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Plugin For Photoshop Drawing Effect Pencil Sketch.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is necessary and preferred in the industry for this buffer or barrier. The same reflection can be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.

Utilization acid- gratuitous materials, Whatever matting, magnetic tape or adhesive, barriers, or financial support that you employment in the framing of your artistic production or drawing should be wholly acid free. Acidic materials, after long times of time may actually damage the artwork in the frame by distorting the definite paper or by turning the paper a yellowish color.

The glass must be excellently clean and should be tested for finger prints, dust, hair, or other strange material, before securing it permanently in the frame. You can have to do this more than once.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its condition within the mats or frame, it should only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured gravely at all four corners or around its perimeter, because the humidity changes chronically and the paper has to have liberty to flex, expand, and contract. Otherwise, the paper will ripple or develop outbreaks if it is confined in any characteristic successions in the paper become very obvious when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large plastic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as many of my drawings and illustrations using other media on paper, have been framed this routine for a number of years.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it should work if is part of a color use with a particular molding and if it is not overpowering the drawing. It`s great to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame should all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

It`s how your completed artwork is presented that makes all the difference. Although it`s teasing to just place your drawing in a ready-made frame, there are several things that you can take in musing before framing your artwork to insure it is adequately safeguarded over the years.

E`er bod with glass, I would ever systema skeletale with glass, just I would also pass the supererogatory money for the UV protection glass. However, I would never use non-glare glass or plexiglas.

Add a territorial dust cover, After attaching the art and framing materials to the definite frame, a dust cover can be used on the back to keep supplementary dust, spiders, or bugs from entering the framed picture compartment. This is usually done by using a two-sided tape on the back surface of the molding all the fashion around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive forge as it is spreaded flat as you press it onto the adhesive draw nigh . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any tiny fragments on your paper or drawing, you should look at the make headway neatly from a harsh angle, so that you could see them contrasting from the paper`s betide as they rise up. You should use a brush or compacted air to remove the fragments from the framing material.

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It may not seem like anything has happened, but if we look again in the Layers panel, we now see a small Smart Object icon in the lower right corner of the layer’s preview thumbnail. This tells us that the layer is now a Smart Object:

Note If you not sure that this plugin work with your Photoshop installation, try a free FX Tool first. You can download it from our homepage www.the-orange-box.com

https://cmkt-image-prd.global.ssl.fastly.net/0.1.0/ps/4082055/580/556/m1/fpnw/wm0/005-.jpg?1519998241&s=203be5e9867fb5338843c6206a28ada1

  • Installer to load the Sketch FX into the FX Box in Photoshop CC-2014 or newer
  • Short Instructions PDF + install video tutorial
  • FX Box v1.1

This re-opens the Color Picker, allowing you to choose something different. I’ll try a pinkish-purple this time:

FX Tool for the free FX Box for Adobe Photoshop® from CC-2014 and newer

And finally, here’s how the sketch will look after colorizing it with a gradient. At the end of the tutorial, we’ll see how to easily switch between all four versions so you can choose the one you like best:

In this tutorial, we’ll learn how to easily create a classic Photoshop effect, turning a photo into a pencil sketch! In fact, we’ll actually learn how to create four variations of the sketch effect, starting with a simple black and white version. We’ll then take our black and white sketch and learn a few different ways to colorize it, first using the photo’s original colors, then with a single color, and then with a gradient!

We propose an efficient method that lets you create realistic color drawings and B&W sketches, imitate the technique of graphite and color pencil, and even generate the charcoal, pastel, and watercolor effects.

The Color blend mode tells Photoshop to blend only the color from this layer and ignore everything else, and just like that, the sketch is now colorized:

Then, adjust the intensity of the colors if needed by lowering the layer’s opacity:

Now that we’ve colorized the sketch with a gradient, what if you like one of the previous colorized versions better (the one using the photo’s original colors or the one using the single color)? Or, what if you don’t like any of the colorized versions and want to go back to the black and white version? How do you switch back?

