How To Draw Dragons Step By Step


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How To Draw Dragons Step By Step

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How To Draw Dragons Step By Step.


Draw the basic muscles of the neck. Give an outline to the rest of the body. Pay special attention to the hips of the saurischian.

How to Draw Dragons: Step-by-Step Instructions from Tooth to Tail Skip to entry content

For the first few steps, don’t press down too hard with your pencil. Use light, smooth strokes to begin.

Step 5: Draw a series of curved lines that connect the major shapes and form the dragon’s neck and the body.

You don’t need to know the names of the bones, or the exact shape of them. You just need to know the general proportions, the placement of joints, and the limitation of their movement. You can learn a lot by sketching the animals your dragon is based on.

Dinosaurs make a perfect template for many elements of a dragon body, with feet being especially proper. They usually have three or four toes, and each toe has fewer “parts” than the previous one, counting from the big toe (for dinosaurs it’s actually the smallest toe).

Monika Zagrobelna is a Polish artist with a specialty in drawing animals and conceiving of animals that haven’t yet been invented.  You can check out more of her work and follow along with her latest tutorials on her Facebook Page.

Let’s add the lower jaw now. This method is quite complicated, especially in perspective, but it’s still better than a guessing game. Find the axis of rotation of the lower jaw (different for saurischian and therapsid), and sketch a fraction of a circle between the most extreme positions of the jaw. In perspective, that circle must take a form of a rotated ellipse. Lead a line between the “jaw point” and a point on the circle to define a position of the lower jaw.

Let’s be honest — dragons can capture our imagination like nothing else. Powerful, magical, and, unfortunately, unreal. We can bring them to our world with drawing, but how to make them realistic if nobody knows what they look like? Actually, we kind of do. We all have a certain vision of what a dragon should look like, which makes it even harder to create a consistent image of them. That’s why in this tutorial I will not show you how to draw a specific dragon — instead, I will give you solid basics to design your own, personal species of them.

Eyes are very important in adding the character to the dragon. However, it’s not the eyes that really show it, but the structures around it.

Step 3: Draw an arc next to the head as a guide for the dragon’s muzzle.

Start by giving a very general outline to the front side of the limbs. Add the back part.

Step 2: Draw a smaller circle on the upper right side of the dragon’s body. The height of the circle will determine the dragon’s neck length, so place it accordingly.

Now, locate the areas that require the biggest protection. You don’t need to draw these areas, but make sure you know where they are.

The tail is a good place to present the scales in all their glory.

Pay special attention to the head. The scales here should be detailed and carefully placed around the important parts (nose, eyes, jaw muscle).

Dragon wings are a complicated subject, too complex to explain properly here. So let me just show you the basics. Bat wings, the only membranous wings in nature today, resemble your hands: You can easily pose the wings by spreading your fingers.

Please PAUSE the “How to Draw an Dragon” video after each step to draw at your own pace.

There are many different designs you can base on this anatomy. For example, your “wyverns” can use their wings for walking. Feathers are acceptable as well in this evolutionary line.

The head of the dragon is not easy to draw, but it’s very important for the final impression. Let’s see how to draw it step by step, using any view you wish:

In a 3D view cross these points with lines giving them a certain width. Generally, the snout should be narrower than the braincase.

Start by drawing the general shape of the eye. The smaller it is in comparison to the head, the bigger the dragon will look (reserve big eyes for baby dragons).

You don’t need to draw the scales in the exact way I showed you. The most important thing here is the serration between the rows of scales. The actual shape of the scales is left to your imagination!

… then the other. Pay attention to the serration between the  rows of scales. This is what makes the pattern of scales look orderly!

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Connect the dots in this special way to create the outline of the upper jaw. Pay attention to characteristic cheekbones of the therapsid.

If you want to add realistic horns and spike, simply modify certain scales. Spikes look the best when they grow in rows that start with small, insignificant ones.

Dragons are much bigger than bats, so proportions of the elements of the wing must be a little different.

There are shock-absorbing “pillow” under the toes that give the foot its final form. For a therapsid dragon they may look like actual paw pads. In case of saurischian dragons stick to a more bird-like look.

Outline the thinner parts of the limbs. Add “supporting” muscles of the upper limbs. Add “supporting” muscles of the upper limbs.

