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Pencil Sketches Beautiful.

It`s how your completed artwork is presented that makes all the difference. Although it`s teasing to just place your drawing in a ready-made frame, there are many things that you can take in contemplation before framing your artwork to insure it is adequately shielded over the years.

The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any small fragments on your paper or drawing, you can look at the present itself trimly from a terrible angle, so that you may notice them contrasting from the paper`s occur as they rise up. You could use a brush or compressed air to remove the fragments from the framing material.

The glass should be tremendously clean and can be tested for finger prints, dust, hair, or other far-off material, before securing it permanently in the frame. You could have to do this more than once.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it must be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is necessary and preferred in the industry for this buffer or barrier. The same pondering should be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.

Add a protective dust cover, After attaching the art and framing materials to the definite frame, a dust cover must be used on the back to keep additional dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back befall of the molding all the process around the perimeter. Then a piece of brown paper is laid down on the adhesive draw nearer as it is carried on flat as you press it onto the adhesive move closer . You then trim the outer edges of the brown paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it should work if is part of a color procedure with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame can all be selected to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its shape within the mats or frame, it should only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured firmly at all four corners or around its perimeter, because the humidity changes continually and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop streams if it is contained in any street sequences in the paper become extremely apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as a few of my drawings and illustrations using other media on paper, have been framed this oddity for a number of years.

Forever skeleton with glass, I would e`er compose with glass, just I would too drop the supererogatory money for the UV safekeeping glass. However, I would never use non-glare glass or plexiglas.

Use acid- free materials, Any matting, tape recording or adhesive, barriers, or financial support that you employment in the framework of your artistic production or drawing can be entirely acid free. Acidic materials, after long periods of time should actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.

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In this wonderfully atmospheric drawing, artist Ian Murphy uses graphite pencil to explore how light disperses around Venice’s confined waterways. Murphy works mostly in pencil and oil paint, and focuses particularly on architecture, emphasising the layers and textures of the buildings he recreates. To see more of his sketches and his paintings, visit his website.  

Less weird but no less wonderful, our next choice is Belgian artist Els Dufourmount’s untitled sketch of a girl. Combining a close-up focus and bold shading, Dufourmount uses light and dark to add life to the girl’s face. 

Illustration 15 beautiful pencil drawings to inspire you 15 beautiful pencil drawings to inspire you

Remrov is a self-taught artist who creates incredibly realistic pencil drawings, often of animals (although he will draw anything he finds interesting). He has autism, which for him means he sees the whole world in tiny little details. This drawing is of Pilaf, a lovebird Remrov has owned for 17 years. “Pilaf helps me a lot with the challenges I face as an autistic person,” he says. 

“I love botanical and floral subjects, and the patterns that are present in the petals of the Siberian iris quickly caught my eye,” he says. “I couldn’t resist buying a bunch of them, with the aim of working on a drawing at home.” 

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Her top tip for creating realistic pencil drawings? “Don’t forget you build up your layers slowly. Starting with a 4B for instance, add each layer gradually instead of using a hard pencil pressure from the outset,” she says. “You’ll find that your drawings have much more depth to them.”

Jake Spicer thinks the best portraits are created when you can meet and sketch the model in person

This pencil drawing was a commissioned portrait of a dog called Poppy. “It’s my job to not only create a drawing that’s pleasing to the eye, but one that captures Poppy and not just any dog,” explains Phillips. 

“The best portrait drawings aren’t just pictures of faces, but records of a long moment shared between artist and sitter,” he explains. “Whether you are able to ask friends or family to sit for a portrait, or can attend a drawing class with a model, it is always an engaging and exciting experience to draw another person from life.”

This mouthwatering still life was created by Steven E Hughes

James Martin played around with lost and found edges in this life drawing

In this life drawing, Martin wanted to play around with the edges of the figure. “Edge control is the most valuable artistic tool to control the viewer’s eye,” he explained in an interview for ImagineFX magazine. “Hard edges draw attention, while soft or lost edges give the eye a place to rest.”