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To colorize the sketch with a gradient, we’ll use a Gradient fill layer. Click once again on the New Fill or Adjustment Layer icon at the bottom of the Layers panel:

This Plugin is language-independent. Therefore you do NOT change your Photoshop language setup.

We’ve created our main sketch effect, but depending on how much blurring you applied, you may be finding that your sketch is looking too light. If that’s the case, we can easily darken it using a Levels adjustment layer. To add a Levels adjustment layer, click on the New Fill or Adjustment Layer icon at the bottom of the Layers panel:

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This opens the Gaussian Blur dialog box. To create our main sketch effect, all we need to do is apply some blurring to the layer (the Smart Object). We control the amount of blurring using the Radius slider along the bottom of the dialog box. The further we drag the slider towards the right, the more we increase the radius value and the stronger the blurring will appear.

And now, the sketch appears colorized, in my case with blue:

When creating the sketch, the source will automatically be optimized.

Turning off the “Color” layer by clicking its visibility icon.

The more you lower the opacity value below its default 100%, the more the layers below the Levels adjustment layer will show through, brightening the sketch back up. I’ll lower mine down to around 40%, but keep an eye on your image as you adjust the opacity to find the value that works best:

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Let’s look at one more way to colorize the sketch, this time using a gradient. First, turn off the fill layer by clicking on its visibility icon in the Layers panel. This will once again return you to the black and white version of the sketch:

  • FX Box v1.1
  • Installer to load the Sketch FX into the FX Box in Photoshop CC-2014 or newer
  • Short Instructions PDF + install video tutorial

Now you do not need to handle a pencil to feel like an artist. All you need to create your original work of art is good taste and AKVIS Sketch!

Now that we’ve converted the layer into a Smart Object, let’s apply the Gaussian Blur filter. Go up to the Filter menu in the Menu Bar along the top of the screen, choose Blur, and then choose Gaussian Blur:

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Next, we need to remove all of the color from our “Background copy” layer, and we can do that quickly using Photoshop’s Desaturate command. Go up to the Image menu in the Menu Bar along the top of the screen, choose Adjustments, and then choose Desaturate. You can also use the keyboard shortcut Shift+Ctrl+U (Win) / Shift+Command+U (Mac):

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Then, to bring back the single color version, click on the Solid Color fill layer’s visibility icon (the empty square where the eyeball used to be) to turn it back on. Or, to bring back the photo’s original colors, click the “Color” layer’s visibility icon. I’ll turn my “Color” layer back on:

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INSTALLATION: Please make sure that you select “Load as Tools” when the dialog box appears during the installation process in Photoshop CC.2018!

The software has a neat interface with a few sliders. At first you can process the picture with the default settings and then touch up the image by adding color, or trying different techniques – from pencil to charcoal or watercolor. You can make the hatching denser or finer and change the pitch angle of strokes.

  • unhide the “sketch_image_color”
  • color the crosshatching strokes
  • hide or modifiy the overlay effects
  • change the background color or use one of the 7 preset colors

To colorize the sketch with a single color, we’ll use one of Photoshop’s Solid Color fill layers. Click once again on the New Fill or Adjustment Layer icon at the bottom of the Layers panel:

The new “Background copy 2” layer appears at the top of the layer stack.

The software is available as an independent standalone program and as a plugin to a photo editor. The plugin version is compatible with AliveColors, Adobe Photoshop, Corel PaintShop Pro, etc. Check the compatibility.

Changing the blend mode of the adjustment layer to Multiply.

If we look in the Layers panel, we see the Gradient fill layer (“Gradient Fill 1”) sitting at the top. Just as we’ve done a couple of times already, to blend the gradient in with the sketch, simply change the blend mode of the Gradient Fill layer from Normal to Color:

If you want to try a different color, double-click on the fill layer’s color swatch in the Layers panel:

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Changing the blend mode to Color Dodge turns the document temporarily white.

