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Nigerian artworks on painting pencil work and portrait we sell our art works and seeking for help around the world
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Pencil Nigerian Art Works.

Usage acid- free materials, Whatsoever matting, magnetic tape or adhesive, barriers, or backup that you utilization in the framing of your art or drawing must be entirely acid free. Acidic materials, after long periods of time may actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is required and favored in the industry for this buffer or barrier. The same introspection must be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.

The glass should be excellently clean and should be tested for finger prints, dust, hair, or other strange material, before securing it permanently in the frame. You can have to do this more than once.

Always underframe with glass, I would ever ensnare with glass, only I would as well expend the excess money for the UV safety glass. However, I would never use non-glare glass or plexiglas.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it could work if is part of a color pathway with a particular molding and if it is not overpowering the drawing. It`s great to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame can all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

The drawing can be cleaned well, removing smudges, dust, or eraser fragments. To notice if there are any small fragments on your paper or drawing, you must look at the make progress compactly from a terrible angle, so that you may see them contrasting from the paper`s come to pass as they rise up. You may use a brush or compressed air to remove the fragments from the framing material.

Add a territorial dust cover, After attaching the art and framing materials to the actual frame, a dust cover must be used on the back to keep additional dust, spiders, or bugs from entering the framed picture compartment. This is usually done by using a two-sided tape on the back materialize of the molding all the procedure around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive draw nigh as it is carried on flat as you press it onto the adhesive near . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its plight within the mats or frame, it can only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured fervently at all four corners or around its perimeter, because the humidity changes recurrently and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop rounds if it is confined in any wont waves in the paper become extremely apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as numerous of my drawings and illustrations using other media on paper, have been framed this habit for a number of years.

It`s how your finished artwork is presented that makes all the difference. Although it`s teasing to purely area your drawing in a ready-made frame, there are many things that you can take in thinking before framing your artwork to insure it is adequately fortified over the years.

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Best online drawing portriat painting artist in lagos nigeria west africa worldwide 20162 likesFinishing touches of wizkid pencil drawingThis pencil art works were drawn by a nigerian artist named sheyi alabiArinze stanely nigerian artist hyper realistic pencil artPencil portrait artist eguavoen imuetiyan the works of a self taught artist nigerian entertainment official

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Stanley’s interest in art was sparked early in life by the paper that surrounded him at his family’s paper mill. First embarking on a career as an artist in 2012, he now takes his camera with him everywhere to shoot reference images for his work. From there, he intensely studies his subjects, pulling out the emotions in their facial features.

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Topics 700-page, african art, art, drawings, feminism, hyper-realism, lagos, Nigeria, pencil art, west african art

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Having completed his degree, his parents were not wholly convinced of his choice to pursue his art full time. “That’s “African Parents” for you,” he said with a laugh. “They were concerned about financial stability, and how the world will view you. We have so many road side artists in Lagos, so they were concerned I might be going towards that direction.”

Nigerian Artist Spends Up to 200 Hours Creating Hyperrealistic Pencil Portraits

Arinze Stanley can spend up to 200 hours completing his hyperrealistic pencil art portraits.

Celebrating creativity and promoting a positive culture by spotlighting the best sides of humanity—from the lighthearted and fun to the thought-provoking and enlightening.

“I deeply feel I’m transferring all my energy and emotions from my life form to paper through my pencils,” he shares. “The affinity to create, a true image and nature of God.”

Nigerian artist Arinze Stanley creates hyperrealistic pencil art that captures the spirit of his subjects. His incredible portraits, which can take up to 200 hours to complete, are nuanced artworks that tell as much about Stanley’s patience and dedication as they do about the sitter.

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Scroll down below to see Ken’s stunning works below, and let us know what you think in the comments!

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“A close-up view of the artwork done with pencil on paper” Gnaw, 2016The Nylon SeriesSoldier, 2016Unleashed 1, 2015Witnesses, 2016ChairmanBatu, 2016If I start to Talk, 2015-2017Kilodé, 2015Mother, 2016Sani, 2016Leave it torn a Little Longer, 2015In the midst of Recession, 2015Osiso Ndu (Mama Africa), 2014On a SpaceshipDon GorgonTorn

As well as worrying the parents, another challenge for Ken to overcome was the Nigerian art world. “5 years ago when I started art, there was little or no attention given it,” he explained. “There was no room to connect or understand art except if you went to an “art school”. There was this stigmatisation on artists who didn’t study art. It was hard for a young artist like myself to evolve.” Thankfully, things are changing for the better now. “The art scene is growing. Now, I see young artists being inspired and trying to focus on their dreams. I can see opportunities springing up for even those who did not study art. So it’s a work in progress, and I’m thankful for that.”

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His dedication to his craft has quickly brought him to success and he can easily be included in a field of top photorealistic portrait artists. His Instagram is a virtual pencil art tutorial, as he gives a masterclass by continuously posting progress photos of his new work. Working on one area at a time, the figures emerge from the sheet of paper. Striking in and of themselves, progress shots are a fascinating look at the artist’s creative process.

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Ken’s art is completely self-taught and he has faced many challenges to become a recognised artist. “I learnt the technique myself, Ken told Bored Panda. “I finished with a BSc in Civil Engineering. So I never went to an art school or had any formal education in art.”

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Now busy with exhibitions around Nigeria, Ken is looking forward to opening his first solo show, with the theme of African female-feminine power. Oh, and it seems that he has finally won over his parents, who have accepted his decision to pursue a life as an artist. “I’m very sure they are completely convinced now. There’s so much love now in what I do,” he told us. “They want to be part of it. Everyday they are bringing up suggestions for new paintings too, it’s so cute seeing parents do that.”

Ken aims to achieve a deeper meaning through his art, one which goes beyond the visually spectacular facade he presents into themes such as gender equality, African cultures, and black power. Outlining his vision, he told Bored Panda the stories behind his work. “My art’s course is to pursue freedom of expression and belief, and to promote the voices of those rather unheard,” he said. “I also want to explore subtle desire and privilege. In The Nylon Series, there are views of enthusiasts of the typical African culture and morals. Okotogbam touches on emotion and strength of character, while The King’s Diary presents the possibilities of African Feminism, as seen in female patriarchy.”

Ken Nwadiogbu, 23, is a visual artist from Lagos, Nigeria, who specialises in 3D hyper-realistic drawings done with pencil and paper, creating pictures and portraits so realistic that you have to look twice to make sure they aren’t photographs.

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