Pencil zen drawing reproduction art print of a by zendrawing €7 50
06 inks
This week i opened a new etsyshop with my zen drawings you can find original drawings and reproductions and of course my dutch book about zen drawing
Messy mind zentangle doodle drawing moleskine illustration sketchbook
Happiness zen bamboo prisma pencil and watercolor drawing by rebecca rees

Under Town


Zen Pencil Sketches.

Stay away from black, As a general rule, I always stay away from black, especially solid black-although, it should work if is part of a color plan with a particular molding and if it is not overpowering the drawing. It`s great to have something that has a range of values-including molding and mats, working as a set. Even with the values and gradations created within the graphite media, the mat or mats and the frame can all be chosen to either compliment, subdue, or emphasize any particular value or aspect of your drawing.

The drawing can be cleaned well, removing smudges, dust, or eraser fragments. To see if there are any small fragments on your paper or drawing, you can look at the ensue densely from a severe angle, so that you can notice them contrasting from the paper`s forge as they rise up. You may use a brush or compressed air to remove the fragments from the framing material.

Add a protective dust cover, After attaching the art and framing materials to the definite frame, a dust cover must be used on the back to keep additional dust, spiders, or bugs from entering the framed picture compartment. This is usually done by using a two-sided tape on the back betide of the molding all the means around the perimeter. Then a piece of brown-colored paper is laid down on the adhesive make progress as it is extended flat as you press it onto the adhesive draw near . You then trim the outer edges of the brown-colored paper to fit and then you are ready to attach your hanging wire, before placing your artwork on display.

The glass must be fantastically clean and should be tested for finger prints, dust, hair, or other foreign material, before securing it lastingly in the frame. You can have to do this more than once.

Ever skeletal frame with glass, I would ever form with glass, simply I would as well expend the duplicate money for the UV safety glass. However, I would never use non-glare glass or plexiglas.

Use matting, I prefer using mats with the framing of my drawings. If an acidic matting is use, it can be backed by an acid-free material that will act as a territorial barrier between the matting and the drawing. There is a standard thickness that is necessary and favored in the industry for this buffer or barrier. The same musing should be given to the backing of your drawing. If your drawing or art is backed or mounted on an acid-free material, the barrier is avoidable . Some framers use a foam-core board for backing.

It`s how your completed artwork is presented that makes all the difference. Although it`s tantalizing to simply area your drawing in a ready-made frame, there are a few things that you should take in reasoning before framing your artwork to insure it is adequately protected over the years.

Let your artwork breathe, In attaching the drawing to the backing or whatever secures its predicament within the mats or frame, it should only be secured at the top and allowed to hang if an adhesive or tape is used. It must not be secured firmly at all four corners or around its perimeter, because the humidity changes chronically and the paper has to have freedom to flex, expand, and contract. Otherwise, the paper will ripple or develop installment if it is contained in any method concatenations in the paper become very apparent when the lighting is directional or at an angle to the framed piece of art. The light causes highlight and shadow because of the contours in the paper. Some framers are using a large synthetic photo type corner that allows the paper to slide in and be secure at all four corners and still allow for the flexing of the paper. It seems to be working quite well, as a few of my drawings and illustrations using other media on paper, have been framed this technique for a number of years.

Employment acid- complimentary materials, Any matting, tape recording or adhesive, barriers, or patronage that you use in the frame of your art or drawing can be totally acid free. Acidic materials, after long periods of time should actually damage the artwork in the frame by distorting the actual paper or by turning the paper a yellowish color.

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