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Pencil Sketches In Photoshop.

The glass should be exceptionally clean and can be tested for finger prints, dust, hair, or other strange material, before securing it permanently in the frame. You could have to do this more than once.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it should be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is compulsory and favored in the industry for this buffer or barrier. The same study should be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.

Employment acid- costless materials, Whatsoever matting, tape measure or adhesive, barriers, or funding that you usage in the framework of your nontextual matter or drawing can be fully acid free. Acidic materials, after long times of time may actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.

The drawing should be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any small fragments on your paper or drawing, you can look at the appear compactly from a severe angle, so that you can notice them contrasting from the paper`s draw nearer as they rise up. You can use a brush or compacted air to remove the fragments from the framing material.

Add a protective dust cover, After attaching the art and framing materials to the definite frame, a dust cover can be used on the back to keep supplementary dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back occur of the molding all the lane around the perimeter. Then a piece of brown paper is laid down on the adhesive make headway as it is stretched flat as you press it onto the adhesive arrive . You then trim the outer edges of the brown paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its shape within the mats or frame, it should only be secured at the top and allowed to hang if an adhesive or tape is used. It can not be secured solemnly at all four corners or around its perimeter, because the humidity changes persistently and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop outbreaks if it is localized in any modus operandi strings in the paper become very obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as a few of my drawings and illustrations using other media on paper, have been framed this rule for a number of years.

Forever form with glass, I would ever draw up with glass, merely I would as well drop the surplus money for the UV shelter glass. However, I would never use non-glare glass or plexiglas.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it should work if is part of a color modus operandi with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame can all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

It`s how your finished artwork is presented that makes all the difference. Although it`s tempting to just place your drawing in a ready-made frame, there are many things that you can take in rumination,cogitation before framing your artwork to insure it is adequately safeguarded over the years.

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Here are some variations using Color Dodge, you will notice that Linear Dodge produces a softer result that Color Dodge. Try different blending Modes for different results.

To colorize the sketch with the colors from the original image, change the blend mode of the Color layer from Normal to Color:

And here’s the same effect after adding back the colors from the original photo:

We’ve created our main sketch effect, but it’s a bit too light. Let’s darken it, and we can do that using a Levels adjustment layer. In the Adjustments panel again, click on the Levels icon (second icon from the left, top row):

Nothing will seem to have happened with the image, but if we look in the Layers panel, we see that a copy of the Background layer has appeared between the original and the Hue/Saturation adjustment layer:

Double-clicking on the Gaussian Blur Smart Filter will re-open it for further editing.

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Start with a Photo that has some decent edge detail, here is one I got from Adobe Stock

Hi CAFE Crew, here is a brand new tut for you all. This is an old favorite of mine. How to turn a photo into a pencil sketch in photoshop. This is actually really easy to do and it gets quite good results too. As usual, I’ll provide a few creative jump off points at the end for your own experimentation.

To create our sketch effect, the first thing we need to do is remove all the color from our image, and we can do that non-destructively using a Hue/Saturation adjustment layer. In the Adjustments panel, click on the Hue/Saturation icon (first icon on the left, middle row):

Changing the blend mode of the Levels adjustment layer to Multiply.

As I mentioned a moment ago, one of the great benefits of applying a filter as a Smart Filter is that we can easily go back and edit its settings later if needed. If we look again in the Layers panel, we see the Gaussian Blur filter listed as a Smart Filter below its Smart Object. If at any point you feel your sketch effect could use a bit more fine-tuning, simply double-click directly on the words Gaussian Blur to re-open its dialog box and re-adjust the Radius value:

There’s no specific Radius value to choose here since it will depend both on the size of your image and on what you think looks best. For me, I’ll set my Radius value to around 12 pixels:

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The Multiply blend mode is one of the five most commonly used blend modes in Photoshop, and simply by changing the Levels adjustment layer to Multiply, we’ve managed to darken the sketch effect quickly and easily:

Then, just as we did back in Step 4, duplicate the Background layer by going up to the Layer menu at the top of the screen, choosing New, then choosing Layer via Copy, or by pressing Ctrl+J (Win) / Command+J (Mac) on your keyboard:

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The controls and options for the Levels adjustment layer appear in the Properties panel, but we don’t actually need them. Instead, to darken our sketch effect, all we need to do is change the blend mode of the Levels adjustment layer from Normal to Multiply:

A second copy of the Background layer, this one cleverly named Background copy 2, will appear directly above the original:

Here’s the photo I’ll be using (teen portrait photo from Shutterstock):

Dragging the Radius slider to apply a small amount of blurring.

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Photoshop adds a Hue/Saturation adjustment layer named Hue/Saturation 1 above the Background layer:

At this point, the basic sketch effect is complete, but if you want to bring back some of the photo’s original color, you’ll want to continue on with these last few steps. First, click on the Background layer (the original one, not the copy) to select it and make it active once again:

Thanks for checking out this tutorial. If you like these kinds of effects, check out my Photographic Effects video course, it’s 27 different effects like this and its only $7

We need to move our Color layer to the top of the layer stack. To do that, click on it and, with your mouse button held down, drag the layer upward until you see a white horizontal bar appear directly above the Hue/Saturation layer:

For that, we first need to convert the layer to a Smart Object. With the Background copy layer still selected, click on the small menu icon in the upper right corner of the Layers panel:

Next, we need to invert the layer. Go up to the Image menu at the top of the screen, choose Adjustments, then choose Invert. Or, press Ctrl+I (Win) / Command+I (Mac) on your keyboard for the shortcut:

This will turn the image white. As with my image, you may still see a few small areas of black remaining, but for the most part, it should now appear white (don’t worry about the dark border around my image in the screenshot. It’s just Photoshop’s gray pasteboard area and not part of the effect):

Here’s what it will look like as a black and white pencil sketch:

One thing I like to do whenever possible is take advantage of Photoshop’s Smart Filters, which keep the filters we apply to an image fully editable in case we want to go back later and change some of the settings. In a moment, we’re going to apply the Gaussian Blur filter, but before we do, let’s make sure we’ll be applying it as a Smart Filter.