Once you’ve mastered these basic techniques, you’ll be able to create lots of creative dragon variations like these I drew while making this tutorial. General Anatomy: Two Kinds

The saurischian type of dragon (or wyvern) theoretically would have evolved wings out of hands, as in these pop culture and academic examples. Thus, only two feet.

Remember to keep the tail long, meaty, and quite stiff—it’s used for balance. There’s no other animal today that moves like dinosaur saurischians, so you can’t really base the movement on anything else. But you can use two simple rules: the femur can’t go back farther than 90 degrees, and the feet usually copies its angle.

This could be a saurischian species that evolved membranous wings. They were created without hands, so this dragon doesn’t have arms. Probably all carnivorous saurischians were bipedal, so the forelimbs were redundant anyway. We call four-limbed dragons wyverns, and some people don’t consider them dragons, but a different kind of mythical creature. However, this type of dragon  design is actually the most plausible, and that’s how they’re often portrayed in the pop culture today (See Skyrim, Game of Thrones, the Hobbit, Harry Potter series).

Finish the body by adjusting the style of scales to the already drawn ones. All the parts should naturally blend into each other.

Outline the lower jaw using the guide lines you have created.

Let’s add the teeth now. This is where the two species differ a lot: saurischians don’t have specialized teeth like therapsids.

Let’s start drawing now (you can download my initial sketch and follow my actions if you want). Draw a line near the bottom of the neck, following its rhythm.

Add another line a bit farther, and draw a line between these two. This will be another row of scales.

Start with a very general line, like a piece of wire for a sculpture. Add the other fingers around. They should be shorter than the one in the middle, unless you’re going for a straight therapsid look—then you can use four toes, with two in the middle being the longest.

Add the foot pads. That big one is optional and depends on the style your dragon sports for walking. Add the claws with gentle curves. These curves shouldn’t point directly to the ground—they can’t impede walking! Draw the rest of the toes by creating a line of “marshmallows.

” Their number should be roughly similar to the number of joints.

To draw the membrane correctly, imagine “areas of tension” between the joints.

The tails of therapsids are flexible and are used more for communication than for balance. Dragging it on the ground is fully allowed. To understand how this kind of dragon moves you can observe movement of big cats.

Dragons aren’t real, but if we want them to look like something living in our reality, their design must obey certain rules. That’s how we decide if a creature is believable or not. The best way to ensure believability of an unreal creature is to base its design on the anatomy of real animals. If we look at the evolutionary tree, we can place dragons in two possible groups: saurischians (the dinosaurs that birds came from), and therapsids (mammal-like reptiles). Let’s take a look at their possible anatomies.

No matter which view and which species you want to draw, start with a circle. Add a line showing the direction of the snout. You can cross it with the “eye line.” Add the eye sockets. For a more difficult view imagine them as two ends of an empty toilet paper roll.

Add a circle to create a basic form of the snout. Use a big circle for a T-Rex look, and a small circle for a “beak.”

Add wrinkles in the soft area under the eye and cover them with little scales. Finish the outline of the eye and add the pupil.

There are two things to consider before we add the scales. First, locate the areas that must be the most flexible and therefore can’t be covered with big scales.

We can use this method to cover all the body, except you need to adjust the shape of the rows to the form of the body. First the huge breast muscle…

Once you come closer to the top of the neck, add a row of diagonal lines. Again, pay attention to the rhythm of the neck—a bent neck leads to outstretched scales.

Step 4: Draw angled lines below the dragon’s body as guides for the legs. If you want your dragon to have longer legs, draw longer lines. Make the squiggles darker in certain areas to create the stripey look.

Cross this area with diagonal lines, creating scales covering the throat.

And here’s how you can start your drawing. You don’t need to finish out the first sketch that turns out well. Experiment, create many sketches, and then pick the one that you like the most.

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Again, there’s no need to copy this anatomy 1:1. You can experiment to create many fun designs, all very different. Keep in mind that fur is acceptable in this evolutionary line!