Once you’ve chosen a color, click OK to close out of the Color Picker. Your document will temporarily be filled with that color, and if you look in the Layers panel, you’ll see the new fill layer, named “Color Fill 1”, sitting at the top.

And there we have it! That’s how to easily turn a photo into a black and white pencil sketch, along with a few different ways to colorize it, in Photoshop! If you found this tutorial helpful, please consider supporting Photoshop Essentials by downloading the PDF version! Check out our Photo Effects section for more Photoshop effects tutorials!

To do that, click on the Background layer and drag it down onto the New Layer icon at the bottom of the Layers panel (second icon from the right):

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At this point, we have our main sketch effect, but currently it’s in black and white. Let’s look at a few different ways to colorize it. We’ll start by using the photo’s own original colors. For that, we need to make another copy of the Background layer, so click on the Background layer (the original Background layer that’s sitting below the other layers) and, just as we’ve done a couple of times already, drag it down onto the New Layer icon at the bottom of the Layers panel:

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AKVIS Sketch converts photos into pencil sketches and even creates watercolor paintings.

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If the color appears too strong, you can reduce it by lowering the opacity of the “Color” layer. I’ll lower mine down to 50%:

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Double-clicking the Gaussian Blur Smart Filter will re-open its dialog box.

With the “Color” layer now the top-most layer in the document, your original image will re-appear, blocking the other layers below it from view, which is obviously not what we want. We want to blend the color from the original image in with our sketch. To do that, simply change the blend mode of the “Color” layer from Normal to Color:

Sketch FX creates a realistic looking sketch from your image with only one click. Best suitable are sources like portraits or object images.

I’ll click OK to close out of the Color Picker, and now my sketch appears with my new color. You can go back and try as many different colors as you like until you find the one that works best:

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I end up with an effect that looks more like the original photo. The exact radius value you choose will depend both on your image and the type of effect you’re going for, so the best thing to do is keep an eye on your image as you drag the Radius slider and judge the results. In my case, even though I like both versions, I think I like this second, more photo-realistic version a bit better, so I’ll go with this one. Click OK when you’re done to close out of the Gaussian Blur dialog box:

To blend the color in with the sketch, simply change the fill layer’s blend mode from Normal to Color:

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Either way desaturates the image, leaving us with a black and white version of our photo:

Back in the Gradient Fill dialog box, I’ll change the Angle of the gradient from its default 90° to 135°, which will cause it to run diagonally across the image, creating a bit more interest:

Learn how to easily turn any photo into a black and white pencil sketch with Photoshop, and then learn three great ways to colorize the sketch! Includes both the video and written versions of the tutorial.

https://cmkt-image-prd.global.ssl.fastly.net/0.1.0/ps/4082257/580/389/m1/fpnw/wm0/000-.jpg?1520001321&s=77b3cec9219248336c7a9cb8eea1ac4a

The extremely helpful Timeline feature allows you get variations of your drawing without adjusting the settings. Watch the process and choose between the snapshots.

We have our main sketch effect, and we created it using a Gaussian Blur Smart Filter. As I mentioned earlier, Smart Filters remain fully editable, allowing us to easily go back and change the filter’s settings later if needed. How do we do that? Well, if we look again in the Layers panel, we now see the Gaussian Blur filter listed as a Smart Filter below the Smart Object we applied it to. If, at any point, you start thinking that your sketch could use a bit more fine-tuning, simply double-click directly on the words “Gaussian Blur” to re-open the Gaussian Blur dialog box and drag the Radius slider as needed:

Dragging the “Background copy” layer onto the New Layer icon.

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Photoshop makes a copy of the layer, names it “Background copy 3” and places it directly above the original Background layer:

Next, we need to change the blend mode of the layer. You’ll find the Blend Mode option in the upper left of the Layers panel. By default, the blend mode is set to Normal. Click on the word “Normal” to bring up a menu of other blend modes and choose Color Dodge from the list:

Clicking the arrow to the right of the gradient color swatch.

