Portrait tutorial how to draw a face step by step
Pencil portrait tutorial pencil portrait tutorial 8 easy steps
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Pencil portrait tutorial
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Pencil Portrait Tutorial Step By Step.

It`s how your finished artwork is presented that makes all the difference. Although it`s tantalizing to merely place your drawing in a ready-made frame, there are several things that you must take in pondering before framing your artwork to insure it is adequately protected over the years.

Add a protective dust cover, After attaching the art and framing materials to the definite frame, a dust cover should be used on the back to keep supplementary dust, spiders, or bugs from entering the framed picture compartment. This is usually done by using a two-sided tape on the back appear of the molding all the mode around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive advance as it is carried on flat as you press it onto the adhesive ensue . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Use acid- costless materials, Whatsoever matting, tapeline or adhesive, barriers, or patronage that you utilization in the framework of your artistry or drawing should be fully acid free. Acidic materials, after long times of time could actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.

The glass can be excellently clean and should be tested for finger prints, dust, hair, or other far-off material, before securing it permanently in the frame. You can have to do this more than once.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its state within the mats or frame, it must only be secured at the top and allowed to hang if an adhesive or tape is used. It should not be secured seriously at all four corners or around its perimeter, because the humidity changes constantly and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop situation comedy if it is confined in any convention courses in the paper become very obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as several of my drawings and illustrations using other media on paper, have been framed this route for a number of years.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it must be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is necessary and favorite in the industry for this buffer or barrier. The same study must be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.

The drawing can be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any petite fragments on your paper or drawing, you must look at the near trimly from a serious angle, so that you could see them contrasting from the paper`s surface as they rise up. You should use a brush or compacted air to remove the fragments from the framing material.

Ever human body with glass, I would always skeletal system with glass, but I would likewise drop the excess money for the UV safekeeping glass. However, I would never use non-glare glass or plexiglas.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it could work if is part of a color mechanism with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

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For now, before I get to the painting, I’ll start off by mastering the drawing part of program.

A few days ago, I finished drawing my first portrait. Since then, I’ve reread my notes, reviewed some parts of the course, and wrote up my “Portrait Drawing Cheat Sheet”.

The trick, then, is to create a mechanism to force deliberate and consistent practice month after month. This is the hard part about learning these new skills, not the time required.

With the exception of the oddly tiny ear, everything else seems to line up well. The head shape, face shape, and hair shape seem accurate. The level of the features and the center line seem accurate. The wing of the nose is a bit too far to the right, but I really just threw that in for fun.

Because I spent the past two days meticulously locating and blocking in the features, it was very easy to add the incremental detail. (Trying to draw big shapes is much harder than trying to draw little shapes. Little shapes are a lot easier to visually understand and replicate)

When keying the drawing (and developing tonal values in general) it’s important that the shapes of the tonal areas are captured accurately.

Arguably, the contrast of the Derren Brown portrait makes it a more visually compelling portrait, but this is another topic completely (first, I wanted to master accurate portraiture before tackling well-composed portraiture).

The first thing I did today was add construction lines to my drawing. These construction lines are designed to act as landmarks and help me eventually place the facial features.

With these four outer points drawn, the next step is to draw in the shape of the head. To do this, I continued to triangulate more points, and draw in the necessary curves to connect them.

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Again, I think this is okay compositionally, but it’s still a bit of a problem — particularly, for two reasons.

” Christopher has truly helped me alot. His techniques are easy to learn, and the teaching is much better quality than the free lessons from other sites. When I mastered his techniques, it was pretty easy for me to change it a little bit and develop my own unique technique!  And one of the best thing is the 30 reference pictures! I think it is difficult to find it for myself.

While technology-aided art still should probably count as art (in some capacity), this month, I’m committed to creating using only the tools shown below: 9 black pencils, 1 white pencil, a few different erasers, and a gray piece of paper (which I’ll explain another time).

Tomorrow, I’ll continue following the course, and start drawing in the facial features.

Nevertheless, I will persist, since, even with the sizing mistake (and the associated challenges), I’m quite happy with the portrait so far.

Today, I spent a couple hours working on the eyes and nose area of my self-portrait.

Once the key is established, and the lightest and darkest values are in place, the intermediate values need to be introduced. Again, this can be done procedurally, by identifying and shading/highlighting the areas which are slightly lighter than the darkest darks and slightly darker than the lightest lights. Continuing recursively in this way, the tonal values eventually meet in the middle, and the drawing (or the relevant part of the drawing) is complete.

*Your name and email will never be shared with third parties. We will not spam, rent or loan your information. 

The human eye is really bad at assessing tonal values in isolation — which is why your brain thinks squares A and B below are very different colors, when, in fact, they are the same.

Yesterday, I started following along with the Vitruvian Studio portrait course, and began drawing a portrait of Derren Brown.

Because I’m so confident that you will see your drawing success with this tutorial, I’m willing to sweeten the deal by offering…

Then, I marked eye level, to start gauging the features’ vertical placement.

With all the steps documented, it’s now time to deliberately practice the most important skills.

                           A 60-Day              100% Money Back Guarantee!

As you can see, there is really 100% NO RISK to you. ” – (Christopher Sia)

Clearly, there are major differences in realism between my starting drawing and this example portrait. So, if I can match the level of this example (which will be, of course, a subjective, but hopefully honest judgement), I will consider this challenge a success.

I start by blackening one of the eyebrows. This is easy, and hopefully will help me build momentum.

Before I drew my self-portrait, I drew a portrait of Derren Brown.

Last month, I memorized a shuffled deck of cards in under two minutes, which required obsessive, consistent practice. If I were to stop practicing, over time I would lose this skill.

Nevertheless, I must continue. So, here I go… Time to temporarily deface my work.

I’ve had strong artistic tendencies since I was a kid, but I’ve never invested much in my fine art skills. Instead, I’ve channeled my artistic impulses mainly through music, film, and computer-aided design.

After checking the angles again, I updated these two new points.

Learn how to draw the details of the face 42 step-by-step illustrations for shading the face  Understand how to shade the face  Learn how to add shading on the neck

To me, drawing is a bit like doing your laundry. Before you do it for the first time, you feel it’s much more complicated than it actually is, and thus, you feel incapable of trying. Then, you’re shown that doing your laundry is only a matter of putting your clothes in the machine, pouring in some soap, and clicking a button. Much easier than you thought.

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Derren is a British illusionist, who I’ve been following for a while now, and who, I recently learned, casually paints portraits on the side.

The first module of the course focuses on mapping out the portrait, which includes determining the shape of the head and locating the features.

Tim’s journey is documented in the Penn and Teller-produced film “Tim’s Vermeer”, which I highly recommend you check out.

I made a bit of a mistake here. I drew the horizontal construction lines perpendicular to the center line (which seemed reasonable), but did not mimic the angle of the features in the actual drawing.

Establishing the key is straightforward, and doesn’t require much visual interpretation (i.e. it’s easy to find the lightest lights and the darkest darks).

Here is my “Portrait Drawing Cheat Sheet”, which features step-by-step instructions on how to draw a portrait.

My CritiqueThe face shape is accurateThe level of the features is accurateThe angle of the features is accurateThe center line curves a little too quickly as it moves up between the eyesThe neck shape is inaccurate — I especially misestimated the starting point of the neck on the right side.

Above the right eye, the angle of the head/hair is too steepThe peak of the head is too steepThe angle of the hair above the ear isn’t steep enough

The relative tones of the face to the hair are much more accurate now, which helps with realism.The shape of the hair on the left side of the portrait wasn’t quite right, so this gave me the chance to fix it.Here’s the before…And the after

The other reason I’m offering at such a low price is that I’m trying to gather more testimonials. I truly hope that u can give me your honest feedback and testimonial because nothing gives me more satisfaction than receiving from you telling me that I’ve helped you to learn on drawing realistic pencil portraits of anyone that you like.

In particular, I’m going try to reduce the amount of time necessary to complete a portrait like this. With some practice, I think I can reduce my time down from 14.5 hours to 4–5 hours.

