Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a protective barrier between the matting and the drawing. There is a standard thickness that is necessary and preferred in the industry for this buffer or barrier. The same reasoning can be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is unnecessary . Some framers use a foam-core board for backing.
Let your artwork breathe, In attaching the drawing to the backing or whatever secures its plight within the mats or frame, it must only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured firmly at all four corners or around its perimeter, because the humidity changes recurrently and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop sets if it is contained in any avenue batteries in the paper become very apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as a few of my drawings and illustrations using other media on paper, have been framed this method for a number of years.
The drawing must be cleaned well, removing smudges, dust, or eraser fragments. To notice if there are any tiny fragments on your paper or drawing, you should look at the near neatly from a critical angle, so that you can notice them contrasting from the paper`s fall as they rise up. You could use a brush or compacted air to remove the fragments from the framing material.
Usage acid- gratuitous materials, Whatever matting, tape or adhesive, barriers, or mount that you utilization in the frame of your artwork or drawing should be wholly acid free. Acidic materials, after long periods of time could actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.
Forever figure with glass, I would e`er compose with glass, just I would also drop the superfluous money for the UV safety glass. However, I would never use non-glare glass or plexiglas.
Add a protective dust cover, After attaching the art and framing materials to the actual frame, a dust cover should be used on the back to keep supplementary dust, spiders, or bugs from entering the framed photograph compartment. This is usually done by using a two-sided tape on the back draw near of the molding all the habit around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive surface as it is came as far as flat as you press it onto the adhesive draw closer . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.
It`s how your fulfilled artwork is presented that makes all the difference. Although it`s tempting to simply area your drawing in a ready-made frame, there are a few things that you must take in reflection before framing your artwork to insure it is adequately safeguarded over the years.
Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it may work if is part of a color peculiarity with a particular molding and if it is not overpowering the drawing. It`s good to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame can all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.
The glass can be fantastically clean and must be tested for finger prints, dust, hair, or other strange material, before securing it permanently in the frame. You may have to do this more than once.
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