Still Life Techniques Pencil Drawing

pencil drawings Still Life Techniques Pencil Drawing

Still Life Techniques Pencil Drawing

Still life with pencil step 7 step 7 shading technique stage 3
Still life with pencil step 6 step 6 shading technique stage 2
Still life pencil 4
Detailed pencil drawing still done mixed media by lauren manship at coroflot
Pencil still life drawings google search
Still life pencil 2
Still life techniques pencil drawing
Still life techniques pencil drawing
Still life with pencil step 5 step 5 shading technique stage 1
Drawing still life google search
Step 1 starting the still life drawing
Still life pastel 2
Drawing in soft pencil of a still life using observed directional light
Still life techniques pencil drawing
Still life drawing still life pencil drawing by trendedsabotage
Drawingpencilstill lifedrawing theory final product image
Basic drawing techniques steven levin artistsnetwork com
This drawing effectively uses combination of pencil and the cross hatching technique to give the two dimensional drawing a three dimensional effect
Pencil still life drawings still life pencil drawing
Still life techniques 7 pencil drawing

When you look through the viewfinder, everything within the frame is what you’ll draw, and you can ignore the rest. Not only will it improve your compositions, but it will also help with the next few steps in the drawing process.

At this point I was nearing the end of my drawing, so I wanted to make sure that the darkest shadow area was pure black, and the brightest highlight was white.

TECHNIQUE: Now lightly sketch in the shapes of any shadows or reflections onto each object.

Still Life is the best subject in art for learning and teaching the skills of drawing and painting. It teaches you how to look at objects and see them like an artist – with a perceptive awareness of their outline, shape, proportions, tone, color, texture, form and composition.

Once my drawing was “anchored,” I worked my way towards the center, extending all of my original lines until they connected with each other.

I always squint with one eye when I draw, and I’m sure many of you do as well. This helps because it eliminates depth perception and makes the subject you’re drawing appear flat. Be consistent in which eye you use, though; if you switch eyes you’ll see the objects move slightly, which can mess you up.

If I hadn’t had that mark, it would have been a lot harder to decide exactly where to draw the line.

NOTE: The drawing of the light and shade between the objects must be treated with as much importance as the drawing of the objects themselves. The shadows cast beneath and around the objects add as much to the definition of their shapes as does the shading of their surfaces. Notice how the counter-change of tones between the objects and their surrounding spaces takes over from the use of line to define their forms.

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TECHNIQUE: Once you are happy with the shape, proportion and composition of the still life, you can erase its lines of construction. This will leave you with an accurate outline of each form and the confidence that all the objects are positioned correctly. You are now ready to work on the details of each object.

After being away for a while, you’ll be able see if there are mistakes or places that should be completed but somehow got overlooked. Fix those, and at the same time use your eraser to pick out the brightest highlights in your drawing.

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Always begin drawings along the edges first, before you do anything else. This will “anchor” your drawing in place and keep you from running out of space later on.

What you do is, instead of trying to draw a bowl or fruit, draw the negative shapes between objects instead. Does that make sense?

No matter what anyone may tell you, drawing is a very learnable skill, no different than reading, writing, or riding a bike. It’s simply a question of having someone show you what to do and then practicing so you improve.

In today’s lesson we’re going to start with the most basic drawing skill that EVERY artist needs to learn. All you’ll need for this tutorial are some pieces of paper. . . read more

THE FINISHED STILL LIFE: The completed still life should work on two levels: as a realistic representation of the group of objects and as a dynamic composition of visual elements, harmonizing and contrasting the use of line, shape and tone.

This tip I learned from Drawing on the Right Side of the Brain by Betty Edwards. It’s stuck with me through the years and I use it every time I draw.

And even if there don’t seem to be pure black or pure white areas in real life, lie just a little bit and add them in anyway; your final drawing will look better.

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TECHNIQUE: When composing a still life, try to introduce the qualities that make an interesting arrangement. You need to be aware of the abstract structure of your arrangement: its balances and contrasts of line, shape, tone, color, pattern, texture and form.

NOTE: The more care you take over the accuracy of these marks, the easier you will find the next stage of the drawing – the shading of tones.

In this step, some basic tones are lightly applied to each object to help build up its three dimensional form.

When it comes to drawing it’s really never too late to improve, and you’ll get more out of it than just nice pencil work. I know that I learned to paint fairly easily simply because I already had a strong foundation in drawing.

TECHNIQUE: In any still life, you should start to draw the objects as if they are transparent wire frame forms with visible lines of construction. This technique helps you to be fully aware of the shape of each individual form and its position in relation to the other forms. It is important to sketch the objects lightly as this makes it easier to change any mistakes and erase any lines of construction.

NOTE: A transparent wire frame approach to sketching the still life helps you to organize the composition of the group. It makes it easier to see the shape, position and proportions of each object in relation to its neighbours.

