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The lioness face is finished

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Pencil Drawings Animals.

The glass should be exceptionally clean and should be tested for finger prints, dust, hair, or other foreign material, before securing it permanently in the frame. You may have to do this more than once.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it could work if is part of a color routine with a particular molding and if it is not overpowering the drawing. It`s great to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

The drawing should be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any tiny fragments on your paper or drawing, you should look at the forge densely from a serious angle, so that you should see them contrasting from the paper`s materialize as they rise up. You could use a brush or compressed air to remove the fragments from the framing material.

Add a territorial dust cover, After attaching the art and framing materials to the actual frame, a dust cover must be used on the back to keep additional dust, spiders, or bugs from entering the framed picture compartment. This is usually done by using a two-sided tape on the back make progress of the molding all the drive around the perimeter. Then a piece of brown paper is laid down on the adhesive draw nigh as it is stretched flat as you press it onto the adhesive hap . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Usage acid- gratuitous materials, Whatsoever matting, tapeline or adhesive, barriers, or patronage that you employment in the framing of your fine art or drawing can be completely acid free. Acidic materials, after long times of time should actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its predicament within the mats or frame, it can only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured firmly at all four corners or around its perimeter, because the humidity changes recurrently and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop rows if it is restricted in any track orders in the paper become very obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as many of my drawings and illustrations using other media on paper, have been framed this procedure for a number of years.

It`s how your completed artwork is presented that makes all the difference. Although it`s teasing to just place your drawing in a ready-made frame, there are numerous things that you can take in consideration before framing your artwork to insure it is adequately shielded over the years.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it should be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is necessary and preferred in the industry for this buffer or barrier. The same deliberation can be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.

E`er anatomy with glass, I would ever inning with glass, just I would as well expend the extra money for the UV protection glass. However, I would never use non-glare glass or plexiglas.

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42 best drawings images on pinterest drawings pencil art andFrog pencil drawing by nelutuinfoFinished pencil drawing of a lioness by doreen cross note the selective use of colorPencil drawings of animals by new zealandish artist jaimee paulRealistic animal pencil drawings 26Realistic animal pencil drawings 31

I love to draw animals – especially wild animals – because I love to give them character and bring them to life on paper.

See the steps Doreen takes to create a colored pencil drawing from her photo of a pair of lorikeets:

Work done on the background, and more definition is added to the lioness’ body

Armin Mersman. Mike Sibley. I admire these artists for their amazing talent and for their willingness to share knowledge and techniques. 

Let’s follow along with Doreen’s steps as she creates a detailed pencil drawing of a lioness!

I outline my drawing, then usually I do the eyes first, then move up towards the ears and work down the face and into the body. I map out shading quickly and then work on the fine detail.    

It can take 10 – 15 hours depending on the subject and how much detail. Sometimes it can take many more hours if there is a lot of detail. 

I enjoy watercolor, color pencils and oil. My favourite medium is graphite pencils. I love to experiment with pencils and love what I can achieve with graphite.  

Can you describe how you create one of your drawings, from start to finish?

On this page you can read an interview where she explains how she creates her detailed pencil drawings. You can also see some photos of her works-in-progress, which show the steps she takes to completing her animal and portrait drawings.

Practice lots…experiment, read books, watch videos, Google search techniques and art tools.  

You can see more of Doreen’s detailed pencil drawings on her website. She also keeps a blog where you can keep up to date on her works in progress!

The detailed pencil drawings of Doreen Cross capture both the spirit and appearance of her subjects – whether human, animal, or architecture. Created in a careful, realistic style, Doreen’s pencil drawings are a striking reminder of just how powerful and emotive a pencil can be as a tool for creating fine art.

Doreen is from New South Wales, Australia. She has been an artist for 20 years and is entirely self-taught. She draws her wildlife pencil art from photographs, many of them taken near her home in Australia.

Do you have any tips for artists who would like to create more realism in their work?

If you’re interested in commissioning a pencil drawing from Doreen, send her a message!

Many thanks to Doreen Cross for sharing her detailed pencil drawings and artistic process with us!

Finished pencil drawing of a lioness, by Doreen CrossNote the selective use of color in the grass!

Drawing of Lorikeets, created with Prismacolor Colored Pencils

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