This sketch of a commuter on a train uses watercolour pencil, which we think conveys the artist/commuter relationship brilliantly. It provides enough detail to give the subject an individual face, but detail is deliberately missing. Artist Josu Maroto works in a variety of mediums, and you can explore more of his work here. 

Melanie Phillips has been a professional pet portrait artist since 1997. She works from her garden studio in Wales, which she shares with her artist husband Nicholas and Tibetan terrier Lily.

Many of Colombian artist Juan Osorno’s surreal pencil studies depict voided human faces with unusual objects, landscapes or natural phenomena in the place of facial features. You can view the full collection of these abstract sketches on Osorno’s Behance page. 

This striking portrait was drawn by artist Jake Spicer, a passionate advocate of drawing as a tool for communication and inquiry. This particular portrait was created over two hours, using a combination of photographs of the model, Gigi, and sketches done during an hour-long portrait sitting. 

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Sketching in graphite is a great way to kick off or restart your creative drive. Here we’ve sourced a selection of inspiring pencil drawings that demonstrate the wonderful (and sometimes wacky) art you can produce with a pencil. These pencil drawings span from photorealism to completely abstract. If you’re so inspired you want to immediately get some new materials, then don’t miss our post on the best pencils. 

Gillian Lambert’s Self Deception series is stunning, and we struggled to chose just one illustration to feature. In the end we went for Hands because we love the simultaneous indifference and exasperation of the subject’s face as it is moulded by the hands.To see the full series, and Lambert’s other work, visit her website.  

French illustrator Cécile Metzger’s quirky self-portrait is fascinating for its use of colour. The hint of red pattern on the cup immediately attracts the eye, and together with the contrasting blue cup and orange top – opposite colours on the colour wheel – keeps focus away from the girl herself. To see more, check out Metzger’s Tumblr.  

We just couldn’t pick a favourite from Mike Lee’s superb pencil drawing collection Repose, so we chose two. Lee uses only simple lines and shapes, reducing his subjects to their most basic forms. He has an extensive portfolio of pencil artwork, and you can discover more here. 

Dave Brasgalla layered up his pencil marks to create this delicate iris

This mesmerising pencil drawing is the work of veteran illustrator and fine artist James Martin. Martin currently teaches illustration at Ringling College of Art and Design in Florida, and in the past has worked as a background artist for Walt Disney Studios and texture and matte painter for DreamWorks Animation.

Steven E Hughes is an associate professor of illustration at Northern Michigan University. His paintings and illustrations have been featured in many exhibitions and publications, including The New York Times. 

Composed using soft and therefore much darker graphite, this sketch by Charlie Mackesy shows how effective blurring can be through two indistinct figures. Mackesy is a master of painting and sculpture, as well as drawing, and you can browse his portfolio here.  

The research process for this mouthwatering still life piece began with a visit to one of the best doughnut shops in the Upper Peninsula of Michigan: Huron Bakery. “Looking at the contrasts between props guides the still life setup for me. If something is dark, put it against something light, and vice versa. Play pattern against solid areas and look for repetitions to move the eye across the composition.” 

This delicate pencil drawing is the work of Dave Brasgalla, an illustrator, graphic designer and concept artist based in Sweden. Brasgalla enjoys using traditional media for his personal projects, and finds coloured pencils a particularly versatile and satisfying medium. For this drawing Brasgalla layered up his pencil marks, leaving only a few areas of paper uncoloured. 

This sketch is a great example of wonderfully weird pencil art 

Is it a bird? Is it an eye? Or could it even be a pencil? This weirdly wonderful sketch was created by Danish illustrator Fotini Tikkou, whose Instagram is full of bright and bold illustrations, favouring coloured pencils and gouache. We love the contrast between the foreground image, drawn in solid lines, and the wavy lines of the now-empty cage. 

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Hughes also advises photographing your still life from several angles before you start work. “You never know when a hungry kid will run into your studio and grab that carefully positioned doughnut!” he smiles. 

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