How To Draw Comic The Marvel Way

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How To Draw Comic The Marvel Way

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How To Draw Comic The Marvel Way.

This book should be on every creative person’s bookshelf. A amazingly competitive crash course in drawing that can be used to just get the basics to make it easy to get ideas down on paper or further to create the next great comic book.

I have to buying new copies because I keep giving them away to friends.

4.6 out of 5 stars Best Sellers Rank #2,763 in Books (See Top 100 in Books) #2 in Books > Arts & Photography > Drawing > Cartooning > Comics #3 in Books > Arts & Photography > Graphic Design > Commercial > Illustration #9 in Books > Arts & Photography > Other Media > Calligraphy

Purchased for my oldest son. He pretty much just traces the pics out of it, but oh well. What can you do…

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Some believe the “exercises in the book are silly with its stick figures, cylinders, cubes, and storytelling.”[4] Scott McCloud has cited the book as a good reference for teaching the process of making comic books.[5]

The Blank Comic Book Notebook -Multi-Template Edition: Draw Your Own Awesome Comics…

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Jedidiah Mark , Lifegroup Intern at Kristiyanong Kabataan Para Sa Bayan 3 days ago

A great book that takes you through the very basics. It gives a lot of background on how actually comics are made.

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Blank Comic Book (Draw Your Own Comics): A Large Notebook and Sketchbook for Kids and Adults to Draw Comics and Journal

Page count 192 pagesPublisher Marvel Fireside BooksCreative teamWriters Stan LeePencillers John BuscemaOriginal publicationDate of publication 1978Language EnglishISBN 978-0671530778

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Product Dimensions 8.5 x 0.4 x 11 inches Shipping Weight 14.4 ounces (View shipping rates and policies) ASIN 0671530771 Customer Reviews

This an excellent nuts and bolts how-to book for budding comic book artists. I had a copy of this in 1979 and just bought another copy to have at an art class I teach.

It has a comprehensive guide to create the marvel superheroes. Even though it is not for the beginner, all the details on how to create a comic story were covered thoroughly.

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Blank Comic Book Notebook: Create Your Own Comic Book Strip, Variety of Templates For Comic Book Drawing, (Super Hero Comics)-[Professional Binding]

Bought it at a great discount! It was a gift for a friend in another State. The shipment arrived on time and… it’s MARVEL!

Stan Lee’s How to Draw Comics: From the Legendary Creator of Spider-Man, The Incredible Hulk, Fantastic Four, X-Men, and Iron Man

Blank Comic Book: 7.5 x 9.25, 130 Pages, comic panel,For drawing your own comics, idea and design sketchbook,for artists of all levels

5.0 out of 5 starsGreat book for the little artist in your family.

Help me learn how the figure can be drawn… It’s improving my skills… Great for any age that wants to learn to draw…

How to Draw Comics the Marvel Way is a book by Stan Lee and John Buscema. The book teaches the aspiring comic book artist how to draw and create comic books. The examples are from Marvel Comics and Buscema artwork.[1] It was first published in 1978 by Marvel Fireside Books and has been reprinted regularly. The book created a generation of cartoonists who learned there was a “Marvel way to draw and a wrong way to draw”.[2] It is considered “one of the best instruction books on creating comics ever produced.”[3]

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This was a big hit with my 9 year old niece that loves to draw. I thought it might be a little advanced for her but she had no problem picking it up and drawing along with the book.

This book is a classic must have for aspiring artist/comic artist

I’m giving this 5 stars but I do want to say that you need a lot of tools to use this! I know that you could technically just use a pencil, but it recommends that you buy many tools to start out.It is very professional for a starter book.

My son has a harder time with it and he loves comics and drawing, but he is 9 so he needs help getting started. We have not yet bought the recommended utensils for this, but we will soon enough.The steps they use in the book to draw are nicely laid out and I think this is a great book for anyone that wants to start learning to draw comics or someone that has already started! Thanks 🙂

Sebastian Ignacio Elizalde Torca , Control interno en Jumbo at Jumbo 2 hours ago

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5.0 out of 5 starsIt has a comprehensive guide to create the marvel superheroes …

I used to own this book as a teenager. I bought it for my son’t birthday and he loves it as much as I did. Simply a classic.