Photoshop adds a Levels adjustment layer, names it “Levels 1”, and places it above the other layers in the Layers panel:

Changing the blend mode of the layer from Normal to Color Dodge.

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  • center masked areas
  • resize small images
  • best effect setup

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If I increase the radius value to something much higher, maybe somewhere around 45 pixels:

Both professionals and home users will be delighted with the ease and effectiveness of the program and excited by the neat result of the photo-to-sketch conversion. Using AKVIS Sketch is a lot of fun!

And now I’m back to my sketch being colorized with the photo’s original colors:

This will turn the document completely white, or at least mostly white (you may see a few scattered areas of black depending on your image):

Changing the blend mode of the Gradient Fill layer to Color.

The program offers a list of ready-to-use presets which make it easier to work with the software and save you time. You can create your own presets with your favorite combinations of the photo to drawing parameters.

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Then choose Convert to Smart Object from the menu that appears:

The functionality of the software depends on the license type. Consult the comparison table.

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To choose a gradient, click on the small arrow to the right of the gradient color swatch at the top of the dialog box. Don’t click on the color swatch itself or you’ll open the Gradient Editor which is beyond the scope of this tutorial. Make sure you click on the arrow to the right of the color swatch:

We’re going to need this original image again later when we go to colorize the sketch, which means we’ll need to make sure we don’t make any changes to it. To keep it safe, the first thing we’ll do is make a copy of the image by duplicating the Background layer.

To convert the layer into a Smart Object, click on the small menu icon in the upper right corner of the Layers panel:

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When you release your mouse button, Photoshop makes a copy of the layer, names it “Background copy 2” and places it above the other layers:

Here’s the image I’ll be using (stylish beauty portrait photo from Shutterstock):

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An easy way to convert your pictures to freehand drawings in pencil.

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  • The color mode of the output image ist always RGB with a resolution of 72dpi
  • Works with PC and MAC
  • The source image always remains unaffected
  • You first need to install the free FX Box to load the Sketch FX tool
  • Optimized the longest side is min. 3000 px
  • The Sketch FX tool is language independent

We need to invert the brightness levels in this layer, making light areas dark and dark areas light, and we can do that using Photoshop’s Invert command. Go up to the Image menu at the top of the screen, choose Adjustments, and then choose Invert (keyboard shortcut: Ctrl+I (Win) / Command+I (Mac)):

If you continue to have trouble, check out this help file for more tips.

We’ll also learn how to keep our pencil sketch flexible and editable, letting us go back and fine-tune things as needed, by taking advantage of Photoshop’s Smart Filters, fill and adjustment layers, and layer blend modes.

To reduce the intensity of the color, simply lower the fill layer’s opacity, keeping an eye on the results as you drag the slider:

On the whole it’s a wonderful tool for those who have always wanted to draw but didn’t know how.

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If you find, as I do, that your sketch now appears too dark, you can fine-tune the amount of darkening by adjusting the opacity of the Levels adjustment layer. You’ll find the Opacity option directly across from the blend mode option at the top of the Layers panel.

The Multiply blend mode is one of a group of blend modes in Photoshop that darken the image, and right away, we see that my sketch now appears much darker:

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I’ll be using Photoshop CC here, but the steps we’ll be covering are fully compatible with any recent version of Photoshop so you can easily follow along no matter which version you’re using. Photoshop CS6 users may wish to check out the previous Photo To Pencil Sketch With Photoshop CS6 tutorial, while users of Photoshop CS5 and earlier can follow along with our original Portrait Photo To Color Sketch tutorial. Note, though, that the steps for colorizing the sketch with a single color and a gradient were not covered previously and are new to this latest version of the tutorial.

