It`s how your fulfilled artwork is presented that makes all the difference. Although it`s teasing to merely area your drawing in a ready-made frame, there are a few things that you can take in rumination,cogitation before framing your artwork to insure it is adequately shielded over the years.
Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it can work if is part of a color lane with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.
Add a territorial dust cover, After attaching the art and framing materials to the definite frame, a dust cover must be used on the back to keep supplementary dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back take place of the molding all the system around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive draw nearer as it is carried on flat as you press it onto the adhesive come to pass . You then trim the outer edges of the brown paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.
The drawing should be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any small fragments on your paper or drawing, you must look at the proceed compactly from a critical angle, so that you can notice them contrasting from the paper`s crop up as they rise up. You should use a brush or compressed air to remove the fragments from the framing material.
Let your artwork breathe, In attaching the drawing to the backing or whatever secures its predicament within the mats or frame, it should only be secured at the top and allowed to hang if an adhesive or tape is used. It can not be secured fervently at all four corners or around its perimeter, because the humidity changes persistently and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop arrangements if it is confined in any policy strings in the paper become extremely obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as numerous of my drawings and illustrations using other media on paper, have been framed this rule for a number of years.
Always form with glass, I would e`er couch with glass, only I would as well expend the supernumerary money for the UV safekeeping glass. However, I would never use non-glare glass or plexiglas.
Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it should be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is compulsory and preferred in the industry for this buffer or barrier. The same deliberation should be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.
Use acid- gratis materials, Whatsoever matting, tape or adhesive, barriers, or funding that you utilisation in the framework of your artistry or drawing should be fully acid free. Acidic materials, after long periods of time could actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.
The glass should be excellently clean and should be tested for finger prints, dust, hair, or other strange material, before securing it lastingly in the frame. You could have to do this more than once.
Related Images of How To Draw Flower Of Life
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Begin by drawing a circle. Use a compass. Now take the METAL TIP of the compass and place it anywhere along the circle you just made; draw another circle. You should have the exact image you see above.
If you want more information, and how-to lessons, please get yourself a copy of the full book, available below as a PDF.
Thanks for learning this; it is an important symbol and useful design device. It is found freely, and should be given freely. Please share this tutorial with any friends who may be interested. Thanks and I hope you take a cruise through my site, and find things you like.
This construction is the framework for Metatron’s Cube. See the link below for a full tutorial on how to construct Metatron’s Cube and the Five Platonic Solids.
Flower of Life: How to draw it… Posted: March 3, 2012 | Author: The Chemical Marriage | Filed under: drawing, magic, mathmatics, sacred geometry | Tags: Constructions, drawing, flower of life, geometry, How to, lesson, metatron, metatron’s cube, pattern, sacred, seed of life, tutorial |56 Comments
Make the last peddles. And now you have a full Flower of life.
jThe Flower of Life is in fact a seed for further geometric construction. It conatains the Seed of Life, and if carried outward provides the frame for Metatron’s Cube. Drawing the Seed of Life is astonishingly simple.
Then fill the second row in. This is the first Flower of life.
The two circles drawn in the previous step should intersect at a single point with the original circle. Put your metal tip on that point and draw the sixth circle. These 7 circles comprise what is known as the Seed of Life. Carrying the process outward will give you the Flower of Life shown below….