again.

HB pencil Ruler Sakura electric eraser to quickly remove guidelines Prismacolor kneaded eraser Canson Recycled Sketch Paper

Note: Remember to use an HB pencil with light pressure for all steps so you can easily erase your guidelines in the end. I used a lot of pressure in the examples so you can clearly see what I’m doing.

To draw the nose, extend the two lines at the inner corner of each eye all the way to Line 3. This will serve as a guideline for the nose’s width.

After you’ve grasped the drawing method above, try drawing faces without the ruler. Here are a few faces I created using rough measurements. Stretch your imagination and get comfortable with drawing faces quickly. How many faces can you draw in under 20 minutes?

This tutorial is focused only on structure and proportions. If you want to learn how to shade a face, visit this page.

Click here if you want to learn how to draw realistic eyebrows

Another highly requested tutorial fresh out of the oven! This one is, again based off my original method, but with a few small changes here and there to create a female face with soft features. I’ll explain the differences in each step as we go along.

When you’re done, draw the jawline to connect the circle to the chin. Females have all sorts of face shapes, but for this example I’m going to stick with a smooth, tapered jawline that’s less angular.

Click here to see the SIMPLE version of this tutorial. It’s a faster method and it’s also paired with a video!

If you’ve already read my tutorial on drawing noses, place your circle above Line 2. I’m going to go with a short, narrow nose with a narrow bridge.

I like to do a final check before I erase all my guidelines. Check to see if the facial features need changing. Perhaps you’d like to change the nose length or eye shape.

Once you’re happy with your results, use a hard eraser to clean up all the lines. An electric eraser works very well for this kind of work.

Females tend to have shorter chins than their male counterparts, so a long chin can display a more masculine look.

If you love RapidFireArt tutorials and want to support what I do, check out my Patreon page where you can support RFA and earn cool rewards at the same time!

In the image on the right, you can see that the eyebrows are drawn below Line C. For a surprised expression, the eyebrows will be pulled up closer to Line C.

And click here for a super detailed tutorial + video on how to draw a pair of realistic eyes.

Label each of the ticks like the image on the left and once you’re done, use a ruler to carefully draw faint lines on the face through the ticks labelled: CENTER LINE, 2, 3, A and C.

Draw a circle and make a small horizontal line at the bottom for the chin. It’s position should be roughly half of the circle’s diameter vertically. This matters because the circle was drawn freehandedly, so the horizontal diameter could be different.

Remember to give the hair some volume by leaving lots of space between the head and the hair. For more detailed instructions on how to draw hair, visit this tutorial this tutorial.

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