This one has a different story. It’s closely related to mammals, so it can move like them and be quite intelligent. It’s quadrupedal like most mammals, so it can’t sacrifice its forelimbs for the sake of wings. Instead, a special mutation has gifted them with an additional pair of limbs (it actually happens in nature; see dipygus). It’s very hard to place those additional limbs in a plausible way, and the whole design is very unrealistic when you compare it to most “real” creatures. However, it’s a very attractive vision. It can be brought to life in a convincing way (E.g., Dragonheart, Eragon, Dungeons & Dragons).

Muscles give volume to the body and make the creature look strong and powerful. They’re also very hard to draw. If you want some kind of reference, you can try the illustrations below. However, I’ll also show you how to sketch the muscles step by step.

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Add a brow that will make it look angry. Make the eyelids look thick by adding little scales to their edges.

You can stop here if you intend to add a lot of big scales later, because details of the muscles will not be visible under them. But if you want, you can make the musculature more detailed:

Today you learned all the rules you need to create a realistic, plausible species of dragon. But keep in mind it’s all about fun—feel free to mix the features of saurischians and therapsids if your imagination allows so. Remember—it’s us who make dragons real!

Justify the angry brow by covering it with protective scales. You can add a row of scales around the eye socket to accentuate its shape.

Four-legged dragons are more rare in fantasy; they are often portrayed as a less animalistic than a wyvern — and more regal and noble.

The legs contain many flexible parts, so they must be covered with small scales. The less uniform the scales are in terms of size, the more real the dragon will look. A creature covered with same-size scales look simply lazy!

Of course, this isn’t the only style you should go for! You can use the same method to create different looks. Keep in mind that the pupil can change everything—experiment with various shapes to achieve the effect you want.

To draw a dragon properly you need to start with a few simple lines based on its skeleton. Skeleton gives form to the body and establishes the proportions before you invest any time in details. Obviously, both “species” will need a different skeleton:

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Scales (or big “plates”) are what make dragons unique and differs them from dinosaurs. That’s why it’s so important to draw them properly. They seem very time consuming, but if you learn one simple rule, you’ll be able to add them to your dragons in no time!

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Now we need to go in a different way for a saurischian (1) and a therapsid (2), as the skull is the main difference between them. Draw the points that will establish the shape of the upper jaw.

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Step 1: Draw two circles as guides for the dragon’s body. They don’t have to be perfect. They’re just guides. Instead, pay attention to the size and spacing of the circles. That will determine the size of your dragon.

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Mix up covering techniques, There are plenty of different pencil attracting techniques relating to shade providing . Chiu uses two primary approaches. The first will be with all the outlines going in the exact same direction. `This makes the shading appear more natural, and helps my information pop out from the particular lines I`m using with regard to shading, he explains. The particular second method involves operating in patches of covering , to help define condition . Patches of lines avoid the form, which aid keep things in point of view , he says. It is furthermore great for backgrounds and even creating texture.

Master mixing , Healy has a certain process for blending the woman coloured pencil work. The lady depends on an put together , to check the type is proper before doing to coloured pencil (it`s much harder to get rid of coloured-in areas than a good outline). It also will help her plan where typically the highlights and shadows can fall. She then develops up colour using refined layers. I love in order to start out with gentle gentle layers to get a better concept of illumination placement, shadows along with the coloring palette, she says. Following each layer she mixes gently using the blending together stump. Once she provides reached a stage she`s happy with, she actions on to the ultimate step: adding an put together . For this final part , Healy uses coloured pencils alone, and does not necessarily blend with a stump.

Beyond that will , different artists have distinct approaches to lines instructions you need to discover the style that`s best suited for you. I choose to use an unique outline in my art work , many people using thin shapes or bold outlines, ` says Healy. It could help pinpoint the audience`s eye to a specific area. Additionally, it gives the stylised look, if of which is what you happen to be hoping to achieve. Chiu, however, prefers a various approach. I try to be able to avoid outlining my images because this tends in order to make things look smooth and deadens the 3D IMAGES effect. Breaks and spots in my lines demonstrate form in the signals and shadows.

Consider different approaches to sets out , Another drawing technique worries line weight. As properly as demarcating different things , lines can help stress shadows. Thicker lines may fade and disappear to the shadows, which can assist convey the 3D contact form , explains Chiu.