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This opens the Gradient Picker, showing us thumbnails of preset gradients we can choose from. To select a gradient, double-click on its thumbnail. This will both select the gradient and close the Gradient picker. For this tutorial, I’ll choose the Spectrum gradient (first thumbnail on the left, bottom row):

  • change the background color or use one of the 7 preset colors
  • hide or modifiy the overlay effects
  • color the crosshatching strokes
  • unhide the “sketch_image_color”

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The “Background copy 3” layer appears above the original Background layer.

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Release your mouse button when your hand cursor is directly over the New Layer icon. Photoshop makes a copy of the Background layer, names it “Background copy” and places it above the original:

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It’s easy. First, to hide the gradient, click on the Gradient Fill layer’s visibility icon in the Layers panel. With all three colorizing layers (the “Color” layer, the Solid Color fill layer and the Gradient Fill layer) now turned off, you’ll be back to your black and white version:

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We’re going to be using the “Background copy 3” layer to colorize our sketch, so let’s give it more descriptive name. To rename a layer, double-click directly on its name to highlight it:

In a moment, we’re going to create the main part of our sketch effect by blurring the layer using Photoshop’s Gaussian Blur filter. But rather than applying it as a normal filter, let’s apply Gaussian Blur as a Smart Filter.

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Using the software you can also add some unique background effects to your picture! Create a combination of a sketch and a photo, mixing drawings with real life; imitate motion or add a “time machine effect” by swirling the background. Put an accent to certain parts of the image by blurring the rest of it in an artistic way.

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We’ve created so many copies of our Background layer at this point that our Layers panel is becoming cluttered with them, and they all have names (“Background copy”, “Background copy 2”, “Background copy 3”) that don’t tell us anything about what the layer is being used for. Let’s break the cycle and rename the layer we just created.

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Try all the features of the software during the free 10-day evaluation period.

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The software offers two photo to sketch conversion styles: Classic and Artistic, which help to create a wide variety of pencil drawings. Each style has its own benefits. You may play with the settings and enjoy the results!

Click OK to close out of the dialog box when you’re done. Your document will temporarily be filled with the gradient:

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© 2019 Photoshop Essentials.com.For inspiration, not duplication.Site design by Steve Patterson.Photoshop is a trademark of Adobe Systems Inc.

The Batch Processing support lets you automatically convert a series of images. You can make comics or cartoons from your home videos in this way.

During the trial period you can try all options and choose the license you like.

  • The source image always remains unaffected
  • The Sketch FX tool is language independent
  • You first need to install the free FX Box to load the Sketch FX tool
  • The color mode of the output image ist always RGB with a resolution of 72dpi
  • Works with PC and MAC
  • Optimized the longest side is min. 3000 px

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In contrast to standard filters that offer an approximate sketch, AKVIS Sketch comes very close to the hand-drawn works of a human artist. Getting a similar result with the standard tools would require expertise in image editing and extensive manipulation with layers, masks, brushes and applying filters. AKVIS Sketch lets you create an awesome pencil drawing from any photograph with a mouse click!

With the name highlighted, type in the new name. Let’s name it “Color”. Press Enter (Win) / Return (Mac) on your keyboard when you’re done to accept the name change:

After lowering the opacity, the overall brightness is now looking better:

Here’s how it will look as the initial black and white sketch:

This opens the Gradient Fill dialog box. I covered everything you need to know about drawing and editing gradients in Photoshop in our How To Draw Gradients With The Gradient Tool and How To Use The Gradient Editor tutorials so I won’t go into detail here. Instead, let’s look at how to quickly select one of Photoshop’s preset gradients and how to apply it to our sketch.

What’s a Smart Filter, and how is it different from a normal filter? Well, Smart Filters are just like normal filters in Photoshop, only smarter! What makes them “smarter” is that while normal filters produce static results (that is, they make permanent changes to the pixels on a layer), Smart Filters are non-destructive and remain fully editable. They allow us to easily go back at any time and make changes to the filter’s settings without any loss of image quality. By applying Gaussian Blur as a Smart Filter, we’re giving ourselves the option to go back and fine-tune our sketch effect later rather than locking ourselves in with our initial filter settings.

