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How To Draw A Water Droplet.

The glass should be superbly clean and must be tested for finger prints, dust, hair, or other strange material, before securing it permanently in the frame. You may have to do this more than once.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is required and favored in the industry for this buffer or barrier. The same meditation,brooding,mulling over,reverie,brown study,concentration,debate,speculation,rare cerebration must be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its position within the mats or frame, it can only be secured at the top and allowed to hang if an adhesive or tape is used. It should not be secured firmly at all four corners or around its perimeter, because the humidity changes continually and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop productions if it is confined in any drive rows in the paper become very apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as many of my drawings and illustrations using other media on paper, have been framed this practice for a number of years.

Usage acid- complimentary materials, Whatsoever matting, tape recording or adhesive, barriers, or championship that you usage in the framing of your artwork or drawing must be completely acid free. Acidic materials, after long periods of time may actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.

E`er physical body with glass, I would ever frame up with glass, but I would too expend the redundant money for the UV safety glass. However, I would never use non-glare glass or plexiglas.

The drawing can be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any small fragments on your paper or drawing, you should look at the surface closely from a grave angle, so that you can see them contrasting from the paper`s betide as they rise up. You may use a brush or compressed air to remove the fragments from the framing material.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it can work if is part of a color routine with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be selected to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

Add a territorial dust cover, After attaching the art and framing materials to the actual frame, a dust cover can be used on the back to keep supplementary dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back approach of the molding all the mode around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive happen as it is extended flat as you press it onto the adhesive come about . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

It`s how your completed artwork is presented that makes all the difference. Although it`s tempting to just place your drawing in a ready-made frame, there are a few things that you can take in musing before framing your artwork to insure it is adequately safeguarded over the years.

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Here is a tutorial on drawing water droplets i came across some cool demonstrations teaching us how to handle the light and reflection in a water droplet
Light waves are then refracted bending and dispersing the light within the droplet as a result light waves are sent to the side of the droplet400x374 water drops this gives you an idea on how to draw drops of waterHow to draw a water drop with pencil youtubeHow to draw cartoon waterHow to draw a water drop step by step fine art tipsParts of a water drop

A neato trick: Draw the water droplets on a gray or colored board, and then hit the light spots with a white pencil. It really makes it pop.

By understanding the light’s behavior and recording the correct locations of light and dark values, the illusion of water droplets is developed. Once you have a basic understanding of the location of values, then water droplets are easily added to any surface in a drawing.

Lighter values are then enhanced with the white charcoal pencil and gently blended with the stump to complete the water droplet.

First, you draw the outer shape of your droplet. It doesn’t have to be perfect, in fact, it’s usually better if it isn’t. Then, near the top, you draw a small circle. That’s the light hitting the top of the droplet.

In order to keep the texture consistent, this application is also worked in the texture of the paper using a blending stump.

After drawing simple shapes for each water droplet, we can begin the process of developing the values. We are working on a neutral gray surface so that it is a bit easier to create a full range of value within the scene. An “HB” and “4B” pencil are used to develop the darker values, while a white charcoal pencil is used to develop the lighter tones.

Because the dominant light source on the right is more direct and at a less extreme angle, the resulting cast shadow on the left is still visible, but not quite as long.

In order to create a broader range of value and to increase the contrast, a softer “4B” pencil is used to darken values, especially in the areas of cast shadow. This darker application is then blended with the blending stump.

This course is for beginner and intermediate artists and features over 300 minutes of HD video instruction and 178 pages of eBooks covering the true essence of drawing including the elements and principles of art, and a variety of drawing media and techniques.  (28 Modules)

This entry was posted on Tuesday, July 28th, 2009 at 7:11 pm and is filed under My Art/Design/Business. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

Instead of bouncing off of the surface, as we see with solid objects, a good amount of light is able to penetrate a water droplet. Some light is still reflected, producing a highlight, but much of it enters the droplet.  In this example, we see a direct and dominant light source originating from the right side of the picture plane. A strong highlight is clearly visible.

Now, when the light hits the top of the droplet, the light goes inside the water and spreads out near the bottom. That means the top of the droplet is dark. So next, you shade the top of the droplet.

In this example, a secondary light source is also affecting the locations of value. This light source is weaker, but positioned at more extreme angle. This secondary light is originating from the lower left portion of the picture plane.

The process of developing the values continues in the same manner on the other water droplets, keeping the light consistent. Including multiple water droplets within the scene creates a more convincing image.

This produces an area of lighter value positioned opposite from the dominant light source. On solid objects we expect to see an area of core shadow in this location, but in this case, we see lighter values that are evenly distributed.

Next, the development of the lighter values begins with a light application of the white charcoal pencil. The application is much stronger in the location of intense highlight on the right side of the water droplet.

“Hey Jess, this is G, class of ’95….You came up as a friend suggestion from Rye High so, I’m adding…if you don’t mind that is. Take care….Let’s see if you remember me; ’til this day I’ll never forget you taught me the trick on how to draw a perfect water drop, lol.”.

The drawing surface features a bit texture that does not result in a natural look. For this reason, we use a blending stump to smooth the application. Again, small circular strokes are made with the tool.

Another interesting thing happens around the strong highlight. The values are actually darker in this area instead of being lighter as we would see with a solid object.

This secondary light source produces a few locations of stronger highlight on the left side of each water droplet, but has a greater affect on the locations of cast shadow. In this case, we see an area of cast shadow extending almost entirely around each droplet. The taller the water droplet is, the longer the cast shadow becomes.

6 Responses to “A Wee Tutorial: How to draw a water droplet.”

Water droplets like to hang out in herds, so I used to draw them in groups.

I was friended on Facebook by a high-school chum who sent me this message:

It may seem like a difficult task to draw realistic water droplets. Fortunately, It’s relatively simple to create this illusion in your drawing. This look is easily achieved by simply understanding the principles of how light behaves on (and actually within) a transparent object. Light behaves in a completely different manner on a transparent object than it does with a solid object.

I had a total flashback of teaching G that water droplet technique. And I thought I would share it with you now.

We’ll begin with the “HB” pencil, creating darker values by making controlled, circular marks.

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The droplet also casts a shadow. First, you draw a heavy line under the droplet, thinner at the sides and fuller at the bottom.

Light waves are then refracted, bending and dispersing the light within the droplet. As a result, light waves are sent to the side of the droplet, opposite of the dominant light source.

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