Unify your colors , Having an uniform strategy to colour can help provide cohesiveness to your job . It`s a good thought to make sure of which your artwork has unifying colours, says Healy. `This consists of a certain colour palette, mood plus a way of spreading these types of over the entire art item . In addition, she implies creating a harmonious bottom by using tinted papers or adding a history wash of colour (in paint). This will demonstrate through whatever you take a nap on top of this , thus giving it the appearance of cohesion. Any time I use coloured pencils, I`m fond of making use of tinted paper produced simply by Kraft.

Check and recheck, Before you will leave your site and go to tougher lines and detail function , it`s essential to be sure to have the correct type down. Chiu`s advice is definitely to check and examine again. Need to nail straight down my drawing`s underpinnings just before I can add information . I really avoid estimating with the details: I would like to make sure anything is symmetrical and appear right before writing tougher and harder lines. He or she also suggests considering your own work in a looking glass or through a digicam . Considering different vantage details is a great approach to highlight if anything is definitely crooked. I constantly request myself, does this think right? If anything appears off - even in the event that I can`t immediately place my finger about what this is #NAME? have confidence in my gut and troubleshoot my drawing before carrying on with

Rescue their life from your comfort zone, Whilst these pencil drawing methods should help you know the essentials with the moderate , sometimes you need in order to toss the rules out and about of the window in order to find what works for a person . There`s nothing wrong along with stepping outside of typically the box if it indicates achieving the effect an individual want, says Healy. Learning from mistakes will occur when an individual step outside of that will box. But don`t get intimidated! The process is definitely entirely fun.

Create textile , Fabric can range coming from sleek and shiny to be able to matte and dull. Precisely how you shade it will certainly help sell the thought of the material you`re attempting to depict. With this drawing , von Reuden is intending to be able to capture the golden folds over of material found inside the original image. This individual began by outlining the particular shapes and blocking away aspects of shadow.

Try combining pencils along with watercolour, While pencils about their own enables you to make a wealth of distinct effects, it can become interesting to combine these other media. For example of this , in her work, Healy wants to combine watercolour in addition to coloured pencils. It`s crucial to begin with watercolour and even then layer coloured pencils on top, she clarifies , because pencils can generate a waxy surface of which repels liquid, and stops the watercolour from putting into the paper. This kind of is a fun strategy to try out, the girl says. Both mediums possess unique qualities and smoothness . Combining the two components produces a medium all associated with its own.

Use a stump intended for soft blending, How an individual blend your work may have a big influence on the final result. With regard to a soft blended result , try a blending stump. After each light level , I very gently combine the coloured pencils using the stump, says US-based artist Jennifer Healy. Avoid push too hard or perhaps the colour will stay , making it tougher to be able to softly blend. I replicate this process as usually web site need. After numerous layers it produces some sort of very soft and fragile look. This technique needs a little trial and problem , though. Healy warns of which if you blend also softly, the stump may pick up colour of which you`ve already layered around the paper.

Shield your paper, This will be a valuable pencil sketching technique for beginners: place a piece of report under me to steer clear of smudging your drawing although you`re working. It seems like clear , but it can become the downfall of some sort of great piece of job ! Healy also prefers in order to mount her paper in a board, attaching this using a layer associated with matte medium. This allows keep things neat, and even provides a good surface in order to work.

Categorise your own fabric, Von Reuden clarifies ways to add value in addition to shading to create additional layers of depth plus weight. He admits of which , when drawing and re-creating fabric, the types regarding wrinkles created can most be placed under 3 separate categories: hanging/relaxed, stretched/tension, and scrunched/compressed. Hanging textile tends to be unfastened and have a moving appearance. Stretched fabric generates long lines, usually along with a point of assistance . Compressed fabrics bunch in to each other, creating scrunched-looking areas.

Short on time? That above, from character developer Bobby Chiu, runs by means of some pencil drawing related with action. For considerably more in-depth suggestions about composition in order to how to capture light-weight and shadow, check out our own art techniques article. Or even , for inspiration, have a look at this particular roundup of unbelievably practical pencil drawings.

