Two Side Hair Boy Pencil Sketch

May 30, 2019 12:50 am by theundertown
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Two Side Hair Boy Pencil Sketch

Once you start drawing the individual hairs, it’s easy to lose track and end up with inconsistent lighting across small groups of hair. Here’s an example:

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  • Hair
  • Eyebrows
  • Braids (Exclusive Tutorial)

If you don’t want to lose track of the overall lighting, use an HB pencil to shadow line areas of the hair you want to the light to fall on and then shade around those highlights. You can shade using a single tone or take it a step further and introduce darker tones. I used a blunt 4B pencil for that.

Click the following link and hit the download button beside the printer icon to download the PDF: RapidFireArt Tutorials – How to Draw Short Hair From the Side (Expanded)

Grouping is a great way to approach drawing a an entire head of hair, especially if the sheer amount intimidates you. This method can help you draw hair faster because you’re simplifying something that looks complex.

When you’re in the grouping phase, you’ll want to draw using very light outlines. These groups will eventually be broken down into smaller, more detailed sections of hair.

This part is self explanatory, but I decided to include it just in case. If you get the idea, move on to the next point.

In the meantime, here are other tutorials you can check out. But before you go, make sure to share this awesome tutorial with your friends using the social sharing buttons below. The bigger RFA’s audience gets, the more tutorials I will make! Thanks in advance for your support! 🙂

If you haven’t been mindful of the prearranged lighting and your highlights appear to be off, use your kneaded eraser to redefine them. If you want the highlights to pop more, increase the level of overall darkness and/or use an eraser to brighten up individual strands of hair.

The thing you need to keep in mind here is that the stroke needs to appear as though both ends are faded out or thinned out. The way to do this is to draw each hair using 2 strokes going in opposite directions. You only need to do this if your hair ends are noticeably blunt, making them appear unnatural.

Drawing hair isn’t about creating as many lines as possible. Between some hairs, there should be dark space. These dark spaces are important and can make a head of hair look more interesting to the eye and give the hair more volume or depth.

Looking for a highly detailed tutorial on how to draw short hair? This is a very extensive one with plenty of examples, a full step by step tutorial and mini tutorial.

The order in which you draw each group of hair is important. If you’re drawing a hairstyle where the hair is prominently parted at the side of the head, you’ll want to start your first layer there and work your way out.

Make sure the distance between the hair and head is consistent.

Now, you’ll want to draw from the end of the hair towards the highlight. If you draw the hair ends as dark as the root, the hair will have more of a curve to it.

After you’ve defined the major shadows, start drawing individual strands of hair. Naturally, you’ll start breaking large groups into smaller groups and you’ll find ways to incorporate overlapping hairs and other unique and interesting patterns.

If you’re drawing from a reference image, you can identify groups of hair by zooming out of the image or standing back to find patterns in the hair. Group hairs that are flowing in the same direction and/or close together.

Continue working around those highlights. When drawing hair at the nape of the neck, curl the hairs in towards the neck. For areas close to the back of the head that aren’t getting much light (the light source for your drawing may be different), focus more on mid tones and dark tones instead of trying to define highlights/shine. It’s okay if the hair doesn’t stand out.

Home Learn How to Draw How to draw short hair (very detailed)

  • Mechanical Pencil with HB and 4B 0.5mm Pentel (Ain) Lead
  • HB, 2B, 4B, 6B Derwent Pencils
  • Kneaded Rubber Eraser
  • Hair
  • short hair
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If you love RapidFireArt tutorials and want to support what I do, check out my Patreon page where you can support RFA and earn cool rewards at the same time!

If you end up reading through this entire tutorial, you will be more comfortable playing it by ear instead of pouring over the tiny details from your reference image.

Erase any outlines that you made for the head and then use an HB pencil to create an outline that separates the hair on the side of the head from the hair on top of the head.

The image below is an example of drawing from the part and working your way down the side of the head.

  • Detailing Short Hair
  • Shading
  • Grouping Hair
  • How to Draw a Small Section of Hair (Mini Tutorial)
  • Hair Flow/Direction
  • Layering Hair
  • Lighting and Consistency

If you’re still reading, you’re one heck of a patient person. I think you’re ready for the full tutorial now!

It’s an expanded version of the mini tutorial from my first hair article. So if you’ve seen the thumbnail for this article before, I’m not feeding you old content. What you’re getting in this tutorial is new content with more images, more steps, more explanations and over 2000 words of valuable content! Let’s get into it!

In step 2, if you can recall, I wanted the hair on top of the head to be longer than the sides. The longest hairs you will have to draw will be in your first layer. The following layers are overlapped by layer 1, so they’ll appear shorter.