It’s extremely important to make good lighting for yourself when you’re drawing indoors. If you don’t have that strong directional light, you won’t be able to see the shadows and highlights and your drawing will most likely turn out gray and visually flat.

This article contains step-by-step images of the process I use to create realistic looking drawings, as well as tips I’ve picked up over the years which anyone can use to improve their drawing skills.

This is a great way to get correct perspective lines, edges of buildings, or anything, really. No matter what I’m drawing this technique often comes in handy. Just make sure that you don’t subconsciously change the angle of your pencil to match your drawing.

For instance, the first line I made was the curved line on the left side of the rectangle. I looked through the viewfinder and took note of the spot where the outline of the orange crossed the edge of the border. It was just slightly below the halfway point between one of my marks and the top.

NOTE: This see-through drawing technique uses vertical and horizontal lines of construction to help you to draw convincing ellipses and to balance the symmetry of cylindrical forms.

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To make sure I’m starting in the right place, I usually make little marks halfway along each edge of my drawing, and then in the same place on the cardboard viewfinder.

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Once the line drawing is done, start filling in the darkest shadows first. Remember to look for areas of reflected light on the shadow sides of objects. Almost everything reflects light at least a little bit, and leaving those areas lighter will make your drawings much more three-dimensional. After your dark shadows are done, begin to work on the lighter tones all the way up to white.

And there’s the finished piece. I hope you enjoyed this tutorial; it was fun for me to just use pencils for a change, instead of my normal oil paints.

(This idea is similar to using a grid, except there aren’t any lines running across the picture.)

You can’t see those marks on the viewfinder above, but on the paper to the left I’ve put red arrows to show where they are.

Move the viewfinder around until you’ve found the best composition possible and tape it in place. Then draw the same size of rectangle on your paper.

The problem with just thinking “draw that orange,” is that your mind will bring up non-visual ideas about oranges instead of letting you focus on the specific shapes in front of you.

NOTE: The biggest problem at this stage is maintaining a balance of tones across the whole still life so that no object appears too dark or too light. You are searching for a unity of tone and form.

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I wanted to make sure that the two diagonal lines at the bottom of my drawing were correct, so I matched my pencil to the angles that I saw in the still life, and then moved my hand (while keeping the pencil at the same angle) in front of my paper and made sure the angles that I drew lined up.

TECHNIQUE: The second stage in building up the tone focuses on the spaces between and around the objects.

TECHNIQUE: In the third stage of building up the tone, you focus back on the objects. This time you deepen their tone, increasing the contrast between the areas of dark and light. This will enhance the form of the objects and increase their impact.

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With practice, your eyes will do this naturally, but it’s important if you’re just starting out to do it purposefully at first to build up the habit.

NOTE: You need to be careful in balancing the tonal values of the objects and the spaces between them to ensure that you create a unified image.

Steps 1 to 4: These steps demonstrate how to draw the shapes and proportions of the still life objects using line.

TECHNIQUE: The tone of our still life is built up in four stages outlined in Steps 5 – 8.

While you do this, you’ll generally want to keep moving all around the paper so that whole drawing progresses evenly. At this point in the drawing you should only be putting down the main outlines—no details or shading!

This is the best way I’ve found to start a drawing, and it’s pretty easy too. All you need to do is cut a rectangle out of a piece of cardboard (like a shoebox lid) and use it to visually crop your subject.

These marks give me smaller distances to measure between when I’m staring at my blank paper trying to figure out where along the edges I should begin.

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Draw lightly as well. When you get to tip #9 you’ll see why it’s a good idea.

Our step by step still life lesson will teach you the drawing techniques used to create the still life above which was done with a 2B pencil on cartridge paper.

What a lot of people don’t understand is that the most important partof any drawing is the initial line drawing. So always erase if you need to, because once you’ve got a good line drawing, you’re home free.

Learn How to See Light and Shadow with a Simple Drawing Exercise

Before I started on the drawing for this tutorial, the first thing I did was set up a lamp pointing at my still life from just a few feet away. I also turned off all the other lights in the room to increase contrast and clarify each shadow.

Spending too much time looking at your paper—instead of your subject—won’t work, and it’s easy to understand why. If your eyes are always on your paper, you won’t ever be seeing what you’re supposed to be drawing.

So when you draw or paint, flick your eyes back and forth and never let them rest for too long in one place.

TECHNIQUE: Finally, you focus again on the spaces between the objects, deepening their tones and increasing their contrast.

Having a full range of values in a drawing looks more natural, since it’s how we see in real life and it’s is easy enough to do by just adding more darks or using an eraser to pull out more highlights.

When the drawing is almost finished, I usually take a breather, walk around, and then come back to finish it.

Don’t just leave your mistakes there—fix them! If you can see a problem early on, your finished drawing will have it too. By then you won’t want to go all the way back and change everything, so get it right before you’re too far in.

Steps 5 to 8: These steps illustrate how to render the three dimensional form of the still life using tone.

Still Life Techniques Pencil Drawing