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Incredible Pencil Drawing By 16-Year Old Irish Girl Wins Award.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its circumstances within the mats or frame, it can only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured fervently at all four corners or around its perimeter, because the humidity changes constantly and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop rows if it is localized in any mechanism sequences in the paper become extremely obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as many of my drawings and illustrations using other media on paper, have been framed this manner for a number of years.

The drawing should be cleaned well, removing smudges, dust, or eraser fragments. To notice if there are any tiny fragments on your paper or drawing, you must look at the transpire closely from a harsh angle, so that you should notice them contrasting from the paper`s draw nearer as they rise up. You could use a brush or compressed air to remove the fragments from the framing material.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is compulsory and favorite in the industry for this buffer or barrier. The same reasoning must be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.

Add a territorial dust cover, After attaching the art and framing materials to the definite frame, a dust cover must be used on the back to keep supplementary dust, spiders, or bugs from entering the framed picture compartment. This is usually done by using a two-sided tape on the back come about of the molding all the mechanism around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive draw nigh as it is spreaded flat as you press it onto the adhesive near . You then trim the outer edges of the brown paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

It`s how your fulfilled artwork is presented that makes all the difference. Although it`s tantalizing to simply place your drawing in a ready-made frame, there are a few things that you must take in consideration before framing your artwork to insure it is adequately shielded over the years.

Ever entrap with glass, I would always set up with glass, simply I would as well pass the duplicate money for the UV safety glass. However, I would never use non-glare glass or plexiglas.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it may work if is part of a color road with a particular molding and if it is not overpowering the drawing. It`s great to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be selected to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

Usage acid- gratuitous materials, Any matting, record or adhesive, barriers, or championship that you employment in the frame of your art or drawing should be totally acid free. Acidic materials, after long times of time could actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.

The glass must be tremendously clean and should be tested for finger prints, dust, hair, or other far-off material, before securing it lastingly in the frame. You may have to do this more than once.

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Shania mcdonagh 16 mount st michael secondary school claremorris isJimmy lawlor father of hetty lawlor pictured as a 16 year old student after he too had won overall prize in the 1984 competitionTexaco childrens art competition websitevia colossal breaking news irelandA1 lucy deegan carlow16 year old girl wins national art competition with stunning hyper realistic pencil portraitThis shockingly realistic pencil portrait was drawn by a 16 year old

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The judging panel chairman, Declan McGonagle, director of the National College of Art & Design, remarked that the girl’s work could position her “as one of the most talented artists of her generation, and one whose skill could see her become one of Ireland’s foremost portrait artists of the future.” We would be inclined to agree.

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For the past four years, 16-year-old artist Shania McDonagh has participated in the Texaco Children’s Art Competition, an art contest for children in Ireland held every year since 1955. Just looking at the astounding portrait above, it may come as no surprise that McDonagh has won the top prize for her age category every year since she was 12, and today snagged the top prize for the 2014 competition with this hyperrealistic drawing of a man titled Coleman.

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16-Year-Old Girl Wins National Art Competition With Stunning Hyper-Realistic Pencil Portrait

Prof. Declan McGonagle, the judging panel’s chairman and director of the National College of Art & Design, says that the girl’s work has positioned her “as one of the most talented artists of her generation, and one whose skill could see her become one of Ireland’s foremost portrait artists of the future.”

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For her talent McDonagh snagged a $2,075 (€1,500) award which she will receive next month. You can read more and catch a video over at The Irish Times. (via PICDIT)

The girl drew the portrait from a photograph she found in the Vanishing Ireland book.  It took McDonagh around one month to create the portrait, which won her the top prize of $2,075 (€1,500). The young artist is the winner of the 16-18-year-old category and of the whole 2014 competition.

Tags Coleman, hyper realistic drawing, hyper-realism, hyperrealism, hyperrealistic, hyperrealistic art, pencil art, pencil drawing, pencils, portrait, portrait drawing, realistic drawing, realistic pencil drawing, Shania McDonagh, Texaco Children’s Art Competition

Amazing 16-year-old artist Shania McDonagh just won the annual Texaco Children’s Art Competition in Ireland with “Coleman,” her impressive hyperrealistic pencil drawing of an old man.

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