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Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it may work if is part of a color channel with a particular molding and if it is not overpowering the drawing. It`s great to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its state within the mats or frame, it can only be secured at the top and allowed to hang if an adhesive or tape is used. It should not be secured gravely at all four corners or around its perimeter, because the humidity changes continually and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop series if it is contained in any channel. These trains in the paper become extremely apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as many of my drawings and illustrations using other media on paper, have been framed this thoroughfare for a number of years.

The glass can be tremendously clean and should be tested for finger prints, dust, hair, or other foreign material, before securing it lastingly in the frame. You can have to do this more than once.

Add a protective dust cover, After attaching the art and framing materials to the definite frame, a dust cover must be used on the back to keep additional dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back hap of the molding all the track around the perimeter. Then a piece of brown paper is laid down on the adhesive proceed as it is spreaded flat as you press it onto the adhesive near . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Use acid- complimentary materials, Whatever matting, tape measure or adhesive, barriers, or financial support that you usage in the framing of your art or drawing must be completely acid free. Acidic materials, after long periods of time should actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.

It`s how your finished artwork is presented that makes all the difference. Although it`s tantalizing to merely place your drawing in a ready-made frame, there are a few things that you must take in introspection before framing your artwork to insure it is adequately fortified over the years.

Forever soma with glass, I would e`er flesh with glass, merely I would too expend the surplus money for the UV safekeeping glass. However, I would never use non-glare glass or plexiglas.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is required and favored in the industry for this buffer or barrier. The same reflection should be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.

The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To notice if there are any tiny fragments on your paper or drawing, you can look at the move closer densely from a grave angle, so that you may notice them contrasting from the paper`s present itself as they rise up. You can use a brush or compacted air to remove the fragments from the framing material.

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