Qty: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Qty:1

Blank Comic Book For Kids : Create Your Own Comics With This Comic Book Journal Notebook: Over 100 Pages Large Big 8.5″ x 11″ Cartoon / Comic Book With Lots of Templates (Blank Comic Books) (Volume 7)

Lee and Buscema also created a video version of the book which is now on DVD.[citation needed]

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One of the first and still one of the best, Stan Lee’s How to Draw Comics the Marvel Way has been the primary resource for any and all who want to master the art of illustrating comic books and graphic novels.Stan Lee, the Mighty Man from Marvel, and John Buscema, active and adventuresome artist behind the Silver Surfer, Conan the Barbarian, the Mighty Thor and Spider-Man, have collaborated on this comics compendium: an encyclopedia of information for creating your own superhero comic strips. Using artwork from Marvel comics as primary examples, Buscema graphically illustrates the hitherto mysterious methods of comic art. Stan Lee’s pithy prose gives able assistance and advice to the apprentice artist. Bursting with Buscema’s magnificent illustrations and Lee’s laudable word-magic, How to Draw Comics the Marvel Way belongs in the library of everyone who has ever wanted to illustrate his or her own comic strip.

Chapter 1THE TOOLS-AND THE TALK- OF THE TRADE!Since very few of us draw with just our fingernails, let’s start off with what you’ll need. Then we’re got to make sure we’re all speaking the same language. This part’s the easiest.Here we go! On these two pages you’ll find just about everything you’ll need to get you started. One of the nice things about being a comicbook artist is the fact that your equipment is no big deal. Let’s just give the various items a fast once-over…Pencil. Some artists prefer a soft lead, some like the finer hard lead. It’s up to you.Pen. A simple drawing pen with a thin point, for inking and bordering.Brush. Also for inking. A sable hair #3 is your best bet.Erasers. One art gum and one smooth kneaded eraser — which is cleaner to use.India ink. Any good brand of black india ink is okay.White opaquing paint. Invaluable for covering errors in inking.A glass Jar. This holds the water for cleaning your brushes.Pushpins. Handy for keeping your illustration paper from slipping off the drawing board.Triangle. A must for drawing right angles and working in perspective.T square. Invaluable for drawing borders and keeping lines parallel.Ruler. For everyone who says “1 can’t draw a straight line without a ruler.” Now you’ve no excuse!Illustration paper. We use 2-ply Bristol board, large enough to accommodate artwork 10″ x 15″.Drawing board. This can be a drawing table or merely a flat board which you hold on your lap. Either way, you always need some such thing upon which to rest your sheet of illustration paper.Rag. This plain ol’ hunk of any kind of cloth is used to wipe your pen points, brushes, and whatever. The sloppier you are, the more you’ll need it.Ink compass. Well, how else are you gonna draw circles? While you’re at it, you might as well get a pencil compass, too-even though Johnny forgot to draw one for you.Of course, there are some things we omitted, like a chair to sit on and a light so that you can see what you’re doing in case you work in the dark. Also, it’s a good idea to have a room to work in-otherwise your pages can get all messy in the rain. But we figured you’d know all this.And now, onward!Just to make sure we all use the same language and there’s no misunderstanding when we refer to things, let’s review the various names for many of the elements that make up a typical comicbook page.A. The first page of a story, with a large introductory illustration, is called the splash page.B: Letters drawn in outline, with space for color to be added, are called open letters.C: Copy which relates to a title is called a blurb.D: The name of the story is, of course, the title.E: An outline around lettering done in this jagged shape is called a splash balloon.F: A single illustration on a page is called a panel.G: The space between panels is called the gutter.H: You won’t be surprised to know that this “ZAT” is a sound effect.I: Copy which represents what a character is thinking is a thought balloon.J: The little connecting circles on thought balloons are called bubbles. (We’d feel silly calling them “squares”!)K: The regular speech indicators are called dialogue balloons.L: The connecting “arrows” on dialogue balloons, showing who is speaking, are called pointers.M: The words in balloons which are lettered heavier than the other words are referred to as bold words, or bold lettering.N: This is my favorite part-where the names are. We call it the credits, just like in the movies.O: All this little technical stuff, showing who publishes the mag and when and where, usually found on the bottom of the first page, is the indicia (pronounced in-deeé -shah).P: Copy in which someone is talking to the reader, but which is not within dialogue balloons, is called a caption.Chances are we left out a few other things, but this is all we can think of right now. However, not to worry; we’ll fill you in on anything else that comes up as we keep zooming along.Movin’ right along, we now introduce you to one of Marvel’s many widely heralded close-ups, so called because the “camera” (meaning the reader’s eye) has moved in about as close as possible.This type of panel, in which the reader’s view of the scene is from farther away, enabling him to see the figures from head to toe, is called a medium shot.And here we have a long shot. In fact, since it shows such an extreme wide-angle scene, you might even call it a panoramic long shot without anyone getting angry at you.When you’re up above the scene, looking down at it, as in this panel, what else could you possibly call it but a bird’s-eye view?On the other hand, when you’re below the scene of action, as in this panel, where your eye, level is somewhere near Spidey’s heel, we’re inclined to refer to it as a worm’s-eye view.A drawing in which the details are obscured by solid black (or any other single tone or color) is called a silhouette. And now that we agree upon the language, let’s get back to drawing the pictures…Copyright © 1978 by Stan Lee and John Buscema