If you have a reference image, look for patterns in the hair to find out the general direction where the majority of hair is flowing. In the image above, the hairs at the top of the head are all pointing in a similar general direction while hair on the side of the head seems to have a more unique flow. You can use arrows in your reference image to help visualize the flow.

Use your creativity to define shadows along random areas of hair. These might be areas that you’re not sure what to do with or that would have looked awkward if you did draw hair. You’ll know what I mean if you’re following along and applying this to your drawing.

Using a 4B mechanical pencil, I created strokes that were bold to begin with, but ended lightly as I approached the areas I wanted to highlight. Then I used a sharp HB pencil to fill in some spaces. I applied a variety of pressures to get a mix of different values and line thicknesses.

You can start drawing the individual hairs now. If you’re not comfortable with that just yet, see the mini tutorial from the original hair article. You can do this step with many pencils or you can use one. I usually draw one group of hair at a time. But in order to make this mini tutorial short, I’m working on all 3 groups at the same time.

Working in small sections at a time, I drew layer upon layer of large to medium groups of hair. Working in layers helps me carefully plan out the hair direction and flow.

Below are just a few ways you can detail hair. You can incorporate a few or all of them in your drawing wherever you see fit. Come up with your own formulas. It’s a lot of fun!

Some lines are shorter or longer than others. This is great, but make sure the area that you want to highlight has not been shifted.

Draw the shape of a head from the side. You can use this tutorial for proportions. Make sure to draw the ear and neck in this step as well. I used a 4B pencil so that you can clearly see my outlines. If you’re afraid of the outlines showing through in the end, use an HB pencil.

When you start shading, start by defining the darkest areas before drawing individual hairs (sharp 6B). If you happen to cross into the area you wanted most of the light to fall, do not introduce overly dark tones.

For the individual hairs, I used a 0.5mm 4B mechanical pencil.

If you did step 4, use a 4B pencil to layer groups of hair starting from the swirl at the very back of the head. If you didn’t do step 4, use an HB pencil. Make sure you keep the overall direction/flow in mind as you draw.

If all the hair is brushed from the back of the head towards the front, start your first layer of hair from the back of the head where the swirl or whorl is located.

If you often find it hard to keep track of the overall lighting while you’re drawing, it really helps to plan ahead. You can do this by outlining/shadow lining areas of the hair you want the light to fall on or areas you want to have the most shadow and then shade these areas in. This step should be done before grouping and layering.

Avoid drawing hairs that follow the exact direction your arrows are pointing. You can make your drawing look a lot more interesting by pointing the hair in several different directions, while still appearing to point in the same general direction.

If you like this tutorial and want to see more in-depth hair tutorials, drop me your suggestions in the comments below!

In the grouping phase, all you need to think about is the length, overall design and flow of hair.

If you’re drawing from a picture and you’ve lost track of which hair you just drew and you don’t know which patch of hair to draw next… there’s really no need to copy the exact picture hair by hair.

You can cover the entire side of the head or work section by section. I stopped as soon as I got close to the area I wanted most of the light to fall on.

You can easily change the highlighted section of hair by pinching your kneaded eraser into a long thin shape and swiftly remove graphite from your drawing.

After you’ve drawn the shadows, use your mechanical pencil to break groups of hair down into smaller groups until they start looking like individual strands of hair. While you’re drawing the strands, improvise and find unique ways to incorporate unruly, overlapping, loose hair, etc.

Decide on the length of hair you’d like to draw. In this example, the hair is shortest around the back and sides, while the hair on top of the head is longest. Once you’ve decided on the length, grab a blunt 4B pencil and use the shadow lining technique to outline the hair.

I hope I don’t lose you during any step in the application part of this tutorial, so here are a few things I want to cover with you before we start. Let’s talk about:

You can introduce dark shadows in areas like the swirl behind the head, spaces between large groups of hair or even areas where overlapping, curly or unruly hair appear.

Have a good idea of where you want the hair to be lightest and where it should be darkest. Use a soft but sharp pencil to shade the darkest areas of hair. I used a 6B. If you don’t want such dark shadows, use a harder pencil. Make sure to use strokes that follow the hair’s flow.

If you’ve shaded too dark, or simply want your highlights to pop more, roll your kneaded eraser into a ball, pinch one section so it’s flat and sharp and then run the eraser along areas you want to highlight as though you’re drawing white hair. The image on the left is before erasing and the one on the right is after.

In the image above, I shaded around major groups of hair, making certain areas darker than others to show some depth. Since this is the area I wanted the majority of light to fall on, I used an HB 0.5mm mechanical pencil and a 2B pencil to draw the individual hairs.

If the hair is brushed from front to back, you’ll draw starting from front to back.

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