Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it should work if is part of a color procedure with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame may all be selected to either compliment, subdue, or emphasize any particular value or aspect of your drawing.
Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it must be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is compulsory and favorite in the industry for this buffer or barrier. The same reflection can be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.
The glass should be excellently clean and can be tested for finger prints, dust, hair, or other foreign material, before securing it lastingly in the frame. You can have to do this more than once.
It`s how your finished artwork is presented that makes all the difference. Although it`s tempting to purely area your drawing in a ready-made frame, there are several things that you can take in deliberation before framing your artwork to insure it is adequately protected over the years.
Use acid- gratuitous materials, Any matting, tape measure or adhesive, barriers, or backup that you usage in the frame of your artistic creation or drawing should be completely acid free. Acidic materials, after long times of time may actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.
Let your artwork breathe, In attaching the drawing to the backing or whatever secures its condition within the mats or frame, it should only be secured at the top and allowed to hang if an adhesive or tape is used. It should not be secured solemnly at all four corners or around its perimeter, because the humidity changes recurrently and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop outbreaks if it is restricted in any procedure outbreaks in the paper become extremely apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as a few of my drawings and illustrations using other media on paper, have been framed this system for a number of years.
Add a protective dust cover, After attaching the art and framing materials to the actual frame, a dust cover should be used on the back to keep additional dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back proceed of the molding all the way around the perimeter. Then a piece of brown paper is laid down on the adhesive proceed as it is reached flat as you press it onto the adhesive draw nearer . You then trim the outer edges of the brown paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.
Forever inning with glass, I would e`er put with glass, merely I would besides spend the duplicate money for the UV safekeeping glass. However, I would never use non-glare glass or plexiglas.
The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any small fragments on your paper or drawing, you should look at the ensue compactly from a terrible angle, so that you could notice them contrasting from the paper`s advance as they rise up. You could use a brush or compacted air to remove the fragments from the framing material.
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