In fact, I suspect that today was least consequential to the outcome of the portrait. If I mess up the shape of the head and the location of the features, I have very little chance of capturing a likeness. If the features are not quite accurately detailed, but in the right place, I still might have something…

Here I try to locate the peak of his head, the lowest point of his chin, the rightmost point of his ear, the leftmost point of his ear, and the notch of his neck.

This post is part of Max’s year-long accelerated learning project, Month to Master.Max Deutsch is an obsessive learner, product builder, guinea pig for Month to Master, and founder at Openmind.If you want to follow along with Max’s year-long accelerated learning project, make sure to follow this Medium account.

M2M Day 36: Throwing some shadeThis post is part of Month to Master, a 12-month accelerated learning project. For December, my goal is to draw a…medium.com

Today, I flew from San Francisco to Florida to meet up with my family for a few days. I’ll be here until January 4th.

I’m happy with the result, and actually think the self-portrait looks a lot like me.

After 7.5 hours of work (2.5 hours over the past three days), I’m finally hopefully that this portrait will resemble Derren Brown.

                                                                

To check, I then sighted the angle between the two new points, ensuring this angle matches what I see on Derren’s head.

index >drawing tutorials >portrait tutorial Portrait Tutorial – How to Draw a Face Step by Step This is a step by step tutorial on how to draw a realistic portrait. I would suggest that you have a basic understanding of drawing and shading before attempting to draw a serious portrait.

For this lesson I am drawing on 11″x14″ Fabriano Hotpressed Watercolor Paper I am using Derwent graphic pencils ranging from 2H to 7B. For more information on any of the drawing tools that I mention in this tutorial, visit the drawing materials page.

The subject for this drawing is one of my favorite women, the beautiful Kelly Monaco. I am using a reference picture of her that I found on the internet. Let’s get started. I buy all of my supplies from Blick Art Materials.

Buying your stuff from that link helps me keep adding to this site. Outline Step 1 – First I have laid down a basic outline. You can either grid or freehand your outline. I prefer to grid because it’s a lot faster and more accurate.

Don’t make your outline too dark. An HB pencil is perfect for outlines, not too dark and not too light. This step is very important in obtaining a likeness of your subject. If your outline doesn’t resemble the person, your final product won’t either.

So take your time and get features and proportions correct. It’s not uncommon for your outline to take a few hours. Tip – Do NOT use a hard pencil (example: 5H, 2H) for outlines or grids. They will indent your paper and show up later when you are shading.

They are almost impossible to cover up once the indentations are there. Don’t say I didn’t warn you. 🙂 Hair Step 2 – Next I have started working on the hair. I always work from top to bottom, left to right, just like reading.

I work this way so that I never have to rest my hand on a finished area of the drawing (I am right handed. Lefties would work right to left, top to bottom). I won’t spend too much time explaining hair, since this is a face tutorial.

But pay attention to which way the hair is flowing. Kelly’s hair is very dark. I’m using a mechanical 3B and a 7B woodcased pencil on it. The mechanical pencil allows me to add the fine details and the 7B allows me to push the darker areas, adding contrast.

Step 3 – I continue working on the hair. Be patient and don’t rush anything on a drawing. It’s the small details that will make your work stand out from others’. Hair can take just as long, if not longer, than the face.

Notice the hair is defined with different tones, not lines. If you just scribble a bunch of lines onto your paper, the hair will look flat and unrealistic. I use a mechanical 3B for most of the hair, using broad strokes in the direction the hair is flowing.

Also there is no blending involved in drawing hair. I want the imperfections and paper texture to show through somewhat. Darken areas around highlights first and then fade your darks into the highlights.

The highlights in the hair are darker in the back and become more brilliant towards the front. Remember that, for the most part, tones flow into eachother. Dark tones flow into midtones then into lights.

Lights flow into midtones then into darks. If your hair isn’t looking quite right, this may be your problem. Make sure you have a balanced flow of darks, midtones, and lights. If you just remember to keep tones flowing in gradients, you will end up with a realistic drawing.

Step 4 – I am still working on the hair. The first area that I will shade on the face is the forehead. So I want that area completely framed in with the dark tones of the hair. That will give me a reference to compare facial tones to.

Remember when I said hair can take a while? I have worked about 6 hours on the hair so far and I am not even halfway done with it yet. I am done with the hair momentarily though and will move onto the forehead.

Forehead Step 5 – Whenever I start working on a face the first thing I do is identify where the lightest areas will be. When you find these areas you can lightly outline about where they will be . Highlights are usually found on the forehead, cheeks, tip of the nose, bottom lip, and chin.

I know where my highlights are on the forehead. I know that the rest of the forehead has to be darker than these highlights. So I start by laying down some H graphite around the highlights. I just scribble it down VERY lightly and then blend it out with a tissue.

If you are not darker than your highlights, you need to lay down more. After we do this, we have to blend the tone you just laid down into the highlights to form a light gradient. I do this with a q-tip.

Remember what I said earlier about tones flowing into eachother? You have just defined the form of the light area of the forehead. Now onto the dark. Tip – Highlights give you a good opportunity to suggest skin texture if you want.

Skin texture can be achieved by either using the circulism technique (very lightly) or by dabbing a kneaded rubber eraser on surrounding shaded areas. Just make sure you don’t make your texture darker than the lightest surrounding tones because it won’t look natural.

Step 6 – The further away from the highlights you get, the darker you get. I am basically making a gradient that starts light around the highlights and gets darker along the hairline. The shading around the hairline is important.

Have you ever seen a drawing that looks like the hair is pasted on? I have seen plenty and that’s the reason it looks this way, not enough shading around the hairline. There will always be darker shading around the hairline from the hair casting subtle shadows onto the skin.

Tip – Take breaks when you are drawing. Sometimes when you stare at something too long your mind starts playing tricks on you. Work on your drawing for a few hours, take a break, and come back to it later, with fresh eyes.

EYE Step 7 – I move onto the left eye. I won’t spend too much time explaining eyes because I already have a dedicated eye tutorial. First I lay down some 3B graphite into the iris and blend it out with a blending stump.

Usually there will be brilliant highlights in the eyes so shade around those. I always make the highlights bigger than they actually are. It’s a lot easier to make them smaller than make them bigger after you’ve shaded everything else.

I always make my tones around these highlights slightly darker than they actually are. Doing this makes the eyes appear to sparkle more. Next I darken underneath the upper eyelid. This indicates a shadow from the eyelid.

I also darken in the center of the eye to indicate a pupil. The “whites” of the eyes are not actually white. I shade them with H graphite. There will be a cast shadow from the upper eyelid also. Pay attention to tones in your reference photo.

The answers are there, you just need to see them. LEFT CHEEK Step 8 – Next I move down to the left cheek. I start by locating my lightest tone. I lightly shade this area with H graphite and blend it with a tissue.

Then I lay down some B graphite around the H and blend it out. Just as the forehead, we are making a gradient that will get darker as we near the outside of the face. I work my way right up next to the nose.

NOSE Step 9 – Noses can be a struggle for many artists, especially beginners. Just try to remember that noses are nothing more than different tones representing contour and depth. I start by shading the bridge of the nose with H graphite.

It is quite possible that there will be a subtle highlight on the tip of the nose so watch for that and shade around it. Next, I shade around the bridge with B graphite, making it slightly darker than the bridge area.

I am making a subtle gradient towards the outer edges of the nose and into the cheek. As you are working on the nose area, make sure that tones flow seamlessly into the areas that we’ve already done. If an area of shading seems to abruptly stop, you need to work on blending it in so everything flows nicely.

Eye Step 10 – I move onto the other eye. Just as before, I start by laying down some 3B graphite onto the iris and blend it with a blending stump. Again, shade around any highlights in the eyes. Leave them paper white.

I darken the pupil and any areas under the eyelid to suggest a cast shadow. The eyelashes are drawn in now too but be careful not to make them too dark. Also, make them completely random. Eyelashes are never perfect and evenly spaced.

I lay down some H graphite in the “whites” of the eyes. Even though these areas look white they never are. The only things that should be white on your drawing are brilliant highlights. Tip – For most of my portraits I will add a small highlight where the iris meets the lower eyelid.