My parents bought me this book back in middle school and it really helped develop my drawing skills. Now that my son has developed a love for art and drawing, I figured I’d give him his own copy of the book for Christmas.

My old one I still have but it’s worn out. He really liked it and uses it. It got here very fast as well!

Categories: Books about visual artMarvel Comics titlesBooks about comicsHow-toMarvel Comics title stubs

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5.0 out of 5 starsHe pretty much just traces the pics out of it

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See also[edit] Marvel Premiere Classics The Official Marvel Try-Out Book References[edit] External links[edit] Tribute page to the Marvel Fireside Books series Book Review This article on a Marvel Comics title is a stub.

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5.0 out of 5 starsA great book that takes you through the very basics

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This is sort of a classical text, focused on covering the various aspects of drawing comics.Though drawing comics involves a lot about learning to draw, I would think that an ability to draw whether inherent or acquired would be a necessary starting point to effectively use this book.

On the contrary one might as well get started here and then hone the necessary drawing skills.As in any specific form of art, such as Illustration, Fine art, Animation art, Commercial art etc, Comics art has its own set of skills that need to be honed.

This is a book written by Stan lee and John Buscema, one a great story teller and the other a fine artist. It does cover several aspects of the trade.As the title suggests the genre is more towards the ‘Action’ side, as opposed to a style such as Disney, Asterix or that of Herge’s Tintin.

A significant amount of the book focuses on the figure and its action, which is so vital to this type of comics, and these are real gems. The quick setup of a pose, the dynamism needed for convincing action, the looseness of the approach, and then the focus on the form, the details of the figure the head and so on are very effectively presented.

the other important ingredients of composition, perspective, foreshortening are covered in detail.There are of course couple chapters that deal with comic book covers, and the all important comics inking.

Though obviously this was written in a pre-digital period, all the information can be readily applied to today’s all-digital comics creation.Coming from successful practicing veterans, the entire book is packed with practical information.

Mix up covering techniques, There are a lot of different pencil attracting techniques relating to shade providing . Chiu uses two primary approaches. The first is usually with all the traces going in the similar direction. `This makes my personal shading appear more natural, and helps my information pop out from typically the lines I`m using with regard to shading, he explains. Typically the second method involves operating in patches of shade providing , to help define form . Patches of lines circumvent the form, which aid keep things in point of view , he says. This system is furthermore great for backgrounds and even creating texture.

Check and recheck, Before you begin better lines and detail function , it`s essential to be sure to have the correct kind down. Chiu`s advice will be to check and check out again. Need to nail along my drawing`s underpinnings prior to I can add specifics . I really avoid estimating in the details: I need to make sure almost everything is symmetrical and seem right before writing more powerful and harder lines. They also suggests considering your current work in a looking glass or through a digital camera . Considering different vantage items is a great solution to highlight if anything is usually crooked. I constantly request myself, does this sense right? If anything appears off - even in case I can`t immediately place my finger on which that is #NAME? rely on my gut and troubleshoot my drawing before carrying on

Touch up your skills with these kinds of pencil drawing techniques, regarding both graphite and female pencils. These pencil sketching techniques from top performers will assist you to take your getting skills one stage more , whether you`re using graphite pencil or coloured pencils. For many artists, pad drawing is the expertise that introduced them to be able to the art world, and even even if you`ve advanced to a different moderate , understanding how to bring with a pencil can easily help you transform your expertise elsewhere. These pencil pulling techniques cover anything from typically the basics of mark-making in order to advanced processes to press you out of the comfort zone. We`ll present advice on the equipment and materials you require to know, such since blending stumps, paper choices , and different erasers. In case you`re a total novice , or just want to be able to upgrade your kit, consider a look at the guide to the very best pencils.