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Click on the Background layer in the Layers panel to select it:

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Finally, if the color looks too intense, you can reduce it by lowering the Opacity value of the Color layer. I’ll lower mine down to 65%:

Click OK when you’re done to accept your setting and close out of the Gaussian Blur dialog box. Here’s my result:

Change to Linear Dodge blend mode and you should see a perfectly white image (Use Color Dodge for sharper edges)

Go up to the Filter menu at the top of the screen, choose Blur, then choose Gaussian Blur:

When the white bar appears, release your mouse button to drop the Color layer into place:

In the upper left of the Layers panel, change the blend mode of the Background copy layer from Normal (the default blend mode) to Color Dodge:

Also try running a gradient through a new blank layer at the top and change that to color blend mode.

In this tutorial, we’ll learn how to easily turn a portrait photo into a pencil sketch, both in black and white and in color, using Photoshop CS6. If you’re using Photoshop CC, check out the updated Photoshop CC version.

In this first example, I added a solid color Fill adjustment layer. Change the blend mode to color, so only the color shows through. Adjust the opacity to suit your tastes.

If you find that your sketch is now too dark, you can brighten it back up by lowering the opacity of the Levels adjustment layer. You’ll find the Opacity option directly across from the blend mode option at the top of the Layers panel. By default, opacity is set to 100%. I’ll lower mine to around 60%:

This version of the tutorial, fully updated from the original version, features a more flexible, non-destructive way to create the sketch effect by taking advantage of Photoshop’s Smart Filters and adjustment layers, along with some handy layer blend modes.

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We need to make a copy of the Background layer. To do that, go up to the Layer menu in the Menu Bar along the top of the screen, choose New, then choose Layer via Copy. Or, for a faster way to duplicate a layer, simply press Ctrl+J (Win) / Command+J (Mac) on your keyboard:

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Once again, nothing will seem to have happened, but a small Smart Object icon appears in the lower right corner of the layer’s preview thumbnail letting us know it’s been converted into a Smart Object:

Once you have your perfect pencil sketch, why not try adding some color for a nice variation.

Learn how to turn any portrait image into a black and white or color pencil sketch using Photoshop CS6.

And there we have it! That’s how to turn a portrait photo into either a black and white or color pencil sketch using Smart Filters, adjustments layers and blend modes in Photoshop CS6! Visit our Photo Effects section for more Photoshop effects tutorials!

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We’re going to use this layer to colorize our sketch, so rather than putting up with Photoshop’s generic layer names like “Background copy 2”, let’s name the layer something more descriptive. Double-click directly on the words Background copy 2, which will select and highlight the name, then rename it Color. Press Enter (Win) / Return (Mac) when you’re done to accept the new layer name:

Filter>Blur>Gaussian Blur (You could actually use any filter, as long as it creates a difference between the 2 layers)

The controls and options for the Hue/Saturation adjustment layer appear in the Properties panel. To remove the color from the image, simply drag the Saturation slider all the way to the left to a value of -100:

This tutorial is from our Photo Effects series. Let’s get started!

And here, with more subtle colors, is my final “portrait to sketch” result:

The Color blend mode hides all the tonal information (the brightness values) on the layer and allows only the colors to show through, creating our colorizing effect:

This removes all color from the photo, leaving it in black and white:

We’ll start by learning how to convert the photo into a black and white sketch (and how to keep the effect fully editable with Smart Filters), then we’ll finish things off by learning how to colorize our sketch using colors from the original image.

With my image newly opened in Photoshop, we see in my Layers panel that the photo is sitting all by itself on the Background layer, currently the only layer in my document:

How to add adjustments to multi-layered photos in Photoshop tutorial

Duplicate the layer by dragging into the new layer icon, or press Ctrl/Cmd+J

Photoshop adds a Levels adjustment layer named Levels 1 directly above the Background copy Smart Object (and below the Hue/Saturation adjustment layer):

As you can see, the effect itself is quite simple and there are a number of variations that you can try to get very different looking results. Add a comment at let me know how you are using this effect.

How to apply photo adjustments to multi layered images. Tips for clipping adjustment layers to single layers and how to…

This opens the Gaussian Blur dialog box. To create our main sketch effect, all we need to do is apply some blurring to this layer. To do that, click on the Radius slider at the bottom of the dialog box and begin slowly dragging it towards the right to apply a slight amount of blur. Keep an eye on the image as you drag and you’ll see it beginning to look more and more like a sketch. Don’t drag too far, though, as too much blurring will make it look like a photo again. A little blurring is all we need.

Turn a photo into a pencil sketch in Photoshop tutorialColin Smith

This inverts the image, giving it a film negative appearance:

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