This helps in attaining that wet look. RIGHT CHEEK Step 11 – Now I am working on the right cheek. I lay down some H graphite in the lightest area and blend it out. Then I lay a slightly darker B graphite around the lighter area.

I hope by this point you are noticing a pattern. The pattern is that most everything on a portrait drawing is done with gradients, light tones flowing into darker tones and vice versa. The tones continue to get darker until I’ve reached the outside of the face.

JAW Step 12 – Following the jawline, I lay down my darkest tones with a 3B pencil. The darkest tones for the jaw will be towards the edges. If the subject is smiling as is the case in my reference, there will be folds in the skin so watch for those too.

These folds will be darker. I move onto the upper lip area laying down some B graphite. Make sure that you are making the whole jaw area darker than the highlights on both the cheeks and nose. Since my light source is coming from above, there is a cast shadow underneath the nose.

This is not always the case and will depend upon where the light source is coming from. I shade this shadow area with a 3B pencil. Step 13 – As you work your way down on the face don’t forget about the hair.

I play catch up on the hair until it’s about down to the jaw area. Working this way prevents you from having to rest your hand on the finished facial area to get at the hair. Don’t go too far down with the hair either because you’ll have to rest your hand on the finished hair area to get at the face.

Try to keep every part of the drawing at about the same point horizontally. I’m often asked how my drawings look so clean and this is the reason. You’ll never see smudge marks all over my paper. Just as before, I use my 3B mechanical pencil along with a woodcased 7B for darker areas.

The only lines that you draw in the hair should indicate the flow and direction. Now I’m down far enough with the hair on the left side where I can go back to working on the face. Tip – A retractable eraser is a useful tool to have when working on hair.

You can use it to erase small fly-away hairs, adding detail and realism to your drawing. Step 14 – I go back to working on the jaw and mouth area, on the right side this time. I start by laying down my darkest tones along the jawline, again watching for laugh lines and dimples.

Next I lay some B graphite and blend it into the darks I just laid down, making a subtle gradient towards the edge of the jaw. When I’m happy with the jaw area I go back to working on hair, catching it up to the jaw on the right side.

LIPS Step 15 – Next I move onto the lips. I start by laying down an even wash of 3B graphite on the upper lip. Next I go slightly darker all over the lip except for the middle part, leaving that lighter.

The darkest parts of the top lip will be the outer edges. The top lip will always be darker than the bottom. We used a 3B on the top lip so we will use a B on the bottom. I start by laying an even layer of B graphite down.

Usually there are highlights on the bottom lip so make sure you avoid shading these. Underneath the bottom lip I shade in a shadow with 3B. CHIN Step 16 – We finally reach the end of the face by completing the chin.

I lay down some H graphite in the highlight area and blend it out. Then I lay down some B graphite surrounding the highlight so it’s slightly darker. I may adjust this area later when I am working on the neck area.

Neck Step 17 – Depending on where the light source is coming from, there may be a cast shadow on the neck from the chin. This is the case with my drawing. I start by laying down an even wash of 3B graphite in the shadowed area.

How do you know how dark to go with this shadow? Compare tones on the face with the shadowed area. I see that my shadowed area is about the same tone as the cast shadow underneath the nose. The shadowed area will be darker as we near the edges on both sides.

I have also begun working on the shoulder on the left side. For the hair I decided to fade it out at the bottom. I think this is a really classy, artistic look in portrait drawing. I attain this look first by drawing the hair at the bottom with a 5H pencil.

This will give me my lightest tones and the tones that I need to transition down to. Then I go back up the where I left off and use a 3B, getting lighter and lighter as I near the bottom. When you reach the bottom it should be a smooth gradient from dark to light.

Step 18 – I move on to the chest area. I start by laying down an even wash of H graphite and blend it out. Then I add some darker tones along the outter edges where the hair is. Just as I did with the hair I am blending this area out at the bottom.

When everything is complete and the way you want it spray your drawing with a good fixative. I recommend Winsor & Newton fixative Start to finish this drawing took me around 20 hours over several weeks just working a few hours at a time.

All of my tutorials are free, I don’t ask for anything in return. I make them because I enjoy talking art and teaching others. They do take me quite a while to put together, a lot of work goes into them.

If you have enjoyed or benefitted from this tutorial all I ask is that you help promote it. You can do this by submitting to social networking sites, linking, blogging, or posting links on forums. Promoting my tutorials is a huge help!!

Yesterday, after 7.5 hours of work, I finally finished sketching / laying out my first portrait. Today, I started adding tonal values (a.k.a. “shading the drawing”).

With my self-portrait, I strayed from both of these advantages. For one, on purpose. For the other, less so.

This was a bit of a mistake, but a good learning opportunity. As a result of this decision, unlike with my Derren portrait, I had to pencil-shade the mid-tones on my face, leading to a slightly dirtier portrait. (In the case with Derren, where there were midtones, I left the blank paper untouched and clean).

A smaller drawing offers smaller margins for error. If I slightly misplace the corner of the mouth or the height of the brow, the distance between the correct and incorrect placements represents a proportionally larger difference on a smaller drawing.

In other words, smaller drawings are less forgiving and errors are more pronounced.A smaller drawing means finer details. My pencil sharpener doesn’t seem to work very well with the pencils I have, which means I’m drawing the tiny eyelids on my self-portrait with a tree trunk.

Basically, the smaller drawing requires that I work in finer areas, which is challenging with the tools I have.

Because I’m making it as a digital downloadable product which eliminating the cost of printing and shipping, I’ll offer it only at a low price of $27 USD 

Once I receive more testimonials, I’ll increase the price in the near future.

However, now that I’m trying to carefully model the lights/shadows of my face, I need more light.

Watching Derren paint, it seems like there are clear parallels between shading a drawing and painting a portrait: He sets a mid-tone color, adds the lights and darks, works his way towards the middle, and then adds detail.

In Photoshop, I overlaid my sketch on the photo to check. I was pretty accurate.

With Derren, I wanted to ensure the portrait emanated three-dimensionality, so I pushed aggressively on the contrast of the portrait. I also didn’t care much for the micro-gradations of shadow/light, as I was more concerned with the correctness of the bigger shapes.

There are total of 60pages in this e-book. Personally, I hate 200-page books that can be summed up in 70 pages or less. I get right to the point. I make it more on practical, step-by-step methods that can be learnt easily the minute u read it. 

During the sketching phase of my self-portrait, I didn’t need to see precise tone, so sketching at night was no problem.

Part of me lacks the motivation to continue drawing, as I feel like I’ve already accomplished my goal. The other (more overpowering) part of me realizes that I have another 21 days to improve even further, so that’s what I plan to do.

However, the eye was too small to help effectively establish the key. So, I keyed the drawing more aggressively, starting with the shadow on the nose and the highlights on the forehead and cheek.

It’s starting to look like me, but it still looks like a drawing — mostly because I haven’t blended the newly developed areas like the neck, cheek, mouth, ear, forehead, etc. Pretty much the whole thing.

Basically, I’ve used everything at my disposal (except for fine arts skills) to create artistically.

Before I show today’s progress, I want to share two techniques I learned that make it significantly easier to accurately add tonal values to portraits.

You see, for a beginner like me who didn’t know how to draw at all, I can’t just learn to draw from a nicely drawn picture. It’s just too hard for me. Nobody learns anything by being shown only the final result, anyway. I had spent a lot hoping to learn drawing portraits by attending drawing courses and buying art books.

I started by adjusting the center line slightly for the nose, and marking the nose’s outer boundary.

This month, to learn how to draw portraits, I’ll be following the Portrait Drawing video course from Vitruvian Studio.

Finally, I detail the ear, which is one of my favorite parts of the whole process. (Ears are just weird looking and fun to draw)

Especially before I smoothed out my face, it looked as if I had just been cleaning chimneys.

Finally, I added in shapes for the eyelids and eyes, and finished up for the day.

Learn how to draw the details of hair Don’t waste your time making mistakes in drawing hair like most of the beginners 26 step-by-step illustrations for shading hair How highlight portions of hair Simple tips to making hair look more realistic

Today, for the third day in a row, I spent 2.5 hours on my Derren Brown drawing. However, unlike the other days, today, I feel like I made a lot of progress.

