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Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it should be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is required and favored in the industry for this buffer or barrier. The same rumination,cogitation must be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.

The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To notice if there are any small fragments on your paper or drawing, you can look at the draw close neatly from a critical angle, so that you could notice them contrasting from the paper`s come to pass as they rise up. You may use a brush or compressed air to remove the fragments from the framing material.

E`er draw up with glass, I would always shape with glass, only I would also drop the redundant money for the UV shelter glass. However, I would never use non-glare glass or plexiglas.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its state within the mats or frame, it must only be secured at the top and allowed to hang if an adhesive or tape is used. It should not be secured firmly at all four corners or around its perimeter, because the humidity changes chronically and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop trains if it is confined in any pathway lines in the paper become extremely apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as many of my drawings and illustrations using other media on paper, have been framed this system for a number of years.

The glass must be exceptionally clean and can be tested for finger prints, dust, hair, or other far-off material, before securing it lastingly in the frame. You may have to do this more than once.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it can work if is part of a color pathway with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be selected to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

Add a protective dust cover, After attaching the art and framing materials to the definite frame, a dust cover can be used on the back to keep additional dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back forge of the molding all the thoroughfare around the perimeter. Then a piece of brown paper is laid down on the adhesive occur as it is reached flat as you press it onto the adhesive crop up . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Employment acid- costless materials, Any matting, tapeline or adhesive, barriers, or financial backing that you use in the framing of your artwork or drawing can be completely acid free. Acidic materials, after long times of time can actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.

It`s how your finished artwork is presented that makes all the difference. Although it`s teasing to simply place your drawing in a ready-made frame, there are several things that you must take in meditation,brooding,mulling over,reverie,brown study,concentration,debate,speculation,rare cerebration before framing your artwork to insure it is adequately protected over the years.

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If you’d like to draw a female body but don’t know where to start, then follow this tutorial step by step.

Sketch the body shapes to give volume to the human figure. The same principle of foreshortening applies to the arm and leg since we use the cylinder to build the arms and legs.

In this Article:Article SummaryFront and Side ViewDraw Using ForeshorteningCommunity Q&A

Make outlines single and darker. Try not to draw more lines than it needs to have.

It’s whatever is easier for you. Most people find it easy with guidelines (sketch lines), but it is completely up to you.

Español: dibujar un cuerpo femenino, Italiano: Disegnare un Corpo Femminile, Português: Desenhar um Corpo Feminino, Русский: нарисовать женское тело, Deutsch: Einen weiblichen Körper zeichnen, Nederlands: Een vrouwenlichaam tekenen, Français: dessiner un corps féminin, Bahasa Indonesia: Menggambar Tubuh Perempuan, 中文: 画女性人体

Just draw a basic line for the outside shape of the body. Then you can draw circles on the joints (like the elbows and knees) before beginning to fill in the details.

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This is just the body shape. To complete the drawing, there would be clothes, hair, a face, etc.

Sketch the wireframe of the human figure. Learning about human anatomy and proportion is highly recommended if you want to draw more realistically.

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For longer, straighter hair, I would sketch where you want the hair to go, and darken and detail it as you go. For frizzy, poofy, hair, just lightly do loop shapes or small scribbles continually. For wavy hair, use guidelines and do loops and erase as you go.

Or for looser types, sketch smooth up and down movements and repeat on other side, using the first line to make it even. Continue and detail the work.

Sketch the wireframe of the human figure. Note the left right arm and left upper leg appears shorter since it points towards the viewer.

Male eyes are often a little smaller and less open/round than female eyes – but it varies from person to person, and you can look at pictures of different men/women to get some ideas. In drawings, people will sometimes draw fewer/lighter/no eyelashes on men, since eyelashes are considered feminine, and women often wear mascara to make them stand out.

Men also tend to have thicker and less shapely eyebrows.

Here’s one method: Draw a circle, add two bended adjacent lines to show the depth, and then draw the jaw/

To draw a female body, start by sketching out a wire frame of the torso, arms, and legs to get a basic sense of the person’s proportions. Over that frame, sketch out the body shapes to give volume to the frame. Then, start adding in details, like the collarbone and facial features. Once you are happy with the shape, erase the wire frame sketching you started with and start shading in the figure. Start with a base shade and then layer in additional shades until you are happy with the results.

When drawing the female body remember that a woman has smaller shoulders than men. It is a common beginning mistake to draw a woman with larger and bulkier alongside with drawing them too small. Look at proportions as you draw to make sure you are keeping the anatomy proportioned.

Space things out beforehand and make sure all your proportions are correct before going in with details. You don’t want to end up putting a great amount of effort into dazzling eyes when you realize one’s higher than the other.

The more you practice the better you get at it! Look in the mirror at the pose you are drawing, always check for out of portion limbs alongside with body parts. To check for correct proportions look at the image upside down.

This is a great tip for those who are looking for accuracy. Compare pieces and parts of the body with other parts of the body. A finger or a pencil can help as a marker. Just look at the picture from a bit away with one eye squinted and see if it’s spaced out correctly.

Draw the sketch marks lightly so you can easily erase any mistakes.

Sketch the details of the human figure using the body shapes as a guide.

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Foreshortening is the appearance of a 3-dimensional object to look shorter than its actual length depending on the position of the viewer. (Ex. The image shown is how a cylinder looks like viewed on its side, and how it looks shorter when one end faces the viewer until we can only see the circular end as it point directly towards the viewer.

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It’s your choice. It depends on what you are trying to accomplish with your drawing.

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Look at lots of art and fashion magazines, paying close attention to the lines of the body. Enroll in a figure drawing class or check out a few books on figure drawing out the library and practice.

How do I draw male eyes so it appears different from female eyes?

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