Unify your colorings , Having an uniform strategy to colour can help deliver cohesiveness to your function . It`s a good thought to make sure that will your artwork has unifying colours, says Healy. `This consists of a specific colour palette, mood and also a way of spreading these kinds of throughout the entire art item . In addition, she implies creating a harmonious bottom by using tinted papers or adding a history wash of colour (in paint). This will display through whatever you lie down on top of this , thus giving it the appearance of cohesion. Any time I use coloured pencils, I`m fond of applying tinted paper produced simply by Kraft.

Short on time? That above, from character developer Bobby Chiu, runs via some pencil drawing connected with action. For even more in-depth suggestions about composition to be able to how to capture lighting and shadow, check out each of our art techniques article. Or even , for inspiration, check out this kind of roundup of unbelievably genuine pencil drawings.

Use a stump regarding soft blending, How a person blend your work could have a big effect on the final result. With regard to a soft blended impact , try a blending stump. After each light coating , I very gently mix the coloured pencils along with the stump, says US-based artist Jennifer Healy. May push too hard or even the colour will adhere , making it harder to be able to softly blend. I duplicate this process as usually ?nternet site need. After numerous layers it produces a new very soft and fragile look. This technique takes a little trial and mistake , though. Healy warns of which if you blend as well softly, the stump could pick up colour of which you`ve already layered for the paper.

Draw on your very own experiences, Dip into your current experiences to add an exclusive layer of authenticity in your piece, suggests Healy. Therefore using something like the memory, feeling or smell when making your work. With regard to example, the special experience you experienced when seated down with a good friend in a coffee shop, or even a memory of your child years experience. You can get abstract or use hyperrealism. Anything you choose makes the particular piece unique to an individual . I`ve found that men and women resonate with these items the most.

Master mixing , Healy has a particular process for blending the woman coloured pencil work. Your woman depends on an put together , to check the type is proper before doing to coloured pencil (it`s much harder to get rid of coloured-in areas than the outline). It also assists her plan where typically the highlights and shadows will certainly fall. She then forms up colour using simple layers. I love in order to start out with very soft gentle layers to get a better notion of light placement, shadows along with the color palette, she says. Following each layer she combines gently using the mixing stump. Once she features reached a stage she`s happy with, she goes on to the ultimate step: adding an put together . For this final coating , Healy uses coloured pencils alone, and does not really blend with a stump.

Categorise the fabric, Von Reuden describes ways to add value in addition to shading to create even more layers of depth plus weight. He admits that will , when drawing and re-creating fabric, the types regarding wrinkles created can most be placed under a few separate categories: hanging/relaxed, stretched/tension, and scrunched/compressed. Hanging textile tends to be free and have a streaming appearance. Stretched fabric produces long lines, usually together with a point of help . Compressed fabrics bunch directly into each other, creating scrunched-looking areas.

Utilize proper grip, The first action would be to master how in order to hold a pencil effectively . Chiu recommends holding the particular pencil as you could the piece of charcoal, in addition to taking advantage of typically the side of the prospect to draw, rather compared to the point. This allows keep your pencil sharper intended for longer. When covering significant areas, I shade using my pencil perpendicular in order to the line I`m sketching to get wide, very soft lines, he adds. With regard to details, I hold the pencil parallel to the lines to get well-defined , narrow marks. The sole time I use the particular thing is when I`m working on intricate information

Use contrasting concepts, 1 drawing technique Healy utilizes in her work is usually to use contrasting ideas within a piece involving work, for instance, juxtaposing beauty and ugliness. I will use the beauty associated with colours, flowers, the gentleness of skin or locks , plus the female form. I will also tend to work with something which is opposite in order to all of that, for example bones, insects, sharp pearly whites , or anything that might provide discomfort to typically the viewer, she elaborates. `Somehow this provides a fascinating idea to a piece. Particularly when the `ugly` parts substantially harder to spot from first. To me this is the very stark representation associated with what life is just like

Try out different approaches to traces , The following drawing technique issues line weight. As properly as demarcating different items , lines can help stress shadows. Thicker lines may fade and disappear to the shadows, which can assist convey the 3D type , explains Chiu.