Last month, it only took me 22 hours to become a grandmaster of memory.

Tomorrow, I’ll starting adding tonal values (i.e. shading) to the drawing.

Yes, this means that you’ll only have to make one-time payment of $27 to learn pencil portrait drawing. There are absolutely NO hidden charges whatsoever.

Picking up where I left off, I continued to block in shapes for the features.

After spending nearly a month learning to draw portraits, I’m more convinced than ever that anyone can draw. Even if you don’t have any artistic talent.

Basically, you look at the area you want to draw, squint your eyes (so the image becomes blurred and your brain no longer sees a face), and identify the tonal shapes you see through your eyelashes. This works super well. (I didn’t invent this method, I’ve just validated that it works for me).

I make this guarantee to you because I know that by giving this honest attempt, I believe you can get to see improvement on your portrait drawing. And if, for whatever reason, you just don’t like it, I will still give your cash back. No hard feelings and no questions asked.

This portrait is the example drawn in the Vitruvian Studio Portrait Drawing Course, which is the course I’ll be following this month.

In the coming months, I plan to start sketching a portrait on canvas, and then experimenting with paint.

From a quick cheer to a standing ovation, clap to show how much you enjoyed this story.

Perhaps, I’m just stalling out of fear: Once the mouth and cheek are developed, I’ll have a much better idea if the portrait is any good.

In my life, I’ve created a fair bit of (what I’ll call) art. However, I’ve done so, not by relying on well-developed fine art skills, but instead, by cheating my way through the artistic process.

Yesterday, I was able to sketch about 80% of the portrait. Today, I just need to add the final details.

Here’s my attempt to locate the peak of his head, the lowest point of his chin (which is located on the chin’s left side), the leftmost point of his cheek, and the rightmost point of his ear.

Since the demo portrait in course is based on a long-haired female model, I had to do a bit more freestyling at this point. I think it works.

What I found when I read art books is that most of them skip the part on teaching ears drawing by covering the ears with long hair. And even if they did mention the ears, it’s very quick and doesn’t go into details.

      “ Yes Christopher, I want to start taking this tutorial to          learn and improve my pencil portrait drawing. Let me                     learn from your 8 Easy Steps To Drawing A Portrait          for a one-time payment of only $27!                  

Finishing the sketchDefacing the sketch (a.k.a. adding tonal values)Finishing the sketch

Once you’re equipped with these two techniques, you’ll be ready to follow the “Portrait Drawing Cheat Sheet” and draw your first portrait.

Tomorrow, I’ll make some minor tweaks, sign it, and hang it on the wall.

I continued in this way, until I outlined the entire shape of the head.

While the result is artistically interesting, much of the work was done by a projector. I created a paint-by-number blueprint (again in Photoshop), projected it onto the canvas, and traced it in pencil.

Most of these books only provide nice-looking results of their work and are full of boring description expecting you to learn! It’s like telling you how to cook a pizza without showing you. Yes, theory is important but for the beginner it is more often confusing and discouraging.

This is clearly not the right approach. Especially because… As I begin shading the mouth, I will need to make adjustments to the nose area, so everything fits together. As I begin shading the cheek, I will need to make adjustments to the eye area, so everything fits together. And so on.

Then, over the next 3.5 weeks, I completed a 10-hour drawing course, drew a few other people, and then spent 8 hours on a new self-portrait.

Measuring success for this challenge is certainly more subjective than last month (where I successfully memorized a deck of cards in less than 2 minutes).

And here’s my attempt to locate the peak of her hair, the lowest point of her chin (again on the chin’s left side), the rightmost point of her cheek, the leftmost point of her hair, and the notch of her neck.

However, I don’t think the same is true for my newly-found drawing skills. Mostly because… I didn’t learn anything new this month.

Step 2: Organize The Position, Outline And Proportions Of The Features

M2M Day 33: There’s a science to drawing portraits, and it’s all based on trianglesToday, I spent 2.5 hours starting the drawing course and beginning my first portrait.medium.com

Purposefully, I chose to base my self-portrait on a photo with a tighter tonal range, since I wanted to challenge and push my abilities (Drawing a portrait with heavy contrast requires less subtly and is, in my opinion, easier).

I truly believe that you can draw and I really want you to believe it too by learning from this tutorial.

This is where I stopped for the day, after another 2.5 hours of working.

I continue with my black pencil, darkening the other eyebrow and the hair.

Does all this seem too good to be true? I would like to let you know that this tutorial is not created to make you become a professional artist in just 7 days. There are many art books and courses telling people that they can be a professional artist after they follow their methods. To become a professional requires many years of training and practice.

I’ve been holding off on the blending because my blending stump is unusably dirty.

Rather than writing another M2M post today, I’ll encourage you to check out that post if you’re interested.

 Learn how to draw the details of the mouth  Tips for perfectly formed lips 20 step-by-step illustrations for shading the mouth Learn to draw the lip line Learn to draw glossy lips

Remember, a single detail can make a big difference in your drawing.

Today, I spent 2.5 hours starting the course and beginning my first portrait.

Side note: Here’s a video of Derren Brown, the subject of my portrait, when he used to have hair, experimenting with some of these alternative methods of painting. It’s a pretty cool trick.(If you’re going to watch, stick it out until the end).

Different people started drawing from different stage as long as you get the good and proper instructions for a good start. Besides, drawing pencil portraits is a fun way to hone your observation skills.

                                     Click Here To get Instant Access

You will get to see extremely detailed steps on drawing pencil portrait. Imagine you can draw anyone that you like, your idols, your friends, your family members, your loved ones and yourself.

Drawing the mouth correctly often makes or breaks a portrait, the portrait comes alive with a well-drawn and well-shaded mouth. When you draw and shade on the mouth correctly, it suddenly has an energy all its own.

This establishes the entire tonal range of the drawing, which is called the key of the drawing.

Less purposefully, I chose a photo where the midtone of my face was darker than the paper.

“Thank you very much for your e-mail, it’s great to see that you’re taking an interest in the people who buy your e-book, and how it can be improved. I haven’t really had much time to practice, so far I have only done the first example, and I used my Graphics Tablet instead of actual pencil and paper. I find your guides very helpful and informative.”

This bonus includes detailed drawings of each facial feature for you to practice. Observe it correctly and draw it patiently. By practicing with these pictures and by following the eight steps you will see things differently than will others. You will also get to learn on drawing hands and legs. You won’t want to miss this extra bonus in order to improve your drawing skill.

This post is sponsored by my education company Openmind. Openmind connects you with world-class mentors to help accelerate your learning and success. Learn more here.

Getting to this point took me 2.5 hours, which was split between watching the video course and drawing my Derren portrait.

To do so, tomorrow, I’ll focus, not on perfectly detailing the mouth and cheek, but instead, broadly blocking in the right tonal values.

1. Start with the most extreme values and then meet in the middle

However, in my past three posts (I made a mistake, Intentionally defacing my self-portrait, and Fighting for photorealism), I’ve tried to interrupt this trend, and share some of the day-to-day challenges I face.

Tips for correctly positioning the features 8 illustrations showing the organization of the features Tips on shading (cross hatching)which you will use in every realistic pencil portrait that you draw

During high school, whenever I was tasked with making someone a gift, I usually opted to construct a custom Warhol-inspired portrait out of Legos.

Tim Jenison, on the other hand, does have something worth sharing. Without any artistic training, he painted a nearly-exact replica of a Vermeer painting solely using optical techniques.

When compared with the before, the difference is pretty striking. In the before portrait, I look like a sickly, pencil-sketched version of myself, while the after version has a much nicer roundness and weight to it.

After working for about an hour, I was able to finish sketching the outline of the head, hair, and neck.

In other words, if I can remember the process, which, in my opinion, only depends on two very straightforward insights, I will always be able to draw at the level I can now.

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I’m definitely eager to start a new challenge, since I like the idea of always being in pursuit of something (which maybe suggests that I need to learn how to relax). Nevertheless, instead, these past two months, I’ve finished both challenges on Day 24 (of the month), and thus, needed to wait, without a challenge, for a week, until the next one began/begins.

24 days ago, to kick off December’s challenge, I tried to draw a self-portrait.

