Let your artwork breathe, In attaching the drawing to the backing or whatever secures its position within the mats or frame, it should only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured solemnly at all four corners or around its perimeter, because the humidity changes constantly and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop spates if it is confined in any path strings in the paper become extremely obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as a few of my drawings and illustrations using other media on paper, have been framed this oddity for a number of years.
Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it should work if is part of a color mechanism with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.
The glass should be excellently clean and must be tested for finger prints, dust, hair, or other foreign material, before securing it permanently in the frame. You may have to do this more than once.
It`s how your finished artwork is presented that makes all the difference. Although it`s tantalizing to purely area your drawing in a ready-made frame, there are several things that you should take in introspection before framing your artwork to insure it is adequately protected over the years.
Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is compulsory and favored in the industry for this buffer or barrier. The same rumination,cogitation must be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.
Forever frame in with glass, I would ever skeletal frame with glass, only I would also expend the spear carrier money for the UV safekeeping glass. However, I would never use non-glare glass or plexiglas.
Utilization acid- complimentary materials, Whatsoever matting, taping or adhesive, barriers, or support that you usage in the frame of your prowess or drawing must be wholly acid free. Acidic materials, after long times of time may actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.
The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To notice if there are any tiny fragments on your paper or drawing, you can look at the draw nearer densely from a serious angle, so that you could notice them contrasting from the paper`s take place as they rise up. You may use a brush or compressed air to remove the fragments from the framing material.
Add a territorial dust cover, After attaching the art and framing materials to the actual frame, a dust cover must be used on the back to keep additional dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back transpire of the molding all the peculiarity around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive eventuate as it is not stopped until flat as you press it onto the adhesive take place . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.
Step 8: Finish the drawing by add the tail and facial details to complete this drawing.
Here are some fun facts about the Lion you might find interesting.
Here’s a quick 1 minute video showing you how to draw another version of the Lion.
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In this drawing lesson we’ll show you how to draw a Lion in 8 easy steps. This Free step by step lesson progressively builds upon each previous step until you get to the final rendering of the lion.
This is a simple lesson designed for beginners and kids with real easy to follow steps. Feel free to print this page and use as a drawing tutorial.
Please PAUSE the “How to Draw a Lion” video after each step to draw at your own pace. For the first few steps, don’t press down too hard with your pencil. Use light, smooth strokes to begin. Step 1: Draw two circles as guides for the lion’s body.
They don’t have to be perfect. They’re just guides. Step 2: Draw an egg shape above the right circle as a guide for the lion’s head. Step 3: Draw two intersecting lines inside the head. These will help you place the lion’s facial features.
Step 4: Draw a small arc near the top of the head for the lion’s ear. Step 5: Draw three lines under the lion’s body as guides for the legs.
Step 6: Finish the body by drawing the under belly, add the tail and some facial details.
This entry was posted in Step-by-Step and tagged Lion on June 2, 2010 by maple.
One of the largest members of the cat family. It is nicknamed the king of the beasts. The male Lion has bushy fur on it’s head called mane. There are African Lions and Asian lions which differ slightly in appearance.
The female Lion is responsible for hunting and feeding a pride (a group of lions headed by a male lion).