Develop your skills with these kinds of pencil drawing techniques, with regard to both graphite and colored pencils. These pencil sketching techniques from top musicians will assist you to take your pulling skills one stage even more , whether you`re using graphite pencil or coloured pencils. For many artists, pad drawing is the ability that introduced them in order to the art world, in addition to even if you`ve advanced to a different moderate , understanding how to bring with a pencil can easily help you transform your expertise elsewhere. These pencil attracting techniques cover many methods from typically the basics of mark-making in order to advanced processes to drive you out of the comfort zone. We`ll also provide advice on the equipment and materials you want to know, such while blending stumps, paper alternatives , and different erasers. In case you`re a total starter , or just want in order to upgrade your kit, get a look at each of our guide to the very best pencils.

Find the right document texture, The surface consistency you`re working on may make a big distinction towards the effects you can easily create. It is referred to be able to as the grain or even `tooth` of the document . A rough tooth will be more visible, and typically the ridges will grip typically the colour from your pencils. Having a smooth tooth, typically the ridges are very excellent , and there`s less hold . Healy finds this type of paper provides a great easier surface for blending together coloured pencils, although your woman warns that it`s likewise easy to operate the coloring off the surface.

Utilize appropriate grip, The first phase would be to master how in order to hold a pencil properly . Chiu recommends holding the particular pencil just like you could the piece of charcoal, in addition to taking advantage of typically the side of the prospect to draw, rather as compared to the point. This allows maintain your pencil sharper with regard to longer. When covering big areas, I shade using my pencil perpendicular in order to the line I`m attracting to get wide, smooth lines, he adds. Intended for details, I hold the pencil parallel to our lines to get sharpened , narrow marks. The sole time I use typically the thing is when I`m working on intricate specifics

Make use of the right eraser, There happen to be a few several types of eraser, and each is matched to various things. You`ll definitely need a kneaded eraser. This has the putty-like consistency (it`s often known as putty eraser), and you knead that before and after employ . A kneaded eraser is usually best for lightly selecting up the coloured pad binding off the document . This works wonders if correcting mistakes, or when you`re deliberately lifting coloring from an area like the eyes, says Healy. Some sort of gum eraser has the more solid consistency, and even is better if you`re trying to fully clear off a coloured-in area. Vonseiten Reuden continues: I firmly believe in letting pure intuition take over in typically the creation process so We work with the underdrawing more as a standard . This implies the final effect varies.

Start out lightly and build through there, While i start painting , I plan and check out using loose lines, plus avoid committing ahead of time along with hard, dark lines, claims Chiu. As I develop my lines will transform , so checking and rechecking my work is important . I darken my traces and add details in the end. I do not concentrate on one area with regard to too long in order to avoid overdrawing. Begin with an underdrawing, Artist Tim von Reuden likes to start together with a digital underdrawing that will he prints at 1 per cent Opacity. Over , you can observe the underdrawing involving his sketch of the woman holding an employees . He explains, I enjoy to keep it gentle so that it provides for a foundation rather than a new final image.

Use contrasting concepts, One particular drawing technique Healy makes use of in her work is usually to use contrasting ideas within a piece involving work, for instance, juxtaposing beauty and ugliness. I am going to use the beauty involving colours, flowers, the soft qualities of skin or locks , as well as the female form. Items also tend to make use of something option opposite to be able to all of that, for example bones, insects, sharp tooth , or anything that may possibly provide discomfort to typically the viewer, she elaborates. `Somehow this provides an appealing strategy to a piece. Particularly when the `ugly` parts significantly harder to spot from first. To me it is a very stark representation regarding what life is just like

Draw on your personal experiences, Dip into the experiences to add an exclusive layer of authenticity in your piece, suggests Healy. Therefore using something like some sort of memory, feeling or smell when making your work. Intended for example, the special sensation you experienced when seated down with a good friend at the coffee shop, or even a memory of your child years experience. You can become abstract or use hyperrealism. Whatever you decide to choose makes the particular piece unique to a person . I`ve found that individuals resonate with these parts the most.

Know when should you cease , The majority of performers tend to tinker with their particular work - even right after they`ve signed their brand . I can always discover something to change in case I look hard good enough , so it can get difficult to share with when some sort of piece is truly done , says Chiu. However, be skeptical of overworking your part . `Eventually, I make a new conscious decision to set my drawing away plus start something new, this individual continues. `That`s when I actually consider my drawing carried out


IMAGE COLLECTIONS : How To Draw Dragons Step By Step

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