                                 Bonus #1: Samples of Facial Features

With each of the sketches, unlike with my Derren Brown portrait, I felt that I was able to see the angle on the subject and accurately replicate it on the page with limited effort.

Derren looks a bit too shiny right now — a bit like a mannequin or the Tin Man — but I’m optimistic that this effect will vanish once I model the rest of the form.

I added in the center line of the lips and the shadow on the nose.

I charge $30 an hour a day for private lessons so the cost of private lessons for 7 days would be $210.

Today, I spent 30 minutes sketching the head shape and feature guides.

So far, so good. Tomorrow, I’ll start blocking in the features.

1. LikenessOverall, the likeness is strong. The portrait unequivocally looks like me. Although, it isn’t perfect.My expression/emotion in the portrait is plausibly mine, particularly in the eyes.The shape of hair near the ear and back of the head is very accurate.

However, the hair line doesn’t seem completely right, and it’s probably the second biggest reason why the portrait doesn’t look perfectly like me. The hair line should probably come down on the forehead and should be less rounded.

When I snapped a photo of myself (on which I based this portrait), I had just gotten a shorter-than-normal haircut, which is probably why I’m not used to the haircut I drew.On paper, I feel I captured the nose perfectly, but, as a result of the shadow, it may seem slightly too small/short.

To address this, I could have accentuated the tonal difference between the cheek and the shadowed part of the nose, but I wanted to remain as tonally accurate as possible and chose not to.I’m very happy with how the neck turned out.

Its weight and main features (the Adam’s apple and the notch at my collar line) seem accurate.There is something odd about the ear. It seems a bit out of place.The eyebrows may be the slightest bit thin, but they are very close to reality.

The biggest potential miss is my cheek. While I do have prominent cheeks when I smile (which I’m not doing here), I also have a fairly slender face and a reasonably defined jaw. Depending on how I look at the cheek, it sometimes appears too round and too full.

Other times, when I look at the portrait, my eye renders this area properly. If anything, I probably could have made the bottom of the face (in the rolling shadow) a bit more angular.

While I am still very positive about this project, and happily take on the micro-challenges, I thought sharing some of these things would be more interesting than writing about how every day is always better than the last.

On December 1, 2016, I asked myself the question: With only one month of practice, can I learn how to draw realistic portraits with only pencil and paper?

Most people interested in pencil portrait drawing just keep looking for free quick tips around and you should know that free tips don’t come with complete instruction. But I don’t think you would have read this far if you are one of them who follow the crowd.

Today, like yesterday, I continued adding tonal values to the portrait. I spent a little less than two hours, and am getting really excited about the results.

In this step, you will learn how to select a fitting reference picture. The best part is, you will draw more quickly and with less frustration once you know what type of pictures to draw. I will also provide you a reference picture of Halle Berry so that you can just print it out immediately.

Observation about today’s session: Based on the output from today, it may seem like today’s drawing was the most technically challenging. But, in fact, I found just the opposite.

 Learn how to draw the details of the ear 14 step-by-step illustrations for shading the ear Getting the correct shading tone

Do you want to improve your drawing skill as fast as possible without attending courses and reading more art books for months or years?

            If you’re already a professional artist then this letter is not for you. This letter is for you if you want to be guided step by step to learn how to draw pencil portraits with SIMPLE AND EASY STEPS.

Progress still seems fairly slow on the drawing, but I’m making a conscious effort to work carefully through the blocking in phase (so I can practice what I’m learning, and so I can ensure the portrait is built on a strong foundation).

Instead, I got caught up making micro-changes to the parts of the portrait I’ve already worked on (the eyes, nose, forehead, etc.). It seems I can make small improvements forever.

If you have completed this, I’m confident to say that you’ll be able to draw portraits of your friends, family members, or celebrities.

Indeed, the eyes are often the first part of a portrait that people notice. For this reason, most of the artists pay special emphasis to eyes.

Today, I’m going to practice finding the correct proportions of the subject’s head using a few celebrities: Matt Damon, Natalie Portman, and Morgan Freeman.

This sounds obvious, but again, your brain and visual system can play tricks on you. Your brain is attempting to see a face (via your psychologically skewed, emotions-based mental model of a face), and not just tonal blobs.

This portrait has two big advantages over my self-portrait: 1. The tonal range over the face is much greater, and 2. The midtone of the face matches the tone of the paper.

It turns out drawing is very similar. From the outside, it seems much more complex than it actually is. However, once you learn the two or three basic principles, drawing (at least, at my level) becomes nearly as straight forward as doing your laundry.

With the features and shadows blocked in, I detailed the features, starting with the eyes.

                                             (An example of my drawing in 4 hours 12 minutes)

Tomorrow, I’m going to go through my previous posts (1, 2, 3, 4, 5, 6) and write up a “Portrait Drawing Cheat Sheet”. Then, I’m going to break down the cheat sheet into isolated, practicable skills and drills, work on those individual skills for 1–2 weeks, and then start working on my self-portrait to finish off the month.

However, Derren didn’t inspire me with his drawings, but rather, his paintings, like these…

Instructions on how to draw the details of the eyes and eyebrows 34 step-by-step illustrations demonstrating shading of the eyes Tips on drawing the eyelids, iris, pupils, eyelashes, and the surrounding shadows Ways to deal with the tiny details of light and shading in the eyes

Ears come in many shapes and sizes and are unique to each individual. For drawing ears, you will need to get the spacing between the parts right.

Good question. If you attend drawing courses in college it will cost you $1000 or more. 

Tomorrow, I’ll write up a more thorough critique. But until then, I’m declaring this month’s challenge a success.

I finished up my key, by adding shadows to the lower face and the back of the head, and was ready to begin modeling the form (finding the intermediate values between the darks and lights).

Last month, when I was learning to memorize a deck of cards at grandmaster speeds, I started unintentionally seeing playing cards in the real-world. In particular, real-world things (like wheelchairs and airplanes), which have association in my mnemonic system, were triggering images of playing cards, without any conscious thought on my part.

The head was now looking pretty good, but the neck and shoulders needed a few adjustments. I retriangulated, and adjusted the collar upwards.

In the coming days, I will write a few detailed posts about what I’ve learned, how I plan to move forward, etc., but for now, I’ll just share the final photos of my progress.

This is NOT a drawing tutorial that attempts to show you how to draw pencil portraits by throwing thousands of words at you and only a few nice-looking pictures that you must figure out on how to draw from A to B. This tutorial will actually guide you, step-by-step, through the details of drawing pencil portraits. You can begin immediately without any expensive drawing materials.

Thus, once I finished drawing, I came back to my dark apartment to snap a photo.

Yesterday, I declared that today I would start working on the mouth and cheek areas of my self-portrait. And yet, somehow, the day is over, and the mouth and cheek areas are still naked.

Next, I included the eye sockets and some more detail around the nose.

With the construction lines as references, I was then ready to start blocking in the facial features.

I struggled to learn on how to draw pencil portraits so I decided to get a part-time job and spent my hard-earned money on drawing courses and art books.

Although today’s darkening session improved things, the portrait still seems a bit odd and unbalanced because of the nakedness of the mouth and cheek. I’ll start tackling those areas tomorrow.

P.S: By acting now, you get the e-book at $27 USD, with 3 bonuses and all with a 60-day,                   100% money back guarantee. Give it a try and download this tutorial, It could be just what              you’ve been looking for. You will get to learn this tutorial immediately by clicking the                        download button. 

In this case, the best I can do is show a photo that demonstrates the level of drawing I’m aiming to reach…

While these pieces may look like they required some amount of artistic genius to pull off (do they?), that’s really not the case. Instead, these pieces just required some clever computational analysis, planning in Photoshop, and executional patience (while glueing and placing each Lego piece).

Learn the important aspects of drawing the nose 9 step-by-step illustrations for shading the nose Drawing the nose bridge and nostrils

From these disappointments, I had to learn drawing pencil portraits on my own, and I wasted much time and effort through lots of trial and error but that doesn’t mean you have to!

Right now, the period of time for me to complete a pencil portrait is less than 5 hours..