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If you like the way your sketch effect looks using the photo’s original colors, you can stop here. Otherwise, let’s look at a second way to colorize it, this time using a single color. Before we do, let’s turn off the “Color” layer by clicking its visibility icon (the “eyeball” icon) in the Layers panel. This will bring back the black and white version of the sketch:

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The effect you achieve will depend on how much blurring you’ve applied. Lower radius values will create a sketch with fine, thin lines, while larger values will give you a more photo-realistic result. For example, if I choose a fairly low radius value of around 10 pixels:

Next, we need to make a copy of our desaturated layer. Click on the Background copy layer in the Layers panel and, just as we did with the original Background layer, drag it down onto the New Layer icon:

So how do we apply Gaussian Blur as a Smart Filter? For that, we first need to convert the layer to a Smart Object. Why do we need to convert it into a Smart Object? It’s because, when a filter is applied to a normal layer, it remains a normal, static filter. But when the exact same filter is applied to a Smart Object, it automatically becomes a Smart Filter!

You can make a pencil portrait as a gift for your relatives and friends, print your sketch on a T-Shirt, decorate a room with a watercolor drawing or a poster. Designers yse the program to can quickly bring images to one style for a web-site or an advertisement booklet. Authors create illustrations for their books with this software.

Here’s what my sketch looks like colorized with the Spectrum gradient:

Step 12: Move The “Color” Layer To The Top Of The Layer Stack

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  • AKVIS Sketch v.20.6 — Windows 64-bit (PlugIn+Standalone)
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  • AKVIS Sketch v.20.6 — Windows 32-bit (PlugIn+Standalone)
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With your image newly opened in Photoshop, if you look in your Layers panel, you’ll see the image sitting on the Background layer, currently the only layer in the document:

Here’s the same sketch again, this time colorized with a single color (you can choose any color you like):

The options and controls for the Levels adjustment layer appear in Photoshop’s Properties panel, but there’s nothing here that we need to do with them. Instead, to darken the sketch, all we need to do is change the blend mode for the Levels adjustment layer from Normal to Multiply:

Here’s the same sketch colorized with the photo’s original colors:

Then choose Solid Color from the top of the list that appears:

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The effect after changing the Levels blend mode to Multiply.

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To use this layer to colorize the sketch, we need to move it up to the top of the layer stack; in other words, move it above all the other layers. One way to do that would be to click on it and simply drag it up above the other layers, but there’s a faster way. To jump a layer directly to the top of the layer stack, first make sure it’s selected in the Layers panel. Then, press and hold Shift+Ctrl (Win) / Shift+Command (Mac) on your keyboard and press your right bracket key ( ] ). This will instantly jump the selected layer straight to the top:

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How To Turn A Photo Into A Pencil Sketch With Photoshop Step 1: Duplicate The Background Layer

PC: To extract a single file or folder, double-click the compressed folder to open it. Then, drag the file or folder from the compressed folder to a new location. To extract the entire contents of the compressed folder, right-click the folder, click Extract All, and then follow the instructions.

You do not need to register. Just download the full version and start your Free Trial!

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You can personalize your work of art by inserting an inscription, a signature, a greeting, a logo or a watermark; add a rough texture surface to your image, as if it had been drawn on canvas, corrugated paper, brick wall, etc.

As soon as you select the Solid Color fill layer, Photoshop will pop open the Color Picker, asking you to choose your color. Don’t worry about choosing the wrong color here because, as we’ll see in a moment, we can easily come back and pick a different one. I’ll choose a shade of blue to see what that looks like:

IMPORTANT: You need our free FX Box to load this BrowserBee into Photoshop. Install the FX Box first. Use FX Box from your download package or download it for free: www.the-orange-box.com

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