Find the right report texture, The surface feel you`re working on will certainly make a big variation for the effects you could create. This really is referred in order to as the grain or perhaps `tooth` of the document . A rough tooth will be more visible, and typically the ridges will grip typically the colour from your pencils. Having a smooth tooth, the particular ridges are very great , and there`s less traction . Healy finds this type of paper provides a great easier surface for blending together coloured pencils, although your woman warns that it`s furthermore easy to operate the color off the surface.

Utilize the right eraser, There happen to be a few several types of eraser, and each is appropriate to various things. You`ll definitely need a kneaded eraser. This has some sort of putty-like consistency (it`s oftentimes known as putty eraser), and you knead that before and after make use of . A kneaded eraser is definitely best for lightly choosing up the coloured pen binding off the document . This works wonders if correcting mistakes, or in the event that you`re deliberately lifting shade from an area like the eyes, says Healy. A new gum eraser has some sort of more solid consistency, in addition to is better if you`re trying to fully get rid of a coloured-in area. Vonseiten Reuden continues: I firmly believe in letting gut instinct take over in the particular creation process so We work with the underdrawing more as a criteria . What this means is the final effect varies.

Know when should you prevent , The majority of designers tend to tinker with their own work - even following they`ve signed their label . I can always discover something to change in case I look hard more than enough , so it can end up being difficult to inform when some sort of piece is truly completed , says Chiu. However, be skeptical of overworking your item . `Eventually, I make a new conscious decision to place my drawing away and even start something new, he or she continues. `That`s when My partner and i consider my drawing completed

Create material , Fabric can range by sleek and shiny to be able to matte and dull. Precisely how you shade it will certainly help sell the thought of the information you`re attempting to depict. Just for this draw , von Reuden is intending in order to capture the golden folds up of material found throughout the original image. This individual began by outlining the particular shapes and blocking away parts of shadow.

Try combining pencils together with watercolour, While pencils in their own enables you to generate a wealth of distinct effects, it can get interesting to combine these other media. For example of this , in her work, Healy loves to combine watercolour in addition to coloured pencils. It`s significant to begin with watercolour plus then layer coloured pencils on top, she points out , because pencils can generate a waxy surface of which repels liquid, and stops the watercolour from putting into the paper. This specific is a fun method to try out, the girl says. Both mediums include unique qualities and construction . Combining the two factors makes a medium all regarding its own.

Break free from your comfort zone, Whilst these pencil drawing strategies should help you realize the essentials with the moderate , sometimes you need to be able to toss the rules out and about of the window and discover what works for an individual . There`s nothing wrong along with stepping outside of typically the box if it implies achieving the effect an individual want, says Healy. Learning from mistakes will occur when a person step outside of of which box. But don`t end up being intimidated! The process is usually entirely fun.

Beyond that will , different artists have diverse approaches to lines -- you need to locate the style that`s best suited for you. I choose to use an unique outline in my a muslim , be it using thin traces or bold outlines, ` says Healy. It could help pinpoint the audience`s eye to a specific area. Additionally, it gives some sort of stylised look, if of which is what you happen to be hoping to achieve. Chiu, however, prefers a various approach. I try to be able to avoid outlining my images because this tends to be able to make things look smooth and deadens the 3D IMAGES effect. Breaks and areas in my lines present form in the lamps and shadows.

Begin lightly and build through there, After i start getting , I plan and discover using loose lines, and even avoid committing too soon along with hard, dark lines, claims Chiu. As I improve my lines will modify , so checking and rechecking my work is essential . I darken my outlines and add details in the end. I do not give attention to one area with regard to too long to stop overdrawing. Begin with an underdrawing, Artist Tim von Reuden likes to start along with a digital underdrawing that will he prints at one particular per cent Opacity. Earlier mentioned , you can view the underdrawing regarding his sketch of some sort of woman holding a personnel . He explains, I enjoy to keep it mild so that it provides for a foundation rather than a new final image.

Safeguard your paper, This is usually a valuable pencil sketching technique for beginners: place a piece of report under me to stay away from smudging your drawing whilst you`re working. It appears clear , but it can become the downfall of some sort of great piece of job ! Healy also prefers in order to mount her paper about a board, attaching that using a layer involving matte medium. This assists keep things neat, and even provides a great surface in order to work.

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