Anyway, I think the takeaway is that I need to invest in a better pencil sharpener…

It’s still hard to tell whether I’ll be successful, but we’ll find out soon…

As a result, the portrait definitely has a stunning roundness, but I wouldn’t call it photorealistic.

“How You Can Now Learn To Draw A Realistic Pencil Portrait In Just A Week Even If You Have Never Drawn Before… And Impress Everyone With Your New Found Instant Talent!” “Let me share with you these 8 easy proven steps that I’ve perfected over the years to teach hundreds of my students on drawing pencil portraits without struggling.

..”                                       

You can’t draw every single strand that would be on a person’s head. But you do need to add enough distinct strands to give your drawing a clear texture and form of hair. Drawing hair correctly can change the look of your drawing dramatically.

Today, after another 2.5 hours of work, I finally completed my Derren Brown portrait.

I think that’s a pretty cool thing, so look out for my Medium post in 20 years.

Should I just start the next challenge once I finish the previous one? I’m not sure. On one hand, this seems reasonable and time-efficient. On the other hand, there is something very tidy about starting on the first of each month.

Should I wait for the first of each month to start a new challenge, and enjoy my few days of relaxing (if available), or should I just use my extra time towards future challenges and start immediately?

I ended up across the street from my apartment at a well-lit coworking space, which was great for drawing, but not-so-great for picture-taking. The abundance of overhead lights meant that, however I positioned my body, I was always casting a shadow on the portrait.

In 20 years, even if I don’t practice from now until then, as long as I can remember triangulation and outside-in shading, I will be able to fully replicate my results from this month.

With these techniques newly-learned, I began to add tonal values to my Derren Brown portrait.

I’ve also experimented using optical tools (like mirrors and lens) to mechanically create. Although, I haven’t invested enough time to produce anything worth sharing.

Today, I only had ten minutes to draw, so I spent all ten darkening the hair and eyebrows on my self-portrait, until they were as black as I could get them.

In fact, this psychological problem of misinterpreting faces is so common, there are entire drawing systems (like drawing upside down, drawing the negative space around the face, etc.) designed to combat these problems.

First, I drew in the vertical center line, which will help me laterally place the features.

With the general tones in place, I’ll have enough momentum to push the portrait towards completion.

                        This e-book takes you from a blank sheet of paper to a complete drawing of Halle Berry. You will get to learn the 8 easy steps throughout the process of drawing. “I find your guides very helpful and informative”

My 2016 highlights2016 was my first full year living in San Francisco and also my first full year as a post-college “working adult”.medium.com

Considering where I started only nine days ago (see the before portrait), it’s hard for me to believe that I actually drew this. It’s not perfect, but I’m definitely excited about the outcome.

Today, to celebrate the New Year, I decided to compile my personal highlights from 2016, which includes Month to Master, but also everything else from my life.

The eye is the most expressive feature of the face and is key to capturing the likeness of your drawing. Many people start looking your drawing from the eyes then only to other parts.

Take a look at the self-portrait side-by-side with the Derren Brown portrait. My head is noticeably smaller.

My tonal approach is noticeably different than that used on the Derren Brown portrait.

For the past couple days, I’ve been itching to start my self-portrait. So, today, I did just that.

Now (and I hope this eventually wears off), when I see a new face, my first instinct is to estimate the ratio between the height and width of the head. Other times, I just look to see what shapes the eye sockets are. Or how prominent the brow ridge is. Or if the nose and brows equally break the face in thirds.

To do this, I used a new technique I learned called triangulation. To triangulate a new point, I first sight (try to visualize) the angles to this new point from two existing points. Then, I draw lines from the existing points in the direction of the new point based on the sighted angles. Finally, I mark the new point where the lines intersect.

                                       (Another example of my drawing in 3 hours 23 minutes)

This new challenge starts today, December 1, 2016, and, by December 31, I hope to be a master of portrait drawing.

Overall, I’m pretty happy with the outcome — especially since I sketched this fairly quickly. I guess that means I’m improving…

I think this is going to be a theme for the entire Month to Master project: If my practice is deliberate and consistent, it’s going to take a lot less time than expected to master these seemingly expert-level skills.

Finally, I completed the neck, decided not to address the clothes, signed it, and I was done.

This is the final step of this drawing portraits tutorial. This final step provides the finishing touches to shading the forehead, cheek, and jaw.

In other words, after practicing for about an hour per day for 26 days, I majorly improved my portrait drawing skills.

Some of the art books may provide step-by-step method but they’re not exactly a ‘truly’ step-by-step guide, there’s quite a huge jump from step A to B!

I start by blocking in shadow areas near the mouth, on the forehead, and on the neck.

In most of my posts, I tend to be pretty positive (i.e. “Whoa, today went better than expected…”, “I’m really pleased with today’s progress…”, “I can’t believe how good this is…”, etc.).

Tomorrow, I need to finish the mouth, the ear, the neck, the lower part of the beard, and perhaps the clothing.

So, I sighted the correct angles, and adjusted the construction lines accordingly.

For my first piece, rather than drawing the model from the course, I’ve chosen to draw Derren Brown, who originally inspired me to pursuit portrait drawing.

In fact, in order to draw a reasonable portrait, you only need to know the two following skills:

At first, the blackness of the hair is a bit jarring, but it accurately represents the “exposure” I’m going for (where the hair is emitting no light, and thus, shows up as pure black).

Link to this page (copy/paste into your own website or blog):

Since, without deconstruction, the kitchen table doesn’t fit through the bathroom door (I tried…), I needed to find somewhere else to work tonight.

With these tonal contours in place, I darkened the shadow areas slightly, giving the portrait some roundness and three-dimensionality.

As I mentioned at the beginning of this month, British illusionist Derren Brown originally inspired me to start drawing portraits. In fact, to acknowledge this inspiration, Derren was the subject of my first portrait.

While the Derren Brown portrait (with its ultra-contrasty tonal range) may be a more dynamic portrait, my self portrait seems closer to photorealism, which is the main improvement I was aiming for.

Checking in Photoshop, everything seems pretty accurate. Although, the low point of the chin may be slightly too far left.

After 6 months of struggling back in 2006, I managed to understand the steps that you need to follow in order to draw nice realistic pencil portraits in a fastest period. 

After seeing these, I decided I too would like to be the kind of person that casually paints impressively good portraits on the side.

By following the steps, the period of time that I spend to complete a pencil portrait were 7 days. After that, everything seemed to get easier. From 7 days to 6 days, from 6 days to 4 days, and from 4 days to 1 day.

Even with the narrow tonal range, my self-portrait still maintains a believable roundness and depth.

Thus, instead of relying on visual inferences, tonal values can be better approximated through a simple, not-so-interpretative procedure.

I started by arbitrarily drawing two lines on the page to indicate the level of the top of the head and the level of the bottom of the head.

Of course, these paintings are built on a prerequisite foundation of drawing, but they also introduce a whole new skill set that I would love to cultivate.

Before, I get to that, though, let me first share today’s progress.

I continued shading the darkest areas along the right side of the face.

I continued with the upper part of the beard, and finished up for the day.

Thus, to set a baseline for this month’s challenge, I’ve drawn a before self-portrait with my current drawing skills. Although it’s not the absolute worst thing ever drawn, it sadly doesn’t look very much like me.

During the month of December, I documented my entire learning process in a series of 31 daily blog posts, which are compiled here into a single narrative. In this article, you can relive my month of insights, frustrations, learning hacks, and triumphs, as I strive towards monthly mastery.

Something to think about as you start planning your 2017 resolutions…

The portrait just feels balanced at this point. As soon as I start adding tonal values, that balance will be disrupted, and won’t return until I’m nearly done with the whole portrait.

I can’t seem to easily get the hair to be one smooth black mass. Instead, the grain of the paper is very noticeable, giving me a nice salted look. Even after aggressive blending with a blending stump and a dry brush, I still can’t get the material distributed nicely on the paper.

Each of these reference pictures presents a different challenge that will improve your skills in one or more of the eight steps. There are reference pictures for beginners with little shading and increase in difficulty to the more advanced pictures. Keep practicing will sharpen up your drawing skill. Practice makes perfect!

Yesterday, I declared this month’s challenge a success, noting the differences between my before and after self-portraits.

” I GUARANTEE that you will learn how to draw pencil portraits by learning from my tutorial.  If you’re not completely satisfy for any reason, or if you don’t see any improvement in your portrait drawing skills, then simply ask me for a 100% refund within the next 60 days.

 

In fact, challenges are probably a good thing (I hope). Ideally, they push me to become a better artist.

This month, as I learn to draw faces, I’m experiencing a new phenomenon… For the past few days, I’ve found myself scrutinizing and deconstructing other people’s faces on the train, at work, on the street, at Whole Foods, etc. Wherever there is a face, I can’t help but try to analyze it, and imagine how I’d draw it.

So far, the portrait doesn’t look like much, but I still learned a bunch today. I particularly like the triangulation technique, which makes drawing much more procedural and mathematical (a.k.a. easier for me).

You can decide if this is cheating or not, but either way, this month is going to be different. This month, I am actually going to invest in my fine art skills. This month, I’m going to take a pencil and paper, and nothing else, and make it happen.

Although I’m loving the composition of my self-portrait, I’ve sadly draw everything 10–20% too small.

Lastly, I blocked in the main structures of the ear and added an outline for the beard.

I left all my drawing supplies behind, so I’m definitely not drawing any more this month.

Next, I start on the prominent eye. This is where the real defacing starts, as it’s going to be a while until it doesn’t look like I’m wearing makeup.

P.P.S: It seems that many people putting up their latest drawing tutorial on the net for free. Sure,             there’s nothing wrong with that, I love free stuff too. But save your valuable time finding                   the right instructions for endless hours, you will only get confused by overloaded extra                     resources.

I have already put my effort, time and experience to made a ‘truly’ step by                     step guide in this tutorial for you to follow until you complete your entire drawing.                             Get a copy now.

Please note: This is a fullly downloadable e-book and NOT a physical book. You will gain                                immediate access to this e-book, as soon as your order is approved.

Tomorrow, I’ll go swing by the art store and pick up a few fresh ones.

Today, I spent an hour developing out the rest of my self-portrait.

The InstructionsMark the top of the head. Arbitrarily draw a line towards the top of the page. This represents the top of the head.Mark the bottom of the chin. Arbitrarily draw a line near the lower third of the page.

This represents the bottom of the chin.Mark the notch of the neck. On the subject, using your pencil as a guide, measure the distance from the lowest point of the head to the notch of the neck. Determine how many of these distances can fit inside the vertical distance of the head.

Use this is as guide to draw a horizontal line towards the bottom of the page to represent the notch of the neck.Find the highest point of the head. Arbitrarily determine a point on the top line. This represents the highest point of the head.

Often, on the subject, this point sits far back on the head.Find the lowest point of the chin. Using your pencil as a guide, determine the angle from the highest point of the head to the lowest point of the chin.

Draw a line at this angle from the highest point of the head (as marked on the page) down towards the bottom of the chin line. Draw a dash where these lines intersect. This intersection represents the lowest point of the chin.

Find the leftmost boundary. Identify the leftmost boundary on your subject. Determine the angle to this leftmost point from the highest point, and draw a line at that angle from the highest point towards the leftmost boundary on the page.

Do the same from the lowest point. Draw a marking where these two lines intersect. This intersection represents the leftmost boundary. The technique used to find this boundary is called triangulation.

Find the rightmost boundary. Again, triangulate from the highest and lowest points to find the rightmost boundary of the head.Check the angle. On the subject, use your pencil to find the angle between the leftmost and rightmost boundaries.

Check if this angle matches the angle represented on the page. If not, retriangulate and check again.Draw the outer-boundary of the head and hair. Triangulate points around the head and connect them with straight lines.

Once the general shape seems right, smooth out the kinks. Check the angles between various points on the subject and on the page to make sure everything looks right. If there seems to be inconsistencies, retriangulate and adjust.

Do the same for the hair line.Draw the vertical center line. Pick some central point that looks like its on the vertical center line. Triangulate from outer-points inwards to find this central point. Check the angle from the bottom/center of the chin to this point.

Use this as a guide to draw in the entire vertical center line. As the center line approaches the top of the head, it typically flattens, as it rounds back behind the head.Draw the level of the eyes. The level of the eyes typically falls about halfway between the top and bottom of the head.

Use this as a starting point. Draw in this level, and then check angles to confirm. Move up or down until everything checks out.Draw in the level of the brows and bottom of the nose. If you divide the face length into thirds, typically the level of the brows fall on the upper third line and the level of the nose falls on the bottom third line.

Use this as a starting point. Draw in these level, and the check angles to confirm. Move the level up or down until everything checks out.Draw in the level of the start of the nose. The nose begins somewhere between the level of the brows and the level of the eyes.

Gauge where this is and draw it in.Draw in the bottom and middle of the lips. If you divide the distance between the bottom of the nose and the bottom of the chin into halves, the level of the bottom of the lips typically falls at the halfway point.

Use this as a starting point to draw in this level. Then, gauge where the middle of the lips falls relative to the distance between the bottom of the lips and the bottom of the nose. Draw that in.Adjust the center line for the nose.

Starting from the level of the start of the nose, adjust the center line so its angle matches the center line of the nose. Typically this will be in two parts. The angle outwards from the level of the start of the nose to the peak of the nose, and the angle inwards from the peak of the nose to the bottom of the nose.

Adjust the center line for the mouth. The mouth typically has some volume, which pushes the center line forward. Adjust the center line forward below the nose to account for the volume in the mouth.Draw in the shape of the eyes and eye sockets.

Triangulate the corners of the eyes, and then draw in the complete shapes. Do the same for the lids and the eye sockets.Draw in the shape of the brows. Triangulate the corners of the brows, and then draw in the complete shapes.

Draw in the shape of the nose. Triangulate the peak of the nose and the wing of the nose. Then, draw in the complete shape.Draw in the shape of the mouth. Triangulate the corners of the mouth. Then, draw in the complete shape.

Draw in the level of the chin. Triangulate the level of the chin, and draw a line to distinguish the shape.Draw in the shape of the ear. Triangulate points of angle-change around the ear. Connect these points with appropriately angled lines, and then smooth out the kinks.

Draw in shadow shapes. Identify shapes of main shadow areas. Triangulate their boundaries and draw them in.Darken the shadow shapes. Lightly shade in the shadow areas of the portrait. Use a soft, clean paint brush to smooth out the material on the page.

This will introduce some 3-dimensionality to your portrait, which should help you better visualize if anything doesn’t seem quite right. If there is something that seems incorrect, fix it.Detail the eyes.

Draw in the iris, pupils, and other details.Detail the nose. Draw in the nostrils and other details.Detail the lips. Smooth out the shape of the lips.Detail the ear. Draw in some of the main inner land marks.

Key the drawing. Identify the lightest and darkest tones on the subject, and add these tones to the page.Modeling an area. Pick an area of the head (like the forehead), and detail some of the main places of tone-change.

Identify and add in the main light and dark areas. Using a shading stump and the necessary pencils, fill in the transition tones. To better see the shapes of highlights and shadow, squint your eyes until the face isn’t recognizable as a face, but rather a collection of tonal blobs.

Model the remaining areas. Continue as above until all areas are modeled.Sign it. And you’re done.

                                                 This is a separate topic of drawing human body correctly. In this bonus you will learn on basic knowledge of the human body, and how the body moves, is crucial to drawing realistic whole-body portraits. This bonus material illustrates the concept of the “line of action” and provides basic information on human anatomy.

As a result, the rest of my apartment is lit via Ikea floor lamps, which, although they do a 90% good job, it turns out, at night, there’s just not enough light for detail-oriented drawing.

Start by identifying the absolute darkest and absolute lightest areas of the drawing. For the darkest areas, shade them as dark as you can/want. For the lightest areas, highlight them as light as you can/want.

I may need to invest in some powder graphite (but I’ll return to this later).

                        Bonus #2: Samples of 30 Reference Pictures                                       I’ve made 30 best reference pictures in black and white for you to practice. I’m sure that you will see improvement and learn something new from each of these reference pictures that you draw.

In order to accurately see tonal shapes, and avoid psychological errors, I’ve found one method to be surprisingly successful: squinting.

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 The position of the features is the most basic element of a good drawing and should be done correctly. Imagine your frustration when, halfway through the shading, you realize that the position of the features was wrong.

Interestingly, this completeness is a bit problematic: Because the sketch feels whole (and, from my perspective, represents an interesting, standalone piece of art), I struggle to continue working on it.

On December 24, 2016, after 26 hours of practice, I found out that the answer was yes.

With the features in place, I next blocked in shapes for the shadows and highlights.

Then, I simply filled in the sketch with paint according to my computer-generated instructions.

I picked up some new blending stumps today, and went to work smoothing the value changes over my face and neck. Here’s the result…

After many more minutes of work on the eye, I stop for the night. I’ll continue more tomorrow.

I also drew in the level of the notch of the neck. The first time, I drew it too low, so I moved it up. I gauged this distances as a proposition of the head length.

Nevertheless, even with these critiques in isolation, the portrait as a whole comes together nicely and captures a strong likeness. Thus, I’ve left it as is, since I care more about an overall likeness (versus a non-cohesive collection of individually accurate features).

I considered drawing in the bathroom, but this isn’t entirely comfortable. Especially because I was worried that the portrait would get wet/damaged on the sink, whose counter is the most viable drawing area.

Many people have voiced these and other objections, sometimes quite rudely. In reality, however, age, inexperienced, or a perceived lack of talent is no barrier to being able to draw the type of pencil portraits you have always wanted to. 

Additionally, while doing this, to check the accuracy of my key, I started developing the eye.

I did, however, bring a Rubik’s Cube with me in preparation for January’s challenge (which starts in two days).

If it’s that easy, then why are you still struggling on portrait drawing?

And while my most recent self-portrait is a major improvement, and does look very much like me, I still do have some quick critical thoughts on it, which I’ve broken down into two parts: 1. Likeness and 2. Artistry.

In other words, if the highlight on the forehead is angular, drawing it with rounded edges wouldn’t properly capture the form.

That gives you a full 2 months to test drive my tutorial. Plus, if you really decide to opt for a refund, I still want you to keep the tutorial COMPLETELY with all the bonuses as my free gifts to you just for giving this a shot.

In particular, as I said on Day 35, I believe that it’s most important to accurately capture the proportions of the head, the head shape, and the level of the features. If these things are done correctly, the rest of the process is very forgiving. If not, the portrait will end up beautifully shaded, but won’t look like the subject.

Nine days ago, I began my 30-day quest to learn how to draw photorealistic portraits. Since then, I’ve watched the entire 10 hours of the Vitruvian Studio drawing course, as well as spent 14.5 hours working on my first portrait.

In January, 2016, I was just starting to develop the itch to draw/paint portraits. In an attempt to make something that was commercially viable (to cover the cost of materials), I decided to paint a portrait of Donald Trump.

And while this seems like a major leap from my drawing studies, I now have the artistic confidence to attempt a painting like this, without any (or very little) additional instruction.

The mouth is the second most expressive feature of the face. In some cases it communicates emotion more strongly than do the eyes. 

Just looking at the sketch, the head shapes seems a little narrow for Matt Damon. But, overlaid on the photo, it seems to match up.

All of them started hard and struggled in the beginning. So, I created this tutorial to make you easier to learn from the beginning that most of the artists suffered.       3 Exclusive Bonuses For Immediate Action

It almost feels unnatural to add tonal values to the sketch, as if I’m defacing something I worked hard to create.

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Yesterday, I practiced triangulating the proportions of a few celebrity heads.

                 Bonus #3: Quick Reference Guide On Human Body

There are also clearly major differences, like evaluating and mixing colors, general painting hygiene (letting paint dry, etc.), and best practices I’m probably not yet aware of.

Here are two portraits that I made for my cousins Adam and Marissa.

It’s important for beginners to learn about “line of action” and understand human’s structure before starting to draw figure drawing.

Please allow me to share with you the easiest step by step tutorial to draw pencil portrait. Yes, a ‘truly’ step-by-step method from A-Z.

Today, I practiced triangulating the complete head shape and gauging the level of features.

Clearly, I have some amount of obsessive compulsiveness going on, but I’m curious to know what you think…

Discover the 8 simple steps how to draw pencil portrait quickly and easily in a week – No drawing experience needed.

The opportunity is just in front of you right now . Please take full advantage of this offer before it’s gone…          

For my first portrait of the month, I’m quite happy with how it turned out.

However, before I make it happen, I thought it would be fun to share some of my previous works.

With the topmost and bottommost points identified, I then needed to identify the leftmost and rightmost points.

With the neck and shoulders in place, it again didn’t look right. So, I checked more angles and made adjustments as necessary (mostly to broaden the jaw)

Today, I continued working on my self-portrait. Although it’s coming together nicely, I made a mistake upfront that’s definitely costing me now.

Since I was accurate with the face shape and the level of features, if I continued working, I suspect I would develop the face fairly accurately. As a result, I would likely have enough accurate information to gradually correct the major mistakes with the head and hair shape.

It’s because you either weren’t taught a step-by-step method and tried to copy blindly from examples, or you looked at the drawings of someone with a lot of talent and experience and thought that you couldn’t do it.

ATTENTION: Are You Looking For A Faster And Easier Way To Drawing Pencil Portraits?

          In the first step, you will learn on how to choose a reference picture that’s right for you to draw. Some pictures are harder to draw than others, and many beginners jump into the wrong picture, only to give up and never try again.

This is mostly because I’m very bullish on this entire project.

Then, I addressed the right half of the face — further developing the shadow.

Anyway, continuing with this theme, today, I want to share an interesting struggle.

   Founder of the 8 Easy Steps                                                                                                               To Drawing A Portrait

After my light-seeking adventure, here’s what I was able to accomplish.

These steps are based on the excellent portrait drawing course by Vitruvian Studio, which I highly recommend you purchase if you are serious about learning how to draw.

Today, I spent another 2.5 hours watching the course and working on the portrait.

Well, that’s not exactly right. While I didn’t cultivate any new drawing-enabled motor skills or artistic skills, I did learned to structure my already-existing skills inside of a better drawing process.

Let me introduce myself. My name is Christopher Sia and I have been drawing pencil portraits since I was in secondary school. I was a teen who didn’t know how to draw at all. I thought that drawing realistic portrait will be easy but it isn’t if is without any good coaching.

Thus, this time around, with my self-portrait, I’m aiming to more closely match tones, while also paying attention to the smaller areas of light fall-off. With this attention, my hope is to create a more realistic rendering of my face.

Most of the art books and courses don’t provide a step by step guide. I made this tutorial and offering it for only $27 because I want to help you achieve drawing success in an easier way without struggling in the beginning like all the artists did.

So, thank you people of San Francisco for not getting totally creeped out. I promise I’ll stop soon.

Once again, I truly believe that everyone can draw, it’s just that most people haven’t been given good and right instruction. Let me assure you that it gets easier from the moment you get the ball rolling,

The nose is one of the EASIEST features to draw because it doesn’t do much in terms of  giving emotional response for your drawing. Finding noses hard to draw? That’s often because people only focus on drawing the other facial features.

For the month of December, my goal is to draw a realistic self-portrait with only pencil and paper. Along the way, in order to learn the fundamentals of drawing and portraiture, I will also draw many other faces, which will hopefully keep this month’s posts more varied and interesting.

Today, I didn’t have too much time to draw. So, I quickly progressed the Matt Damon sketch I started two days ago.

Then, I arbitrarily marked, on the top level, the highest point of the head, and then used the angle between this point and the bottom of the chin, to locate the bottom of the chin on the page.

In the course, the teacher mentioned that it’s good to start with a small area that exhibits the full range of tones.

Drawing hair is important. Everything else might be perfect but if the hair looks like a bird’s nest or is flat then it will affect your entire drawing. Yes, drawing hair is complicated and frustrating, and often the results are terrible if only you go about it the right way, and do steps in the correct order.

For some (perhaps, legal) reason, most apartments in San Francisco don’t have overhead lights in their main living areas. Usually, apartments only have overhead lights in the bathroom and (sometimes) the kitchen, which is the case for my apartment.

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